3's a Crowd | |
---|---|
Also known as | Bill Schwartz Quartet |
Origin | Vancouver, British Columbia, Canada |
Genres | Folk rock |
Years active | 1964 | –1969
Labels | Dunhill Records, Epic Records, RCA Records |
Past members |
|
3's a Crowd was a folk rock band from Vancouver who existed from 1964 to 1969, spending most of that time in Toronto and Ottawa. [2] The group had some Canadian chart success, but is particularly notable for the caliber of Canadian musicians who passed through its ranks and would later establish successful careers of their own, including Bruce Cockburn, Colleen Peterson, David Wiffen, Trevor Veitch, and Brent Titcomb. 3's a Crowd is also remembered for its association with Cass Elliott, who co-produced the group's only album.
3's a Crowd was formed in 1964, and was originally called the Bill Schwartz Quartet (though it was a trio, and no one named Bill Schwartz was in the group -- the joke was that the mythical "Schwartz" wasn't showing up to his own gigs). The group initially consisted of singer Donna Warner, [3] Trevor Veitch (guitar) and Brent Titcomb (guitar, percussion, harmonica), who met when they were playing, in separate acts, at the 1964 Calgary Stampede. The three moved to Vancouver, where they became regulars at The Bunkhouse and decided to form a band. [4]
In 1966, they moved to Toronto and sent a demo tape to Sid Dolgay, who had been a member of The Travellers but had formed his own management company, and he signed the trio. He sent them on the road, and they played clubs across Canada, sometimes accompanied by bassist Brian Ahern. Ahern was unavailable full-time so, in 1966, they added Ken Koblun, late of Neil Young & The Squires and Buffalo Springfield. [5] Although he would reappear, Koblun did not last long; he was replaced by Neil Young's friend Comrie Smith.
As a result of their live performances, 3's a Crowd were named Top Folk Group at the 1966 RPM Awards (which, in 1970, would become the Juno Awards). 3's a Crowd would win the same award from RPM in 1967. [6]
The award led to the band's being signed by Epic Records. Two singles were released: "Bound to Fly" and a cover of Gordon Lightfoot's "Steel Rail Blues". [7] "Bound to Fly", which was also released in the UK, peaked at #34 on the Canadian RPM chart and was the group's biggest hit. The next two recordings with Epic were "Honey Machine" and "When The Sun Goes Down". 3's a Crowd has always injected humor into their performances (Titcomb had been a professional comedian), but they did not want to be seen as a comedy act, and that is how Epic wanted to market them. This was a sticking point that brought an end to the deal with Epic. [8]
3's a Crowd had become a fixture at Le Hibou Coffee House in Ottawa, and there they were reunited with their friend from Vancouver, singer David Wiffen. Wiffen was in Ottawa playing with a folk band called The Children; when the band said they were looking for a drummer, he recommended Richard Patterson, [9] who had been playing with The Children after his band, The Esquires, had broken up. The newly-expanded band first appeared on the TV show Take 30; that led to bookings at The Scene in New York, and the 1967 Mariposa Folk Festival. [10]
In 1967, the band was spotted performing at Toronto's Riverboat coffee house by an entertainment co-ordinator for the Ontario Pavilion at Expo 67 in Montreal and they were hired to play there. Cass Elliot and Denny Doherty, of The Mamas & the Papas, were visiting Expo and Warner's boyfriend was asked to escort them. He took them to see the 3's a Crowd performance, and Elliot was so impressed, she contacted Jay Lasker, President of Dunhill Records. [11] After hearing their demo tape, he brought the band to New York, where they recorded three songs at Bell Studios with producer Rick Shorter. [12] They were then flown to Los Angeles to record an album; Patterson would say that Eliot quickly lost interest in the process and most of the work was done by Steve Barri (both are credited as producers). [13] The album, Christopher's Movie Matinée, was released in May 1968. [14]
When Wiffen and Patterson were playing with The Children in Ottawa, that band had included an aspiring musician and songwriter named Bruce Cockburn. When the former joined 3's a Crowd, they brought that music with them and, although Cockburn did not perform on the album, three of his songs are included ("The Way She Smiles", "Bird Without Wings" and "View From Pompous Head"). They did a slow, military rendition of "(Let's) Get Together" by Chet Powers. [15] Murray McLauchlan also contributed his first recorded songwriting credit, "Coat Of Colors"; [16] "Coat Of Colors" was issued as the b-side of "Bird Without Wings", which peaked at #61 on the RPM chart. [17] Donna Warner was the primary singer, but Wiffen and Titcomb also sang lead.
The band had previously appeared on the CBC's The Juliette Show. [18] In 1968, they performed on the CBC Television series Let's Go. [19] Along with the Box Tops, they opened for the Beach Boys at their 1968 Ottawa concert. [20] And the CBC gave them their own nationally-televised special, Our Kind Of Crowd. As their guests, they chose two relative unknowns, Richard Pryor and Joni Mitchell. [21]
Koblun, citing exhaustion, now left the band for good. He was replaced on bass by Wayne Davis, [22] whose band, Bobby Kris & The Imperials, had just broken up. The workload and touring had also taken their toll on Warner and, increasingly, Ottawa singer Colleen Peterson was filling in for her. [23]
3's a Crowd again went on the road, touring Western Canada and Southern California, playing several dates at the Ash Grove in West Hollywood and the Ice House in Glendale, sometimes adding Jim and Jean as an opening act. Back in Canada, the group played the entirety of their album with the Toronto Symphony Orchestra at Massey Hall. A related documentary about 1960s Canadian counterculture, Christopher's Movie Matinée , under the sponsorship of the National Film Board of Canada, was released in 1968; [24] it includes some of the songs from the album. [25] [26]
Just as Christopher's Movie Matinee became available in stores, Warner's health had declined to the point where she had to leave the band. With her departure, Titcomb and Veitch weren't interested in continuing and they left as well. But the band's manager, Sid Dolgay, had obtained investment in the band from Toronto producers Harvey Glatt and Sydney Banks and the band needed to carry on. In early 1969, Wiffen and Patterson brought in bassist Dennis Pendrith and, from The Children, Bruce Cockburn, Colleen Peterson and Sandy Crawley. RCA Victor released a second single from the album, a cover of Dino Valenti's "Let's Get Together", backed by "I Don't Wanna Drive You Away"; [27] the former peaked at #70 on the RPM charts. [28]
The new line-up returned to the road, spending the summer of 1969 supporting The Turtles and Gary Puckett & The Union Gap on their Canadian dates. They recorded Cockburn's "Electrocution of The Word"; [29] its video was showcased at the Youth Pavilion at Ottawa SuperEX (the Central Canada Exhibition). [30] They also had to move to Montreal, where they became the house band on Sydney Banks' CBC Television show, One More Time, which was hosted by Gilbert Price. [31] The series ended in early 1969. Crawley left to pursue an acting career. The remaining members performed a few US dates, then disbanded permanently at the end of 1969.
In 1973, Cockburn and Pendrith collaborated with Wiffen on his 1973 album Coast To Coast Fever. [32] After that, Wiffen became a successful songwriter ("Driving Wheel"). Pendrith played with Tom Rush and Ian & Sylvia, became a busy session musician and then went to work for the CBC. [33] [34] Bruce Cockburn became an international mega-star.
Peterson joined the Canadian cast of Hair and then moved to Nashville and became a successful singer/songwriter before joining Sylvia Tyson's band Quartette; she died of cancer in 1996. Sandy Crawley became an actor and film composer. [35] Brent Titcomb became a member of Anne Murray's touring band and she recorded several of his songs, including "Sing High, Sing Low" [36] and "I Still Wish The Very Best For You". [37]
Trevor Veitch moved to Los Angeles and became a successful session player, soundtrack composer, [38] and songwriter ("Gloria" by Laura Brannigan). [39] Ahern became a successful producer, with a long list of credits, including albums by Barbra Streisand, Bette Midler, Johnny Cash, Willie Nelson and (his wife) Emmylou Harris.
Richard Patterson played with a variety of bands and was working on a 3's a Crowd compilation album, [40] but he died in 2011 and it was not completed. [41] [42]
Donna Warner, Wayne Davis and Ken Koblun did not continue with professional music careers.
Comrie Smith's subsequent involvement as a professional musician does not appear to have been documented, although he was quoted extensively by Mojo magazine in an article about the release of Neil Young's Archives CD set; Smith, who died in 2009, was a life-long friend of Young's and had backed him on some of his early recordings. (Young's associations with the group create their own fascinating web, what with both Smith and Koblun playing with him in his early days, and Donna Warner having sung with him in Toronto.) [43]
Bruce Douglas Cockburn is a Canadian singer-songwriter and guitarist. His song styles range from folk to folk- and jazz-influenced rock to soundscapes accompanying spoken stories. His lyrics reflect interests in spirituality, human rights, environmental issues, and relationships, and describe his experiences in Central America and Africa.
David Wiffen is an English-Canadian folk singer-songwriter. Two of his songs, "Driving Wheel" and "More Often Than Not", have become cover standards.
Ronald Harry "Skip" Prokop was a Canadian drummer, guitarist and keyboardist. He was also a band leader, was a founding member of the Canadian rock music groups the Paupers and Lighthouse.
Philip "Pip" Williams, sometimes spelt Phillip, is an English record producer, arranger, and guitarist. He is best known for producing albums for Status Quo and The Moody Blues, but has also worked with a large number of well-known musicians. He has also supervised the orchestra parts and orchestra arrangements for the Finnish metal band Nightwish.
Kensington Market, aka 'The Market', was a Toronto-based rock band, active from 1967 to 1969. Named after a downtown Toronto neighbourhood, it was known for 'gentle, lyrical, rock music', masterful musicianship, and for being was one of the first Canadian rock bands to develop a style independent of US and British models.
Brent Arthur Titcomb is a Canadian actor and musician. He plays guitar, percussion, harmonica, and jaw harp.
Billy Mundi was an American drummer best known as a member of the original version of Frank Zappa's band The Mothers of Invention, as well as the band Rhinoceros. He also worked as a session musician. He sometimes used the name Tony Schnasse.
Simon Caine was a short-lived Toronto funk/soul band, which recorded a solitary album in 1970. Most of the musicians went on to become top session players on the Canadian music scene throughout the 1970s and 1980s working with the likes of Bruce Cockburn, David Wiffen and Murray McLauchlan.
Grant Smith & The Power were a popular Canadian rock-soul outfit from the 1960s that had a hit with a cover of Jackie Edwards' "Keep On Running" and was also a training ground for musicians who went on to the likes of McKenna Mendelson Mainline and Motherlode.
Colleen Susan Peterson was a Canadian country and folk singer, who performed both as a solo artist and as a member of the band Quartette.
Trevor Veitch is a Canadian musician/record producer who has worked behind the scenes on many pop trends from the 1960s to present. He is mostly known for his involvement in the popular 1960s folk rock group 3's a Crowd. He resides in Los Angeles with his wife, Evan, and their son.
Ken Koblun is a Canadian musician who played alongside Neil Young in The Jades, the Squires, the Stardusters, and briefly Buffalo Springfield. He replaced Comrie Smith in 3's a Crowd, playing with the band from 1966 to 1967.
William Alfred Hawkins was a Canadian songwriter, poet, musician and journalist, most notable for his contributions in the 1960s to Canadian folk rock music and to Canadian poetry. His best known song is "Gnostic Serenade", originally recorded by 3's a Crowd.
Dancing Alone: Songs of William Hawkins is a 2008 tribute album, released by True North Records. On the record, a number of Canadian artists pay tribute to the songs of William Hawkins, an influential Canadian songwriter and poet.
John Wilson is a Northern Irish musician. He has had a prolific career, playing drums with bands such as Them, Taste and Stud. Previously with 'The Misfits', Wilson became a member of one of the numerous line-ups of Them from September 1965 to March 1966. Alongside Van Morrison, Alan Henderson, Jim Armstrong and Ray Elliott, Wilson played on recording sessions for Them's second album Them Again. Visa restrictions meant that he had to be substituted by stand-in drummers for initial live dates abroad, due to his youth. He was replaced by Dave Harvey upon leaving Them, and went on to work with Belfast groups Derek & The Sounds and Cheese.
One More Time was a Canadian music television series which aired on CBC Television from 1969 to 1970.
Douglas Lubahn was an American psychedelic rock and jazz rock bassist who played with internationally famous bands. His work is featured on three albums recorded by The Doors.
The Bunkhouse Coffeehouse, downstairs at 612 Davie Street in Vancouver, British Columbia, Canada, was a venue for folk music and poetry readings in the 1960s.
A Tribute to Canadian Songwriters is a concept album by American singer-songwriter and guitarist Billie Hughes of cover recordings of songs by prominent Canadian songwriters from the London, Ontario and Toronto music scene of the ‘70s. It was released in 1981 on vinyl and re-issued in 2006.
Spark was a British record label that was formed in 1967. It was active throughout the 1960s and 1970s. Some of the artists that had releases on the label included The Artwoods, Killing Floor, Gene Latter, Sheila McKinlay, Mighty Dodos, Keith Michell, Sparrow, and Venus and the Razorblades.