George Stevens Hamilton is an American actor. For his debut performance in Crime and Punishment U.S.A. (1959), Hamilton won a Golden Globe Award and was nominated for a BAFTA Award. He has received one additional BAFTA nomination and two Golden Globe nominations.
Micki & Maude is a 1984 American romantic comedy film directed by Blake Edwards and starring Dudley Moore. It co-stars Tony Award-winning actress and dancer Ann Reinking as Micki and Amy Irving as Maude.
Colin Glenn Clive was a British theatre and film actor. He is most famous for his role as Dr. Henry Frankenstein in the 1931 film Frankenstein and its 1935 sequel, Bride of Frankenstein.
Flying Wild is a 1941 American comedy thriller film directed by William Beaudine under the pseudonym "William West" as the fifth installment of the East Side Kids series which eventually totalled 22 films. The film is the team's first one in the spy film genre. The supporting cast includes Joan Barclay, Dave O'Brien and Herbert Rawlinson. It was distributed by Monogram Pictures.
Volunteers is a 1985 American comedy film directed by Nicholas Meyer and starring Tom Hanks and John Candy.
Claudia Dell was an American showgirl and actress of the stage and movies.
Sweet Kitty Bellairs is a 1930 American historical musical comedy film directed by Alfred E. Green. The film is based on the 1900 novel, The Bath Comedy by Agnes Castle and Egerton Castle. Shot entirely in Technicolor, the film stars Claudia Dell, Ernest Torrence and, Walter Pidgeon and is set in Bath, England in 1793.
What's the Matter With Helen? is a 1971 American horror film directed by Curtis Harrington and starring Debbie Reynolds and Shelley Winters.
The Case of the Stuttering Bishop is a 1937 American mystery film directed by William Clemens and starring Donald Woods as Perry Mason and Ann Dvorak as Della Street, his secretary. Edward McWade plays the role of stuttering Bishop William Mallory. It is the sixth and final film in the Warner Bros. Perry Mason series. It is based on the novel The Case of the Stuttering Bishop (1936) by Erle Stanley Gardner.
Yellow Cargo is a 1936 American Poverty Row crime film written and directed by Crane Wilbur for Grand National Pictures. The film was rereleased in 1947 as Sinful Cargo. Starring Conrad Nagel as Alan O'Connor and producer George A. Hirliman's wife Eleanor Hunt as Bobbie Reynolds, it was the first of four G-man film series; the others were Navy Spy (1937), The Gold Racket (1937), and Bank Alarm (1937).
The Horse in the Gray Flannel Suit is a 1968 American comedy film directed by Norman Tokar, with a screenplay by Louis Pelletier, and starring Dean Jones, Diane Baker, Ellen Janov, Kurt Russell, Lurene Tuttle and Fred Clark in his final film role. It is based on the 1965 book The Year of the Horse by Eric Hatch. The film's title is a humorous reference to the titular horse's color and the title of the 1955 Sloan Wilson novel about the American search for purpose in a world dominated by business, The Man in the Gray Flannel Suit.
Living on Velvet is a 1935 American romantic drama film directed by Frank Borzage and starring Kay Francis, Warren William and George Brent.
Never Wave at a WAC is a 1953 American comedy film directed by Norman Z. McLeod, and starring Rosalind Russell, Paul Douglas and Marie Wilson.
The Idle Rich is a 1929 American Pre-Code early sound comedy film produced and released by Metro Goldwyn Mayer and directed by William C. deMille. It is based on the Broadway play White Collars by Edith Ellis, which had played at the Egan Theater in Los Angeles in 1924 before moving to the Cort Theatre in New York. The film is extant, and was released DVD in 2012 from WarnerArchive Collection.
Doctor Rhythm is a 1938 American musical comedy film directed by Frank Tuttle and starring Bing Crosby, Mary Carlisle, Beatrice Lillie, and Andy Devine. Based on the 1907 short story The Badge of Policeman O'Roon by O. Henry, the film is about a doctor who pretends to be a policeman assigned as the bodyguard of a wealthy matron, whose beautiful niece becomes the object of his affections. The film features the songs "On the Sentimental Side" and "My Heart Is Taking Lessons".
Love Begins at 20 is a 1936 American comedy film directed by Frank McDonald and written by Dalton Trumbo and Tom Reed, based on the 1929 play Broken Dishes by Martin Flavin. The film stars Hugh Herbert, Patricia Ellis, Warren Hull, Hobart Cavanaugh, Dorothy Vaughan and Clarence Wilson. The film was released by Warner Bros. on August 22, 1936.
Lightnin' is a 1930 American pre-Code comedy film directed by Henry King and written by S. N. Behrman and Sonya Levien. The film stars Will Rogers, Louise Dresser, Joel McCrea, Helen Cohan, Jason Robards Sr. and Luke Cosgrave. The film was released on December 7, 1930, by Fox Film Corporation. It is a remake of the 1925 silent film, which was directed by John Ford, which itself was based on the 1918 play.
The Upside is a 2017 American comedy drama film directed by Neil Burger, written by Jon Hartmere. It is a remake of the French 2011 film The Intouchables, which was itself inspired by the lives of Abdel Sallou and Philippe Pozzo di Borgo. The film follows a paralyzed billionaire who strikes up an unlikely friendship with a recently paroled convict whom he hires to take care of him. Nicole Kidman, Golshifteh Farahani, and Julianna Margulies also star. It is the third remake of The Intouchables after the Indian film Oopiri, and the Argentinian film Inseparables (2016).
Boltneck is a 1998 American teen comedy horror film directed by Mitch Marcus and starring Matthew Lawrence, Justin Walker, and Christine Lakin. The film is a modern film adaptation of the classic Mary Shelley novel Frankenstein. Matthew Lawrence plays high-schooler Frank Stein who reanimates a fellow student using the brain of a criminal by mistake. The film was released straight-to-video.
The Father of the Bride franchise consists of a series of released comedy and romantic comedy films, based on the premise of the 1949 novel of the same name. The film adaptations respectively depict the events of wedding preparations from the point of view of an overly-protective father, and his growing realizations that his daughter has grown.
