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A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue.
The Mesoamerican ballgame was a sport with ritual associations played since at least 1650 BC by the pre-Columbian people of Ancient Mesoamerica. The sport had different versions in different places during the millennia, and a modernized version of the game, ulama, is still played by the indigenous populations in some places.
In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how we have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.
A Venus figurine is any Upper Palaeolithic statue portraying a woman, usually carved in the round. Most have been unearthed in Europe, but others have been found as far away as Siberia and distributed across much of Eurasia.
The Aurignacian is an archaeological industry of the Upper Paleolithic associated with Early European modern humans (EEMH) lasting from 43,000 to 26,000 years ago. The Upper Paleolithic developed in Europe some time after the Levant, where the Emiran period and the Ahmarian period form the first periods of the Upper Paleolithic, corresponding to the first stages of the expansion of Homo sapiens out of Africa. They then migrated to Europe and created the first European culture of modern humans, the Aurignacian.
The Gravettian was an archaeological industry of the European Upper Paleolithic that succeeded the Aurignacian circa 33,000 years BP. It is archaeologically the last European culture many consider unified, and had mostly disappeared by c. 22,000 BP, close to the Last Glacial Maximum, although some elements lasted until c. 17,000 BP. In Spain and France, it was succeeded by the Solutrean, and developed into or continued as the Epigravettian in Italy, the Balkans, Ukraine and Russia.
Portable art refers to the small examples of Prehistoric art that could be carried from place to place, which is especially characteristic of the Art of the Upper Palaeolithic and Mesolithic eras. Often made of ivory, bone, antlers or stone, these pieces have been found in South Africa all the way up to Eurasia. It is one of the two main categories of Prehistoric art, the other being the immobile Parietal art, effectively synonymous with rock art.
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.
Paleolithic religions are a set of spiritual beliefs and practices that are theorized to have appeared during the Paleolithic time period. Paleoanthropologists Andre Leroi-Gourhan and Annette Michelson believe unmistakably religious behavior emerged by the Upper Paleolithic, before 30,000 years ago at the latest, but behavioral patterns such as burial rites that one might characterize as religious — or as ancestral to religious behavior — reach back into the Middle Paleolithic, as early as 300,000 years ago, coinciding with the first appearance of Homo neanderthalensis and possibly Homo naledi.
The Venus of Hohle Fels is an Upper Paleolithic Venus figurine made of mammoth ivory that was unearthed in 2008 in Hohle Fels, a cave near Schelklingen, Germany. It is dated to between 42,000 and 40,000 years ago, belonging to the early Aurignacian, at the very beginning of the Upper Paleolithic, which is associated with the earliest presence of Cro-Magnon in Europe.
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.
The Prehistoric Sites and Decorated Caves of the Vézère Valley is a UNESCO World Heritage Site in France since 1979. It specifically lists 15 prehistoric sites in the Vézère valley in the Dordogne department, mostly in and around Les Eyzies-de-Tayac-Sireuil, which has been called the "Capital of Prehistory". This valley is exceptionally rich in prehistoric sites, with more than 150 known sites including 25 decorated caves, and has played an essential role in the study of the Paleolithic era and its art. Three of the sites are the namesakes for prehistoric periods; the Micoquien, Mousterian, and Magdalenian. Furthermore, the Cro-Magnon rock shelter gave its name to the Cro-Magnon, the generic name for the European early modern humans. Many of the sites were discovered or first recognised as significant and scientifically explored by the archaeologists Henri Breuil and Denis Peyrony in the early twentieth century, while Lascaux, which has the most exceptional rock art of these, was discovered in 1940.
Romanian art consists of the visual and plastic arts originating from the geographical area of Romania. The production of art in Romania is as old as the Paleolithic, an example being a cave painting from the Cuciulat Cave. During the Neolithic, multiple cultures lived on the modern territory of Romania. Their material culture included pottery and abstract clay statuettes decorated with geometric patterns. These may give hints on the way these civilizations used to dress and maybe tattoo. A good examples of this is the Thinker of Hamangia, a clay figurine produced by the Hamangia culture. Important cultures of the Neolithic era include Starčevo–Körös–Criș, Boian, Gumelnița–Karanovo, and other ones, the most famous and at the same time the most evolved among them in art being the Cucuteni–Trypillia culture. During Antiquity, the Geto-Dacians produced art and built multiple cities of the dava type. Greek colonies appear in Dobruja, including Tomis, and Mangalia. After the Dacian Wars, Emperor Trajan transformed a big part of Dacia into a province of the Roman Empire. The province underwent an intense process of Romanization.
Laugerie-Basse is an important Upper Paleolithic archaeological site within the territory of the French commune Les Eyzies-de-Tayac-Sireuil in Dordogne. It is known for several works of art from the Magdalenian. In 1979, Laugerie-Basse, along with other nearby paleolithic sites, was inscribed on the UNESCO World Heritage List as Prehistoric Sites and Decorated Caves of the Vézère Valley.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
Ceramic art is art made from ceramic materials, including clay. It may take varied forms, including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware.
Prehistoric religion is the religious practice of prehistoric cultures. Prehistory, the period before written records, makes up the bulk of human experience; over 99% of human experience occurred during the Paleolithic period alone. Prehistoric cultures spanned the globe and existed for over two and a half million years; their religious practices were many and varied, and the study of them is difficult due to the lack of written records describing the details of their faiths.
References
- ↑ Wenke, Robert J. (2007). Patterns in prehistory : humankind's first three million years. Deborah Olszewski (5th ed.). New York: Oxford University Press. ISBN 978-1-4294-4033-2. OCLC 79474236.
- ↑ Settegast, Mary (1990). Plato prehistorian : 10,000 to 5000 B.C. : myth, religion, archaeology. Hudson, N.Y.: Lindisfarne Press. ISBN 0-940262-34-7. OCLC 23919620.
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