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The Actors' Equity Association (AEA), commonly called Actors' Equity or simply Equity, is an American labor union representing those who work in live theatrical performance. Performers appearing in live stage productions without a book or through-storyline may be represented by the American Guild of Variety Artists (AGVA). The AEA works to negotiate quality living conditions, livable wages, and benefits for performers and stage managers. A theater or production that is not produced and performed by AEA members may be called "non-Equity".
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100.
The American Federation of Television and Radio Artists (AFTRA) was a performers' union that represented a wide variety of talent, including actors in radio and television, radio and television announcers and newspersons, singers and recording artists, promo and voice-over announcers and other performers in commercials, stunt persons and specialty acts—as the organization itself publicly stated, "AFTRA's membership includes an array of talent". On March 30, 2012, the members of AFTRA and of the Screen Actors Guild (SAG) voted to merge and form SAG-AFTRA.
Broadway theatre, or Broadway, is a theatre genre that consists of the theatrical performances presented in 41 professional theaters, each with 500 or more seats, in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada, known as simply the International Alliance of Theatrical Stage Employees, is a North American labor union representing over 168,000 technicians, artisans, and craftspersons in the entertainment industry, including live theatre, motion picture and television production, broadcast and trade shows in the United States, its territories, and Canada. It was awarded the Tony Honors for Excellence in Theatre in 1993.
Dinner theater is a form of entertainment that combines a restaurant meal with a staged play or musical. "Dinner and a show" can also refer to a restaurant meal in combination with live concert music, where patrons listen to a performance during a break in the meal. In the case of a theatrical performance, sometimes the play is incidental entertainment, secondary to the meal. In the style of a night club, the play may be the main feature of the evening, with dinner less important or optional. Dinner theater requires the management of three distinct entities: a live theater, a restaurant and, usually, a bar.
The Hebrew Actors' Union (HAU) was a craft union for actors in Yiddish theater in the United States, and was the first actors' union in the United States. The union was affiliated with the Associated Actors and Artistes of America of the AFL.
Rosetta LeNoire was an American stage, film, and television actress. She was known to contemporary audiences for her work in television. She had regular roles on such series as Gimme a Break! and Amen, and is particularly known for her role as Estelle "Mother" Winslow on Family Matters. In 1999, she was awarded the National Medal of Arts.
Abraham Lincoln Erlanger was an American theatrical producer, director, designer, theater owner, and a leading figure of the Theatrical Syndicate.
Contact is a musical "dance play" that was developed by Susan Stroman and John Weidman, with its "book" by Weidman and both choreography and direction by Stroman. It ran both off-Broadway and on Broadway in 1999–2002. It consists of three separate one-act dance plays.
The Ovation Awards are a Southern California award for excellence in theatre, established in 1989. They are given out by the non-profit arts service organization LA Stage Alliance and are the only peer-judged theatre awards in Los Angeles. Winners are selected by a voting committee of Los Angeles area theater professionals who are selected through an application process every year. The Ovation Awards ceremony has been held at different theatres throughout the Los Angeles area, including the Ahmanson Theatre and the Orpheum Theatre. Hosts for the ceremonies have included Nathan Lane, Lily Tomlin, and Neil Patrick Harris.
The Broadway League, formerly the League of American Theatres and Producers and League of New York Theatres and Producers, is the national trade association for the Broadway theatre industry based in New York, New York. Its members include theatre owners and operators, producers, presenters, and general managers in New York and more than 250 other North American cities, as well as suppliers of goods and services to the theatre industry.
Frederick Bianchi is an American-born composer and music technologist. Central to his work is the integration of acoustic instruments with electronic/computer-generated sound. He has been the recipient of numerous awards, honors, and citations including the ASCAP Young Composers Award, the Russolo-Pratella International Electronic Music Competition in Italy, the Bourges International Computer Music competition in France, the Kennedy Center's Friedheim Award competition in orchestral composition, the National Orchestral Association's Orchestral Fellow Award in New York City, and the United States Institute for Theatre Technology 'Award for Innovation'.
The Stage Directors and Choreographers Society (SDC), formerly known as Society of Stage Directors and Choreographers (SDC), is an independent national labor union established in 1959, representing theatrical directors and choreographers working on Broadway, National Tours, Off-Broadway, and in various resident, regional, and stock theatres throughout the United States.
2007 Broadway Stagehands Strike was a strike action by stagehands represented by Theatrical Protective Union Number One of the International Alliance of Theatrical Stage Employees (IATSE) against the Shubert, Jujamcyn, and Nederlander theaters. The strike commenced on November 10, 2007, at 10:00 A.M. in New York City. It was the second strike on Broadway in five years.
Buena Vista Theatrical Group Ltd., doing business as the Disney Theatrical Group, is the live show, stageplay and musical production arm of The Walt Disney Company. The company is led by Thomas Schumacher, Anne Quart, and Andrew Flatt, and is a division of Walt Disney Studios, forming a part of Disney Entertainment, one of the three major business segments of The Walt Disney Company.
Frank J. Macchiarola, was an American academic. His interests and expertise spanned the legal, academic, executive management and public service areas. From 2008 until his death, Macchiarola was the Chancellor of St. Francis College, after having been the college's president from 1996 to 2008.
The 1919 Actors' Equity Association strike officially spanned from August 7, 1919, to September 6, 1919. In the late 19th and early 20th centuries, the theatre industry was revolutionized by powerful management groups that monopolized and centralized the industry. These groups created harsh working conditions for the actors. On May 26, 1913, actors decided to unionize, and they formed the Actors' Equity Association. After many failed attempts to negotiate with the producers and managers for fair treatment and a standard contract, Equity declared a strike against the Producing Managers' Association on August 7, 1919. During the strike, the actors walked out of theaters, held parades in the streets, and performed benefit shows. Equity received support from the theatrical community, the public, and the American Federation of Labor, and on September 6, 1919, the actors won the strike. The producers signed a contract with the AEA that contained nearly all of Equity's demands. The strike was important because it expanded the definition of labor and altered perceptions about what types of careers could organize. The strike also encouraged other groups within the theatre industry to organize.
The Producing Managers' Association (PMA) was a coalition of theatrical managers established on April 23, 1919. Formed in an effort to reduce conflicts between producers and theater managers and share common interests, it became the main vehicle for negotiation with the Actors' Equity Association (Equity) and Actors' Fidelity League (Fidelity) during the 1919 actors' strike.
References
- 1 2 3 4 5 Mulder, Catherine P. (2009). Unions and Class Transformation: The Case of the Broadway Musicians. Taylor & Francis US. pp. 56–58. ISBN 978-0415996167.
- 1 2 3 4 5 Brenner, Aaron; Day, Benjamin; Ness, Immanuel (2009). The Encyclopedia of Strikes in American History . M.E. Sharpe. pp. 683. ISBN 978-0765613301.
- 1 2 3 4 5 Pogrebin, Robin (11 March 2003). "Theater Strike Ends After All-Night Talks". New York Times. Retrieved 24 November 2012.
- 1 2 Pogrebin, Robin (3 March 2003). "Broadway Musicians Set New Strike Date As Talks Continue on Staffing at Theaters". New York Times. Retrieved 24 November 2012.
- ↑ Pogrebin, Robin (8 March 2003). "The Theater Walkout: Overview; Musicians' Strike Dims the Lights Along Broadway". New York Times. Retrieved 24 November 2012.
- ↑ Seigenthaler, John (8 March 2003). "New York, New York / Broadway / Musicians' Strike". NBC Evening News. Retrieved 24 November 2012.