Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" and "Hollywood". The industry is a part of the larger Indian cinema, which also includes South Indian cinema and other smaller film industries.
Dev Anand was an Indian actor, writer, director and producer known for his work in Hindi cinema. Anand is considered as one of the greatest and most successful actors in the history of Indian cinema. Through a career that spanned over six decades, he worked in more than 100 films. Anand is a recipient of four Filmfare Awards, including two for Best Actor. The Government of India honoured him with Padma Bhushan, Indian third highest civilian honour in 2001 and with Dadasaheb Phalke Award in 2002.
Suraiya Jamal Sheikh, mononymously known as Suraiya, was an Indian actress and playback singer who worked in Hindi films. In a career spanning from 1936 to 1964, Suraiya acted in over 70 films and sang 338 songs. Regarded among the finest and greatest actresses in the history of Indian cinema, she was known for her strong on-screen portrayals. Suraiya was the most celebrated actress between the mid- to late 1940s and early 1950s and was paid more than her male counterparts.
Nargis Dutt was an Indian actress and politician who worked in Hindi cinema. Regarded as one of the finest and greatest actresses in the history of Indian cinema, Nargis often portrayed sophisticated and independent women. Her work was in a range of genres, from screwball comedy to literary drama, and earned her various accolades.
Geeta Bali was an Indian actress who worked in Hindi films. Bali is regarded among the finest actresses in the history of Indian cinema, Bali acted in over 75 films in a career spanning over two decades. She was twice nominated for Filmfare Awards.
Mumtaz Shanti was an actress in pre-partition Indian cinema. Working in Bollywood films of the 1940s and also the early 1950s, she moved to Pakistan after the partition of India and retired from her entertainment career.
Anmol Ghadi is a 1946 Indian drama film directed by Mehboob Khan, starring Surendra, Suraiya, Noor Jehan and Zahur Raja.
Dard (Pain) is a 1947 Bollywood drama film directed by Abdul Rashid Kardar. The film was produced by Kardar Productions. It was a surprise "musical hit" at the box office as it had an ordinary star cast. Suraiya played the second lead, with Munawwar Sultana as the main heroine. The film was Suraiya's first "big hit", becoming a popular singing star following the success of the film. The hero of the film was Kardar's brother Nusrat (Kardar), who shifted to Pakistan following Partition in 1947, where he acted in a few films.
Dillagi is a 1949 Indian Bollywood film. The film was produced and directed by A. R. Kardar for his "Kardar Productions", and had music composed by Naushad. The film starred Suraiya and Shyam, alongside Chandabai, Sharda, Amar and Amir Banu. The story was a romantic tragedy and became commercially successful, being the fourth highest grossing film of the year.
Manmohan is a 1936 Indian Urdu/Hindi-language romantic tragedy film directed by Mehboob Khan. This was Khan's third film for Sagar Movietone after Al Hilal (1935) and Deccan Queen (1936). The cinematographer was Faredoon Irani who, starting from Mehboob Khan's Al Hilal (1935), went on to establish a long working relationship with him lasting till Khan's last film Son of India (1962). The music was composed by Ashok Ghosh assisted by Anil Biswas. The story writer was Zia Sarhadi who also wrote the lyrics, screenplay and dialogue in addition to acting in the film. Though he had started his writing career on Khan's backing for Deccan Queen (1936), it was with Manmohan that he achieved success. The film was inspired by Devdas, (1935), which was a big hit at the box office. Surendra was chosen as the singing star to rival K. L. Saigal from New Theatres Calcutta, whose songs from Devdas had mesmerised the nation. Though Manmohan was referred to as the "poor man's Devdas" the film went on to do well and the songs became very popular. The film starred Bibbo, Surendra, Yakub, Kayam Ali, Bhudo Advani and Mehdi Raza.
Deccan Queen is a 1936 Hindustani action-adventure film directed by Mehboob Khan. It was the first "stunt" film from Sagar Movietone and the first film for actor Surendra, who was credited as "Surendra Nath B.A., L.L.B.". The film helped launch him as a singing star. This was the only action film directed by Mehboob Khan as he later shifted to films with social and political slant. This was Mehboob Khan's second directorial venture after Al Hilal (1935). He asked Zia Sarhadi then an unknown small-time actor, to write the screenplay, dialogue and songs for Deccan Queen. The music direction was by Pransukh Nayak along with Ashok Ghosh. The cinematographer was Faredoon Irani. The film starred Surendra, Aruna Devi, Ramchandra Pal and Kayam Ali.
Jagirdar (Landlord) is a 1937 Hindi romantic melodrama film directed by Mehboob Khan, and starring Bibbo, Motilal, Surendra, Yakub, Pande, Sankatha Prasad, Pesi Patel and Maya Banerjee.
Bulo C Rani was an Indian music director. He was a music director in Bollywood from the 1940s until the 1960s. He scored music for 71 films from 1943–72, including some evergreens like "hame to loot liya mil ke husn waalo ne" and others.
Surendra was an Indian singer-actor of Hindi films. Known by his mononym, Surendra was born and educated in Punjab to be a lawyer by profession. He came to Bombay to become a singer on the recommendation of a Delhi distributor and his friends. He was "picked" by Mehboob Khan whom he met at Sagar Movietone, to sing and act in films as an alternative to the then Calcutta-based singer-actor, K. L. Saigal. Surendra started his career with his debut starring role in Deccan Queen (1936), directed by Mehboob Khan. He soon became a part of Sagar Movietone when his song "Birha Ki Aag Lagi More Man Mein" from the film became an "instant hit".
M. Zahoor, also written as M. Zahur or Zahoor Ahmed, was an actor known for playing villains in Hindi films in India during 1930s and 40s. He was the maternal uncle of the Indian actress-singer, Suraiya, and was instrumental in her getting entry into Hindi films in Bombay. In 1941, he took her to the sets of the movie Taj Mahal, where she was spotted by the director of the film, Nanubhai Vakil, who selected her to play the role of the young Mumtaz Mahal. Zahoor also wrote the story of the film 1857 (1946), starring Suraiya and Surendra. He migrated to Pakistan along with his mother later after India's independence.
The Bimal Roy Memorial Trophy honor experienced artists and other contributors from the Indian film industry as well as a young filmmaker. It has been awarded every year since 1997, by the Bimal Roy Memorial & Film Society. The Trophy is named after Bimal Roy, an Indian filmmaker who became known as the "Silent Master of Indian Cinema".
Munawar Sultana was an Indian cinema actress, who acted in Hindi films. She is cited as one of the "popular" actresses of the late 1940s to early 1950s period, along with Noor Jehan, Swarnalata and Ragini. Her specialty was playing a selfless woman, enduring the rough treatment meted by her husband and family, but who eventually "brought her erring husband back home".
Suraiya Jamal Sheikh, mononymously known as Suraiya, was an Indian actress and playback singer who worked in Hindi films. In a career spanning from 1936 to 1964, Suraiya acted in over 70 films and sang 338 songs. Regarded among the finest and greatest actresses in the history of Indian cinema, she was known for her strong on-screen portrayals. Suraiya was the most celebrated actress between the mid- to late 1940s and early 1950s and was paid more than her male counterparts.
