The Man-Machine

Last updated

All lyrics are written by Ralf Hütter except "The Model", lyrics by Hütter and Emil Schult

The Man-Machine
Kraftwerk - The Man-Machine.png
Studio album by
ReleasedMay 1978 (1978-05)
Recorded1977–1978
Studio Kling Klang (Düsseldorf, West Germany)
Genre
Length36:10
Label
Producer
Kraftwerk chronology
Trans-Europe Express
(1977)
The Man-Machine
(1978)
Computer World
(1981)
2009 Edition
The Man Machine 2009.jpg
2009 remastered edition cover
Side one
No.TitleMusicLength
1."The Robots" ("Die Roboter")6:10
2."Spacelab"
  • Hütter
  • Bartos
5:50
3."Metropolis"
  • Hütter
  • Schneider
  • Bartos
6:01
Side two
No.TitleMusicLength
4."The Model" ("Das Model")
  • Hütter
  • Bartos
3:38
5."Neon Lights" ("Neonlicht")
  • Hütter
  • Schneider
  • Bartos
9:03
6."The Man-Machine" ("Die Mensch-Maschine")
  • Hütter
  • Bartos
5:28
Total length:36:10

Personnel

Credits adapted from the liner notes of the 2009 remastered edition of The Man-Machine. [27]

Kraftwerk

Additional personnel

Studios

Charts

Certifications and sales

RegionCertification Certified units/sales
Germany150,000 [37]
United Kingdom (BPI) [10] Gold100,000^

^ Shipments figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Kraftwerk</span> German electronic music band

Kraftwerk are a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet. Since the band's formation, it has seen numerous lineup changes, with Hütter as its only constant member.

<span class="mw-page-title-main">Kling Klang Studio</span> German recording studio; private music studio of the band Kraftwerk

Kling Klang is the private music studio of the band Kraftwerk. The name is taken from the first song on the Kraftwerk 2 album. The studio was originally located at Mintropstraße 16 in Düsseldorf, Germany, adjacent to Düsseldorf Hauptbahnhof, but in mid-2009 moved to Meerbusch-Osterath, around 10 kilometers west of Düsseldorf. The band also operate a record label named Kling Klang, which they use to release their music.

<i>Autobahn</i> (album) 1974 studio album by Kraftwerk

Autobahn is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klang facility, but was predominantly made at Conny Plank's studio. Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.

<i>Trans-Europe Express</i> (album) 1977 studio album by Kraftwerk

Trans-Europe Express is the sixth studio album by German band Kraftwerk. Recorded in 1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance.

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<i>Ralf und Florian</i> 1973 studio album by Kraftwerk

Ralf und Florian is the third studio album by the German electronic band Kraftwerk. It was released in October 1973 on Philips. It saw the group moving toward their signature electronic sound. It reached #160 on the US Top 200 Albums Chart in 1975.

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<i>Computer World</i> 1981 studio album by Kraftwerk

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Florian Schneider-Esleben was a German musician. He is best known as one of the founding members and leaders of the electronic band Kraftwerk, performing his role with the band until his departure in 2008.

<i>The Catalogue</i> 2009 box set by Kraftwerk

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<span class="mw-page-title-main">Wolfgang Flür</span> German musician

Wolfgang Flür is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators.

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<span class="mw-page-title-main">Das Model</span> 1978 song by Kraftwerk

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<i>Exceller 8</i> 1975 compilation album by Kraftwerk

Exceller 8 is the title of a 1975 compilation album of music by Kraftwerk. It was released by the Vertigo label in order to capitalize on both the summer chart success of the single "Autobahn" and the imminent release of the next Kraftwerk album Radio-Activity. By this time, Ralf Hütter and Florian Schneider had set up their own record and publishing company, Kling Klang.

<span class="mw-page-title-main">Fernando Abrantes</span> German-Portuguese producer and musician

Fernando Fromm-Abrantes is a German-Portuguese producer and musician.

<i>3-D The Catalogue</i> 2017 live album by Kraftwerk

3-D The Catalogue is the second official live album and most recent release by German electronic music band Kraftwerk. It was released on 26 May 2017 and was released on several formats, including a four-disc Blu-ray box set, an eight-disc CD box set and a nine-disc vinyl box set. It consists of live versions of every studio album Kraftwerk song from Autobahn (1974) to Tour de France Soundtracks (2003). The performances were recorded between April 2012 and October 2016 at venues around the world. The album was nominated for Best Surround Sound Album and won Best Dance/Electronic Album at the 60th Annual Grammy Awards, marking the band's first Grammy win.

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