Kraftwerk is a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet.
Radio-Activity is the fifth studio album by German electronic music band Kraftwerk, released in October 1975. The band's first entirely electronic album is also a concept album organized around the themes of radioactive decay and radio communication. All releases of the album were bilingual, with lyrics in both English and German. The album was accompanied by single release of the title track, which was successful in France and Belgium.
The Man-Machine is the seventh studio album by German electronic music band Kraftwerk. It was released on May 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. The album has a satirical bent to it. It is thought to address a wide-range of themes from the Cold War, Germany's fascination with manufacturing, and humankind's increasingly symbiotic relationship with machines. It includes the singles "The Model" and "The Robots".
Computer World is the eighth studio album by German electronic band Kraftwerk, released on 11 May 1981.
The Mix is the tenth studio album by the German electronic music band Kraftwerk. It was released on 11 June 1991 by Kling Klang and EMI in Europe and by Elektra Records in North America. It has entirely re-arranged and re-recorded versions of a selection of songs which had originally appeared on Kraftwerk's albums Autobahn (1974) to Electric Café (1986). Some of the songs, such as "The Robots" and "Radioactivity", have new additional melodies and/or lyrics.
"Vienna" is a song by British new wave band Ultravox from their 1980 fourth studio album of the same name. It was released as the album's third single on 9 January 1981 by Chrysalis Records and features Midge Ure singing the lead vocal.
"Talk" is a song by the British rock band Coldplay. Built around a motif from Kraftwerk's 1981 song "Computer Love", it was written by all members of the band and appeared on their third album, X&Y. In the United States, the song entered at number 86 on the Billboard Hot 100 and elsewhere in the world its success varied. It peaked at number one in the Netherlands on both the Dutch Top 40 and Single Top 100 charts, becoming the band's first number-one single there.
"Daughter" is a song by American rock band Pearl Jam, released in November 1993 as the second single from the band's second studio album, Vs. (1993). The song features lyrics written by vocalist Eddie Vedder and music written by the band's members.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Das Model" is a song recorded by the German group Kraftwerk in 1978, written by musicians Ralf Hütter and Karl Bartos, with artist Emil Schult collaborating on the lyrics. It is featured on the album, Die Mensch-Maschine.
"Too Much Love Will Kill You" is a song written by British guitarist Brian May of Queen, Frank Musker and Elizabeth Lamers. The song reflected the breakdown of May's first marriage and attraction to his future wife, Anita Dobson. It was first recorded by Queen around 1988 or before, and was intended to be on the band's The Miracle album in 1989, but did not make the cut due to legal disputes following the band's decision that all songs on the album would be written by the group as opposed to individuals.
"Blue Savannah" is a song by English synth-pop duo Erasure from their fourth studio album, Wild! (1989). Written by members Vince Clarke and Andy Bell, the song was released as a single in Japan on 25 January 1990 and was issued in the United Kingdom the following month. Alfa Records released it in Japan as the album's lead single, Mute Records released it in Europe as the album's third single, and Sire Records released it in the United States as the album's second single. Considered one of the band's signature songs, the duo still perform it regularly in concerts. It has been described as an uplifting love song; the instrumentation is crisp and heavily synthesized, accented with sweeping, programmed piano.
"Am I Right?" is a song by English synth-pop duo Erasure, released in November 1991 in Europe and Canada as the third single from their fifth studio album, Chorus (1991). Written by Erasure members Vince Clarke and Andy Bell, the ballad peaked at number 15 on the UK Singles Chart.
"Sit Down" is a song by English band James, originally released in June 1989 by Rough Trade Records. In its eight-and-a-half-minute original form, the song reached number 77 on the UK Singles Chart and was ranked number eight in John Peel's Festive Fifty of that year.
"Radioactivity" is a song by the German electronic music band Kraftwerk. It was released in May 1976 as the only single from their fifth studio album, Radio-Activity (1975). It sold 500,000 units in France.
"Autobahn" is a 1974 song by German electronic band Kraftwerk, being the second and lead single from their studio album of the same name. The song was composed by Ralf Hütter and Florian Schneider of the band, with Emil Schult collaborating on the lyrics. It is co-produced by Conny Plank, and was the band's first track to use sung lyrics. Recorded in 1974, the song is designed to capture the feel of driving on a motorway. "Autobahn" is Kraftwerk's biggest hit in the US, reaching number 25 on the Billboard Hot 100.
"The Joker" is a song by the Steve Miller Band from their 1973 album The Joker. Released as a single in October 1973, the song topped the US Billboard Hot 100 in early 1974 and reached the top 20 in Australia, Canada, and the Netherlands. More than 16 years later, in September 1990, "The Joker" reached number one on the UK Singles Chart for two weeks after being used in "Great Deal", a Hugh Johnson-directed television advertisement for Levi's, thus holding the record for the longest gap between transatlantic chart-toppers. This reissue of "The Joker" also topped the Irish Singles Chart, the New Zealand Singles Chart, the Dutch Nationale Top 100, and the Dutch Top 40.
"We Hate It When Our Friends Become Successful" is a song by English singer-songwriter Morrissey from his third studio album, Your Arsenal (1992). It was released as the lead single from the album on 27 April 1992 by His Master's Voice (HMV). It was the first Morrissey single to be co-written with guitarist Alain Whyte and produced by glam rock guitarist Mick Ronson, known for his work with David Bowie as one of the Spiders from Mars. The song peaked at No. 17 on the UK Singles Chart and No. 9 in Ireland.
"Voyage, voyage" is a song by French singer Desireless, released as the first single from her debut studio album, François (1989). It was written by Jean-Michel Rivat and Dominique Dubois, and produced by the former. Sung entirely in French, the song transcended the language barrier on the music charts and became a huge international success between 1986 and 1988, reaching the top position in more than ten countries across Europe.
"Das Boot" is the title theme to the film and TV series Das Boot, composed and produced by Klaus Doldinger, and released as a single in 1981. In 1991, the song was covered by German DJ and producer Alex Christensen and his dance music project U96. This techno version was U96's debut single, released by Polydor from the album of the same name (1992).
