Publisher | Revue 24 images |
---|---|
Founded | 1979 |
Country | Canada |
Based in | Montreal, Quebec |
Language | French |
Website | Official website |
ISSN | 0707-9389 |
24 images is a French-language film magazine published in Montreal, Quebec, Canada. [1]
Founded in 1979 [2] by Benoît Patar, 24 images changed editors in 1987, with Marie-Claude Loiselle and Claude Racine assuming control. Loiselle and Racine improved the stature of the publication, adding such writers as Philippe Gajan, Gérard Grugeau, Thierry Horguelin, Gilles Marsolais and André Roy. [3] It was published on a monthly basis. [4] In May 2007, the magazine launched its weekly webzine. [5] [6]
Cahiers du Cinéma is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 and Ciné-Club du Quartier Latin.
The New Wave, also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema.
The Barbarian Invasions is a 2003 Canadian-French sex comedy-drama film written and directed by Denys Arcand and starring Rémy Girard, Stéphane Rousseau and Marie-Josée Croze. The film is a sequel to Arcand's 1986 film The Decline of the American Empire, continuing the story of the character Rémy, a womanizing history professor now terminally ill with cancer.
Claude Fournier was a Canadian film director, screenwriter, editor and cinematographer. He is one of the forerunners of the Cinema of Quebec. He was the twin brother of Guy Fournier.
Roy Michael Joseph Dupuis is a Canadian actor best known in America for his role as counterterrorism operative Michael Samuelle in the television series La Femme Nikita. In Canada, specifically Quebec, he's known for numerous leading roles he's played in film. He portrayed Maurice Richard on television and in film and Roméo Dallaire in the 2007 film Shake Hands with the Devil.
Mon oncle Antoine is a 1971 French-language Canadian drama film directed by Claude Jutra for the National Film Board of Canada.
The Decline of the American Empire is a 1986 Canadian sex comedy-drama film directed by Denys Arcand and starring Rémy Girard, Pierre Curzi and Dorothée Berryman. The film follows a group of intellectual friends from the Université de Montréal history department as they engage in a long dialogue about their sexual affairs, touching on issues of adultery, homosexuality, group sex, BDSM and prostitution. A number of characters associate self-indulgence with societal decline.
Léolo is a 1992 Canadian coming of age-fantasy film by director Jean-Claude Lauzon. The film tells the story of a young boy named Léo "Léolo" Lauzon, played by Maxime Collin, who engages in an active fantasy life while growing up with his Montreal family, and begins to have sexual fantasies about his neighbour Bianca, played by Giuditta del Vecchio. The film also stars Ginette Reno, Pierre Bourgault, Andrée Lachapelle, Denys Arcand, Julien Guiomar, and Germain Houde. Gilbert Sicotte narrates the film as the adult Léolo.
Les Films Séville was a Canadian film distributor company. First based on Saint-André Boulevard in 1983, it moved its operations in 1993 to Saint Laurent Boulevard, as the Canadian branch of Republic Pictures Home Video and Turner Home Entertainment, distributing releases from the two companies into Canada. The company distributed Entertainment One’s movies in Quebec.
David La Haye is a Canadian actor.
Amazones d'Hier, Lesbiennes d'Aujourd'hui is the name of a quarterly French language magazine published starting 1982 by a lesbian collective in Montreal made of Louise Turcotte, Danielle Charest, Genette Bergeron and Ariane Brunet.
Rodrigue Jean is a Canadian film director, screenwriter, and producer of Acadian origin. He has been a theatre director, dancer and choreographer.
The Cat in the Bag is a 1964 drama film by Gilles Groulx, which played a seminal role in the development of Quebec cinema. The film's themes, improvisational style, hand-held camera work and evocative music signalled the emergence of a new generation of Quebec films and filmmakers.
Ciné-Bulles is a quarterly French-language film magazine published in Montreal, Quebec, Canada, by the Association des cinémas parallèles du Québec, an association of Quebec independent theatre operators.
Séquences is a French-language film magazine originally published in Montreal, Quebec by the Commission des ciné-clubs du Centre catholique du cinéma de Montréal, a Roman Catholic film society. It is the third oldest French film magazine in publication after Les Cahiers du cinéma and Positif.
Le Film français is a weekly French film magazine that was founded in 1944 by Jean-Bernard and Jean-Placide Derosne Mauclaire. The magazine is headquartered in Paris. In the 1980s it was described as similar to American magazine Variety. Annually since 1994, the magazine has awarded the Trophées du Film français, which honour the best in film of every year.
André Roy is a Canadian poet and arts critic from Quebec. He won the Governor General's Award for French-language poetry in 1985 for Action writing and was a shortlisted nominee for the award on three other occasions.
The Prix Iris for Best Art Direction is an annual film award presented by Québec Cinéma as part of the Prix Iris awards program, to honour the year's best art direction in the Cinema of Quebec.
Cargo is a Canadian drama film, directed by François Girard and released in 1990. Girard's feature film debut, the film centres on a sailing trip undertaken by Alice, her father Philippe and her lover Marcel. After they are caught in a violent storm which kills Philippe but from which Alice and Marcel are rescued, Philippe is left alone wandering a ghost ship and struggling to make sense of his fate.