Tanka is a genre of classical Japanese poetry and one of the major genres of Japanese literature.
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty. Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself, the Heian period, the Kamakura period, and so on, up through the poetically important Edo period and modern times; however, the history of poetry often is different from socio-political history.
Fujiwara no Sadaie (藤原定家), better-known as Fujiwara no Teika, was a Japanese anthologist, calligrapher, literary critic, novelist, poet, and scribe of the late Heian and early Kamakura periods. His influence was enormous, and he is counted as among the greatest of Japanese poets, and perhaps the greatest master of the waka form – an ancient poetic form consisting of five lines with a total of 31 syllables.
Sugawara no Michizane was a scholar, poet, and politician of the Heian period of Japan. He is regarded as an excellent poet, particularly in waka and kanshi poetry, and is today revered in Shinto as the god of learning, Tenman-Tenjin. In the poem anthology Hyakunin Isshu, he is known as Kanke (菅家), and in kabuki drama he is known as Kan Shōjō (菅丞相).
Fujiwara no Shunzei was a Japanese poet, courtier, and Buddhist monk of the late Heian period. He was also known as Fujiwara no Toshinari or Shakua (釈阿) and when younger (1123–67) as Akihiro (顕広). He was noted for his innovations in the waka poetic form and compiling the Senzai Wakashū, the seventh imperial anthology of waka poetry.
This page is part of the List of years in poetry. The List of years in poetry and List of years in literature provide snapshots of developments in poetry and literature worldwide in a given year, decade or century, and allow easy access to a wide range of Wikipedia articles about movements, writers, works and developments in any timeframe. Please help to build these lists by adding and updating entries as you use them. You can access pages for individual years within the century through the navigational template at the bottom of this page, and you can access pages for other centuries through the navigational template to the right. To access the poetry pages by way of a single chart, please see the Centuries in poetry page or the List of years in poetry page.
Years link to corresponding "[year] in poetry" articles.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Fujiwara no Michitsuna no Haha was a waka poet in the Mid Heian period. She was in her mid-thirties when she began to write her journal Kagerō Nikki, written in a combination of waka poems and prose. Her diary gave access to a woman's experience of a thousand years ago, with poems she recorded which vividly recall the past. These poems conveyed the life of a noblewoman during the Heian Period. She is one of the Nihon Sandai Bijin. Her true name is unknown to history.
Waka is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌, and a variant name is yamato-uta (大和歌).
The Asukai family was a Japanese noble family.
Nijō Ishi/Tameko was a representative poetess of the Nijō poetic school in the latter half of the Kamakura period. She was rewarded with Junior Third Rank posthumously. She was a descendant of Fujiwara no Teika, and the daughter of Nijō Tameyo, a great poet. She was the wife of Crown Prince Takaharu-shinnō.
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