2 A. M. in the Subway

Last updated

2 A. M. in the Subway
2 A. M. in the Subway 1905 film still.jpg
Film still
Directed by Billy Bitzer
Starring Sidney Olcott
Release date
  • 1905 (1905)
Running time
53 sec
CountryUnited States

2 A. M. in the Subway is a one shot, 53 second-long comedy filmed, and probably directed, by Billy Bitzer on June 5, 1905 at the American Mutoscope and Biograph Company's (AM&B) studio on 14th Street in New York City. [1] Likely intended as a slightly racy, and therefore rather typical, subject for AM&B's peepshow machine, The Mutoscope, 2 A. M. in the Subway is a vignette of New York City's night life that still resonates with New Yorkers more than a century later.

Contents

Plot summary

2 A. M. in the Subway (1905)

A tired cop and a subway conductor are seen waiting at a subway platform, late at night. The conductor opens the doors to the train at left, and out steps an obviously drunk man, played by Sidney Olcott, [2] carried between two women in fancy dress. The cop begins to mix it up with the three of them, and they are interrupted by another man in a bowler hat; he is carrying a large package and steps onto the train to the right after greeting the two women and the drunk man. One of the women steps forward into the frame and lifts up her skirt so that the drunk man can tie her shoe. This gets the attention of the cop, who hustles the three of them onto the train; meanwhile what appears to be a pair of bare legs stick out from a window of a train car and are quickly withdrawn. The cop just manages to notice this, and calls all parties back out to the platform where it is revealed that the man in the bowler hat has a pair of department store mannequin's legs with him.

Historical background

On May 21, 1905, Billy Bitzer had made his film Interior N.Y. subway, 14th St. to 42nd St. from the front of a New York City Subway car; at that point the Subway itself had been open only seven months. The very day that subject was submitted for copyright, this one was made at the Biograph studio; it was copyrighted on 20 June. Although the six actors involved are unidentified, aside from Sidney Olcott, the action is obviously tightly coordinated in order to get all of the action into such a short subject.

AM&B sent two paper prints of this film for copyright, and the better of the two copies was rephotographed for preservation. [3]

Related Research Articles

<span class="mw-page-title-main">Billy Bitzer</span> American cinematographer (1872–1944)

Gottfried Wilhelm Bitzer was an American cinematographer, notable for his close association and pioneering work with D. W. Griffith.

The year 1903 in film involved many significant events in cinema.

<span class="mw-page-title-main">Biograph Studios</span> Former film studio and laboratory complex in the United States

Biograph Studios was an early film studio and laboratory complex, built in 1912 by the Biograph Company at 807 East 175th Street, in The Bronx, New York City, New York, which was preceded by two locations in Manhattan.

<span class="mw-page-title-main">Biograph Company</span> Defunct American film studio

The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films. During the height of silent film as a medium, Biograph was the most prominent U.S. film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.

<span class="mw-page-title-main">Actuality film</span> Film genre using footage of real events

Actuality film is a non-fiction film genre that uses footage of real events, places, and things, a predecessor to documentary film. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as prominent in early cinema as it would become once documentaries became the predominant non-fiction filmmaking form. Actuality as a film genre is related to still photography.

<span class="mw-page-title-main">Gene Gauntier</span> American novelist

Gene Gauntier was an American screenwriter and actress who was one of the pioneers of the motion picture industry. A writer, director, and actress in films from mid 1906 to 1920, she wrote screenplays for 42 films. She performed in 87 films and is credited as the director of The Grandmother (1909).

<span class="mw-page-title-main">Kalem Company</span>

The Kalem Company was an early American film studio founded in New York City in 1907. It was one of the first companies to make films abroad and to set up winter production facilities, first in Florida and then in California. Kalem was sold to Vitagraph Studios in 1917.

<i>Sherlock Holmes Baffled</i> 1900 film by Arthur Marvin

Sherlock Holmes Baffled is an American silent trick film created in 1900 with cinematography by Arthur Marvin. It is the earliest known film to feature Arthur Conan Doyle's detective character Sherlock Holmes, albeit in a form unlike that of later screen incarnations. In the film, a thief who can appear and disappear at will steals a sack of items from Sherlock Holmes. At each point, Holmes's attempts to thwart the intruder end in failure.

<i>A Drunkards Reformation</i> 1909 film

A Drunkard's Reformation is a 1909 American drama film directed by D. W. Griffith. Prints of the film survive in the film archive of the Library of Congress. The American Mutoscope and Biograph Company advertised the feature as "The most powerful temperance lecture ever depicted".

Wallace McCutcheon Sr. was a pioneer cinematographer and director in the early American motion picture industry, working with the American Mutoscope & Biograph, Edison and American Star Film companies. McCutcheon's wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928).

<i>The Maniac Cook</i> 1909 film

The Maniac Cook is a 1909 American silent thriller film produced by the Biograph Company of New York, directed by D. W. Griffith, and starring Anita Hendrie in the title role. Principal cast members also include Harry Solter and Marion Leonard.

<i>Edgar Allen Poe</i> (film) 1909 film

Edgar Allen Poe [sic] is a 1909 American silent drama film produced by the Biograph Company of New York and directed and co-written by D. W. Griffith. Herbert Yost stars in this short as the 19th-century American writer and poet Edgar Allan Poe, while Linda Arvidson portrays Poe's wife Virginia. When it was released in February 1909 and throughout its theatrical run, the film was consistently identified and advertised with Poe's middle name misspelled in its official title, using an "e" instead of the correct second "a". The short was also originally shipped to theaters on a "split reel", which was a single reel that accommodated more than one film. This 450-foot drama shared its reel with another Biograph short, the 558-foot comedy A Wreath in Time. Prints of both films survive.

<i>The Lost Child</i> (1904 film) 1904 American film

The Lost Child is a 1904 American short silent comedy film produced by the American Mutoscope & Biograph Company and directed by Wallace McCutcheon, Sr.

<i>Trying to Get Arrested</i> 1909 American comedy short film

Trying to Get Arrested is a 1909 American comedy short film directed by D. W. Griffith, produced by the Biograph Company of New York City, and starring John R. Cumpson. Filmed in two days in early 1909 at Palisades Park, New Jersey, it was released in April that year and distributed to theaters on a "split reel", which was a single film reel that included more than one motion picture. The other picture that accompanied this comedy was the Biograph "dramedy" The Road to the Heart.

<i>A Rude Hostess</i> 1909 film

A Rude Hostess is a 1909 American silent film comedy written and directed by D. W. Griffith, produced by the American Mutoscope and Biograph Company in New York City, and co-starring Marion Leonard and Arthur V. Johnson. At its release in April 1909, the short was distributed to theaters on a "split reel", which was a single reel that accommodated more than one film. A Rude Hostess shared its reel with another Biograph comedy short directed by Griffith, Schneider's Anti-Noise Crusade. Original contact-print paper rolls of both motion pictures, as well as projectable safety-stock copies of the films, are preserved in the Library of Congress.

<i>Schneiders Anti-Noise Crusade</i> 1909 film

Schneider's Anti-Noise Crusade is a 1909 American silent film comedy written and directed by D. W. Griffith, produced by the American Mutoscope and Biograph Company in New York City, and co-starring John R. Cumpson and Florence Lawrence. At its release in April 1909, the short was distributed to theaters on a "split reel", which was a single reel that accommodated more than one film. This short shared its reel with another Biograph comedy directed by Griffith, A Rude Hostess.

<i>Jones and His New Neighbors</i> 1909 film

Jones and His New Neighbors is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Anita Hendrie. It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in March 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph short directed by Griffith, the dramatic "thriller" The Medicine Bottle.

<i>Jones and the Lady Book Agent</i> 1909 Biograph comedy film

Jones and the Lady Book Agent is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Flora Finch as the "lady book agent". It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in May 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph comedy short directed by Griffith, The French Duel. The film was released on May 10, 1909 by Biograph Company and was met by positive viewers. The film is presumed lost.

<i>The Invisible Fluid</i> 1908 film

The Invisible Fluid is a 1908 American silent science fiction comedy film produced by the American Mutoscope and Biograph Company of New York, directed by Wallace McCutcheon Sr., and starring Edward Dillon. The short's plot relies extensively on the filming and editing technique of substitution splicing, also known as "stop trick", a special effect that creates the illusion of various characters or objects suddenly vanishing on screen.

<i>Chocolate Dynamite</i> 1914 comedy film

Chocolate Dynamite is a lost 1914 American silent comedy film produced by the Biograph Company and according to some modern references, directed by either Lionel Barrymore or Edward Dillon. Little is known about many aspects of this short, which had an approximate running time between six and seven minutes. No Biograph studio records have been found that conclusively identify its director or mention by name a single actor in the production. Records do document that the motion picture was based on "Captured by Dynamite", a short story written by Helen Combes. They also document that the comedy was filmed in New York City and was actually completed in late August 1913, a full six months before the company officially released it to theaters. During the picture's initial distribution in the United States, it was shipped on a "split reel", a term used in the silent era to describe a reel that held more than one motion picture. The film reel for Chocolate Dynamite also included Because of a Hat, another Biograph comedy short.

References

  1. Fitzpatrick, Tracy (2009). Art and the subway : New York underground. New Brunswick, NJ: Rutgers University Press. p. 54. ISBN   978-0-8135-4452-6.
  2. Derrien, Michel. "Les premières armes". sidneyolcott.com (in French). Retrieved September 28, 2022.
  3. "2 a.m. in the subway / American Mutoscope and Biograph Company". loc.gov. Retrieved September 28, 2022.