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Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism has been termed "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
Dame Carol Ann Duffy is a Scottish poet and playwright. She is a professor of contemporary poetry at Manchester Metropolitan University, and was appointed Poet Laureate in May 2009, and her term expired in 2019. She was the first female poet, the first Scottish-born poet and the first openly lesbian poet to hold the Poet Laureate position.
Georgian Poetry is a series of anthologies showcasing the work of a school of English poetry that established itself during the early years of the reign of King George V of the United Kingdom.
Chinese poetry is poetry written, spoken, or chanted in the Chinese language, and a part of the Chinese literature. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry.
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs, or related fiction/non-fiction excerpts by different authors.
Jerome Rothenberg was an American poet, translator and anthologist, noted for his work in the fields of ethnopoetics and performance poetry. Rothenberg co-founded the method of ethnopoetics with Dennis Tedlock in the late 1960s.
The British Poetry Revival is the general name now given to a loose movement in the United Kingdom that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology The New American Poetry (1960) edited by Donald Allen.
The Fugitives also known as The Fugitive Poets, is the name given to a group of poets and literary scholars at Vanderbilt University in Nashville, Tennessee, who published a literary magazine from 1922 to 1925 called The Fugitive. The group, primarily driven by Robert Penn Warren, John Crowe Ransom, Donald Davidson, and Allen Tate, formed a major school of twentieth century poetry in the United States. With it, a major period of modern Southern literature began. Their poetry was formal and featured traditional prosody and concrete imagery often from experiences of the rural south. The group has some overlap with two later movements: Southern Agrarians and New Criticism.
The New American Poetry 1945–1960 is a poetry anthology edited by Donald Allen and published in 1960. It aimed to pick out the "third generation" of American modernist poets, and included quite a number of poems fresh from the little magazines of the late 1950s. In the longer term it attained a classic status, with critical approval and continuing sales. It was reprinted in 1999. As of 2024, Edward Field and Gary Snyder are the only contributors still living.
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty. Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself, the Heian period, the Kamakura period, and so on, up through the poetically important Edo period and modern times; however, the history of poetry often is different from socio-political history.
Rufus Wilmot Griswold was an American anthologist, editor, poet, and critic. Born in Vermont, Griswold left home when he was 15 years old. He worked as a journalist, editor, and critic in Philadelphia, New York City, and elsewhere. He built a strong literary reputation, in part due to his 1842 collection The Poets and Poetry of America. This anthology, the most comprehensive of its time, included what he deemed the best examples of American poetry. He produced revised versions and similar anthologies for the remainder of his life, although many of the poets he promoted have since faded into obscurity. Many writers hoped to have their work included in one of these editions, although they commented harshly on Griswold's abrasive character. Griswold was married three times: his first wife died young, his second marriage ended in a public and controversial divorce, and his third wife left him after the previous divorce was almost repealed.
Naomi Long Madgett was an American poet and publisher. Originally a teacher, she later found fame with her award-winning poems and was also the founder and senior editor of Lotus Press, established in 1972, a publisher of poetry books by black poets. Known as "the godmother of African-American poetry", she was the Detroit poet laureate since 2001.
The Mays Literary Anthology is an annual anthology of new writing by students from the University of Oxford and the University of Cambridge.
Bloodaxe Books is a British publishing house specializing in poetry.
Michael W. Horovitz was a German-born British poet, editor, visual artist and translator who was a leading part of the Beat Poetry scene in the UK. In 1959, while still a student, he founded the "trail-blazing" literary periodical New Departures, publishing experimental poetry, including the work of William S. Burroughs, Allen Ginsberg and many other American and British beat poets. Horovitz read his own work at the 1965 landmark International Poetry Incarnation, at the Royal Albert Hall in London, deemed to have spawned the British underground scene, when an audience of more than 6,000 came to hear readings by the likes of Ginsberg, Burroughs, Gregory Corso and Lawrence Ferlinghetti.
Han poetry as a style of poetry resulted in significant poems which are still preserved today, and whose origins are associated with the Han dynasty era of China, 206 BC – 220 AD, including the Wang Mang interregnum. The final years at the end of the Han era often receive special handling for purposes of literary analysis because, among other things, the poetry and culture of this period is less than typical of the Han period, and has important characteristics of its own, or it shares literary aspects with the subsequent Three Kingdoms period. This poetry reflects one of the poetry world's more important flowerings, as well as being a special period in Classical Chinese poetry, particularly in regard to the development of the quasipoetic fu; the activities of the Music Bureau in connection with the collection of popular ballads and the resultant development of what would eventually become known as the yuefu, or as the rhapsodic formal style; and, finally, towards the end of the Han dynasty, the development of a new style of shi poetry, as the later development of the yuehfu into regular, fixed-line length forms makes it difficult to distinguish in form from the shi form of poetic verse, and at what point specific poems are classified as one or the other is somewhat arbitrary. Another important poetic contribution from the Han era is the compilation of the Chuci anthology, which contains some of the oldest and most important poetic verses to be preserved from ancient China, as well as the transmission of the Shijing anthology.
Qing poetry refers to the poetry of or typical of the Qing dynasty (1644–1911). Classical Chinese poetry continued to be the major poetic form of the Qing dynasty, during which the debates, trends and widespread literacy of the Ming period began to flourish once again after a transitional period during which the Qing dynasty had established its dominance. Also, popular versions of Classical Chinese poetry were transmitted through Qing dynasty anthologies, such as the collections of Tang poetry known as the Complete Tang Poems and the Three Hundred Tang Poems. The poetry of the Qing Dynasty has an ongoing and growing body of scholarly literature associated with its study. Both the poetry of the Ming dynasty and the poetry of the Qing dynasty are studied for poetry associated with Chinese opera, the developmental trends of Classical Chinese poetry and the transition to the more vernacular type of Modern Chinese poetry, as well as poetry by women in Chinese culture.
Waka is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌, and a variant name is yamato-uta (大和歌).
Sunflower Splendor: Three Thousand Years of Chinese Poetry is an anthology of around 1,000 Chinese poems translated into English, edited by Wu-chi Liu and Irving Yucheng Lo and published in 1975 by Anchor Press/Doubleday. Wu-chi Liu served as the anthology's senior editor. As of 2002, the book had been widely used in Asian literature studies. In 2002 Stacy Finz of the San Francisco Chronicle wrote that the book "was a best-seller".