1210s .1220s in art. 1230s |
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The decade of the 1220s in art involved some significant events.
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Ink wash painting ; is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
Li Tang was a Chinese landscape painter who practised at Kaifeng and Hangzhou during both the Northern Song and Southern Song dynasty. He forms a link between earlier painters such as Guo Xi, Fan Kuan and Li Cheng and later artists such as Xia Gui and Ma Yuan. He perfected the technique of "axe-cut" brush-strokes and his style of painting became for what is regarded as the academy-style landscape of the Southern Song.
Xia Gui, courtesy name Yuyu (禹玉), was a Chinese landscape painter of the Song dynasty. Very little is known about his life, and only a few of his works survive, but he is generally considered one of China's greatest artists. He continued the tradition of Li Tang, further simplifying the earlier Song style to achieve a more immediate, striking effect. Together with Ma Yuan, he founded the so-called Ma-Xia (馬夏) school, one of the most important of the period.
Tenshō Shūbun was a Japanese Zen Buddhist monk and painter of the Muromachi period.
The Zhe school (浙派) was a school of painters and was part of the Southern School, which thrived during the Ming dynasty. The school was led by Dai Jin, traditionally considered its founder. The "Zhe" of the name refers to Dai Jin's home province – Zhejiang. The school was not a school in the proper sense of the word in that the painters did not formulate a new distinctive style, preferring instead to further the style of the Southern Song, specializing in decorative and large paintings. Instead, the school was identified by the formal, academic and conservative outlook, being a revival in the early Ming dynasty of the Ma-Xia, 'academic', style of painting landscapes of the Southern Song.
Ma Yuan was a Chinese painter of the Song dynasty. His works, together with that of Xia Gui, formed the basis of the so-called Ma-Xia (馬夏) school of painting, and are considered among the finest from the period. His works has inspired both Chinese artists of the Zhe school, as well as the early Japanese painters Shūbun and Sesshū.
The decade of the 1470s in art involved some significant events.
The decade of the 1450s in art involved many significant events, especially in sculpture.
The decade of the 15th century in art involved some significant events.
Events from the 1220s in England.
The decade of the 1390s in art involved some significant events.
The decade of the 1380s in art involved some significant events.
The decade of the 1290s in art involved some significant events.
The decade of the 1300s in art involved some significant events.
The decade of the 1280s in art involved some significant events.
The decade of the 1350s in art involved some significant events.
The decade of the 1270s in art involved some significant events.
The decade of the 1160s in art involved some significant events.
Liu Songnian, was a Chinese landscape painter during the early Southern Song Dynasty (1127–1279). He was active from about 1190-1230 and is considered one of the Four Masters of the Southern Song dynasty, which also included Li Tang, Ma Yuan and Xia Gui. He studied and worked at the Imperial Academy of Painting in Hangzhou, capital of the Southern Song dynasty.
Xia is the Mandarin pinyin romanization of the Chinese surname written 夏 in Chinese character. It is romanized Hsia in Wade–Giles, and Ha in Cantonese. Xia is the 154th surname in the Song dynasty classic text Hundred Family Surnames. As of 2008, it is the 66th most common Chinese surname, shared by 3.7 million people.