1548 in art

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Last updated February 18, 2024

Events from the year 1548 in art.

Events

Works

Tintoretto Miracle of the Slave^[1]
Titian Equestrian Portrait of Charles V
Caterina van Hemessen Self-portrait

Painting

Girolamo Siciolante da Sermoneta – Madonna with Six Saints (for San Martino (Bologna))^[2]
Frans Floris – The Judgement of Paris (approximate date)
Tintoretto
- Miracle of the Slave^[3]
- St Mark's Body Brought to Venice
Titian
- Equestrian Portrait of Charles V
- Venus with Organist and Cupid ^[4]
Caterina van Hemessen
- Portrait of a Woman (Rijksmuseum)
- Self-portrait
- Young girl
Jan Sanders van Hemessen – The Calling of Saint Matthew
Daniele da Volterra – Madonna with Child, young Saint John the Baptist and Saint Barbara (approximate date)

Sculpture

Pierino da Vinci - Young River God with Theee Putti

Publications

Paolo Pino - Dialogo di pittura^[5]

Births

March 18 - Cornelis Ketel, Dutch Mannerist painter (died 1616)^[6]
May - Karel van Mander, Flemish painter, poet and biographer (died 1606)^[7]
August 26 - Bernardino Poccetti, Italian Mannerist painter and printmaker (died 1612)
date unknown
- Ippolito Andreasi, Italian painter (died 1608)
- Pietro Francavilla, Franco-Flemish sculptor (died 1615)^[8]
probable
- Peter Candid, Dutch painter and architect (died 1628)^[9]
- 1548/1550: Palma il Giovane, Italian Mannerist painter from Venice (died 1628)

Deaths

June 11 – Agostino Busti, Italian High Renaissance sculptor (born 1483)^[10]
November 10 – Giovanni Battista Averara, Italian painter (born 1508)
date unknown
- Matthys Cock, Flemish landscape painter (born 1505)
- Battista Dossi, Italian painter who belonged to the Ferrara School of Painting (born 1490)
- Martin Schaffner, German painter and medallist (born 1478)
probable
- Jean Mone, German-Flemish sculptor (born 1500)
- Matteo dal Nasaro Veronese, Italian sculptor and engraver (born unknown)
- Girolamo Savoldo, Italian High Renaissance painter (born 1480/1485)

Related Research Articles

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Jan Sanders van Hemessen was a leading Flemish Renaissance painter, belonging to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting. Van Hemessen had visited Italy during the 1520s, and also Fontainebleau near Paris in the mid 1530s, where he was able to view the work of the colony of Italian artists known as the First School of Fontainebleau, who were working on the decorations for the Palace of Fontainebleau. Van Hemessen's works show his ability to interpret the Italian models into a new Flemish visual vocabulary.

<span class="mw-page-title-main">Catharina van Hemessen</span> Flemish Renaissance painter

Caterina or Catharina van Hemessen was a Flemish Renaissance painter. She is the earliest female Flemish painter for whom there is verifiable extant work. She is mainly known for a series of small-scale female portraits completed between the late 1540s and early 1550s and a few religious compositions.

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References

↑ Tom Nichols (1999). Tintoretto: Tradition and Identity. Reaktion Books. p. 269. ISBN 978-1-86189-120-4.
↑ Sydney Joseph Freedberg (1 January 1993). Painting in Italy, 1500-1600. Yale University Press. p. 496. ISBN 978-0-300-05587-0.
↑ Helen Gardner; Horst De la Croix; Richard G. Tansey (1986). Gardner's Art Through the Ages. Harcourt Brace Jovanovich. p. 650. ISBN 978-0-15-503765-6.
↑ Barbara Von Barghahn (1985). Age of Gold, Age of Iron: Text. University Press of America. p. iii. ISBN 978-0-8191-4739-4.
↑ Maria Rika Maniates (1979). Mannerism in Italian Music and Culture, 1530-1630. Manchester University Press. p. 518. ISBN 978-0-7190-0737-8.
↑ George S. Keyes; Nora M. Heimann; Rosamond Hurrell (1986). A Collection Rediscovered: European Paintings from the Tweed Museum of Art. Minneapolis Institute of Art. p. 60. ISBN 978-0-912964-29-4.
↑ Kunsthistorisches Museum Wien. Gemäldegalerie (1913). Guide to the Picture Gallery: Old Masters. p. 64.
↑ Katharine Watson (1983). Pietro Tacca, Successor to Giovanni Bologna. Garland Pub. p. 38. ISBN 978-0-8240-3255-5.
↑ David Esterly (1998). Grinling Gibbons and the Art of Carving. H.N. Abrams. p. 41. ISBN 978-0-8109-4142-7.
↑ Sir John Wyndham Pope-Hennessy (1996). An Introduction to Italian Sculpture: Italian Renaissance sculpture. Phaidon Press. p. 411. ISBN 978-0-7148-3015-5.

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[1] Tom Nichols (1999). Tintoretto: Tradition and Identity. Reaktion Books. p. 269. ISBN 978-1-86189-120-4.

[2] Sydney Joseph Freedberg (1 January 1993). Painting in Italy, 1500-1600. Yale University Press. p. 496. ISBN 978-0-300-05587-0.

[3] Helen Gardner; Horst De la Croix; Richard G. Tansey (1986). Gardner's Art Through the Ages. Harcourt Brace Jovanovich. p. 650. ISBN 978-0-15-503765-6.

[4] Barbara Von Barghahn (1985). Age of Gold, Age of Iron: Text. University Press of America. p. iii. ISBN 978-0-8191-4739-4.

[5] Maria Rika Maniates (1979). Mannerism in Italian Music and Culture, 1530-1630. Manchester University Press. p. 518. ISBN 978-0-7190-0737-8.

[6] George S. Keyes; Nora M. Heimann; Rosamond Hurrell (1986). A Collection Rediscovered: European Paintings from the Tweed Museum of Art. Minneapolis Institute of Art. p. 60. ISBN 978-0-912964-29-4.

[7] Kunsthistorisches Museum Wien. Gemäldegalerie (1913). Guide to the Picture Gallery: Old Masters. p. 64.

[8] Katharine Watson (1983). Pietro Tacca, Successor to Giovanni Bologna. Garland Pub. p. 38. ISBN 978-0-8240-3255-5.

[9] David Esterly (1998). Grinling Gibbons and the Art of Carving. H.N. Abrams. p. 41. ISBN 978-0-8109-4142-7.

[10] Sir John Wyndham Pope-Hennessy (1996). An Introduction to Italian Sculpture: Italian Renaissance sculpture. Phaidon Press. p. 411. ISBN 978-0-7148-3015-5.

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