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The Entity is a 1982 American supernatural horror film directed by Sidney J. Furie, and starring Barbara Hershey, Ron Silver, David Labiosa, Maggie Blye, Jacqueline Brookes, and Alex Rocco. The film follows a single mother in Los Angeles who is raped and tormented by an invisible poltergeist-like entity in her home. It was adapted for the screen by Frank De Felitta from his 1978 novel of the same name, which was based on the 1974 case of Doris Bither, a woman who claimed to have been repeatedly sexually assaulted by an invisible assailant, and who underwent observation by doctoral students at the University of California, Los Angeles.
Daniel Mannix Petrie was a Canadian film, television, and stage director who worked in Canada, Hollywood, and the United Kingdom; known for directing grounded human dramas often dealing with taboo subject matter. He was one of several Canadian-born expatriate filmmakers, including Norman Jewison and Sidney J. Furie, to find critical and commercial success overseas in the 1960s due to the limited opportunities in the Canadian film industry at the time. He was the patriarch of the Petrie filmmaking family, with four of his children all working in the film industry.
Brad Dexter was an American actor and film producer. He is known for tough-guy and western roles, including the 1960 film The Magnificent Seven (1960), and producing several films for Sidney J. Furie such as Lady Sings the Blues. He is also known for a short marriage to Peggy Lee, a friendship with Marilyn Monroe and for saving Frank Sinatra from drowning. Dexter's tough-guy roles contrasted with his easygoing and friendly real-life personality.
The Jazz Singer is a 1980 American musical drama film directed by Richard Fleischer and produced by Jerry Leider. The film stars Neil Diamond, Laurence Olivier and Lucie Arnaz, and tells the story of a young singer who is torn between tradition and pursuing his dreams as a pop singer. Based on the 1925 play of the same name by Samson Raphaelson, it is the fourth film adaptation, following the 1927 and the 1952 theatrical adaptions, and a 1959 television adaptation.
Ladybugs is a 1992 American sports-comedy film starring Rodney Dangerfield and directed by Sidney J. Furie. Dangerfield plays a Denver businessman who takes over a girls soccer team that the company he works for sponsors. The film also stars Jackée Harry as his assistant coach, Ilene Graff as his girlfriend, Jonathan Brandis as his girlfriend's son, and Vinessa Shaw as his boss' daughter.
The Naked Runner is a 1967 British espionage film directed by Sidney J. Furie and starring Frank Sinatra, Peter Vaughan and Edward Fox. It was the last film Sinatra made with Warner Bros., and is largely viewed as being a disastrous end to his association with the studio.
Global Heresy is a 2002 comedy-drama film directed by Sidney J. Furie, and starring Peter O'Toole, Joan Plowright, Alicia Silverstone and Martin Clunes. The film centers on a highly successful American rock band recovering from the loss of their leader by going into seclusion in the United Kingdom.
The Boys in Company C is a 1978 war film directed by Sidney J. Furie about United States Marine Corps recruits preparing for duty and their subsequent combat in the Vietnam War. It stars Stan Shaw, Andrew Stevens, Craig Wasson and Michael Lembeck. It was among the first Vietnam War films to appear after the Vietnam Era, and was also the first role for R. Lee Ermey of Full Metal Jacket fame. It is the first in Furie's Vietnam War motion-picture trilogy, followed by Under Heavy Fire (2001) and The Veteran (2006).
The Young Ones is a 1961 British comedy musical film directed by Sidney J. Furie and starring Cliff Richard, Robert Morley as his character's father, Carole Gray as his love interest, and the Shadows as his band. The screenplay was written by Peter Myers and Ronald Cass, who also wrote most of the songs. Herbert Ross choreographed the dance scenes. Its soundtrack spawned numerous hits, including the title track.
Sidney Joseph Furie is a Canadian film director, screenwriter, and producer best known for his extensive work in both British and American cinema between the 1960s and early 1980s. Like his contemporaries Norman Jewison and Ted Kotcheff, he was one of the earliest Canadian directors to achieve mainstream critical and financial success outside their native country at a time when its film industry was virtually nonexistent. He won a BAFTA Film Award and was nominated for a Palme d'Or for his work on the acclaimed spy thriller The Ipcress File (1965) starring Michael Caine.
Don Owen was a Canadian film director, writer and producer who spent most of his career with the National Film Board of Canada (NFB). His films Nobody Waved Good-bye and The Ernie Game are regarded as two of the most significant English Canadian films of the 1960s.
The Leather Boys is a 1964 British drama film directed by Sidney J. Furie and starring Rita Tushingham, Colin Campbell, and Dudley Sutton. The story is set in the very early 60s Ton-Up boys' era, just before the rocker subculture in London and features a gay motorcyclist.
Lindsay Craig Shonteff was a Canadian born film director, film producer and screenwriter who achieved fame for low-budget films produced in the United Kingdom.
Doctor Blood's Coffin is a 1961 British horror film produced by George Fowler, and directed by Sidney J. Furie. It stars Kieron Moore, Hazel Court, and Ian Hunter. The story is that of young biochemist Dr Peter Blood, who returns to his hometown in Cornwall with the belief that he can selectively restore life by transplanting the living hearts of 'undeserving' people into dead people who 'deserve' to live. The film is significant for being one of the first two zombie films to be shot in colour, the other being the obscure 1961 American film The Dead One, and for its early portrayal of zombies as homicidal rotting cadavers. The movie was released in the UK in January 1961 and in the US in April of that year, where it was on a double bill with another British film, The Snake Woman (1961).
A Dangerous Age is a 1957 film directed by Sidney J. Furie.
The Snake Woman is a low budget black-and-white 1961 British horror film directed by Sidney J. Furie and starring Susan Travers and John McCarthy. It was produced by George Fowler. The film is set in a small English village at the turn of the 20th century. It tells the story of Atheris, a young woman who has the power to transform from human to cobra, and the Scotland Yard detective sent to investigate a series of deaths, unusual because all the victims died after being bitten by snakes that are not native to the UK.
Three on a Spree is a 1961 British comedy film directed by Sidney J. Furie and starring Jack Watling, Carole Lesley and John Slater. It is based on the 1902 novel Brewster's Millions by George Barr McCutcheon, which became the hit 1906 play written by Winchell Smith and Byron Ongley. It had been previously filmed by Edward Small in 1945.
The Lawyer is a 1970 American courtroom drama film loosely based on the Sam Sheppard murder case in which a physician is charged with killing his wife following a highly publicized and sloppy investigation. The film was directed by Sidney J. Furie and stars Barry Newman as the energetic, opportunistic defense attorney Tony Petrocelli and Diana Muldaur as his wife Ruth Petrocelli.,
The Bloody Brood is a 1959 Canadian thriller film directed by Julian Roffman.
The Dependables is a 2014 straight-to-DVD family action film directed by Sidney J. Furie.
References
- ↑ "Canadian-made Films". Variety. March 24, 1959. p. 4. Retrieved June 18, 2019– via Archive.org.
- ↑ Take One's Essential Guide to Canadian Film, ed. Wyndham Wise, University of Toronto Press, 2001, p. 83
- ↑ "Historicist: Sidney Furie and A Dangerous Age". Torontoist, April 4, 2015.
- ↑ "Cool Sounds from the Vault: A Cinematic Detective Story". Filmmaker , June 23, 2014.
- ↑ "Critic's Notebook: Toronto, Telluride and Venice Film Fests Promise Riches After Cruel Summer". The Hollywood Reporter , August 29, 2016.
- ↑ Kremer, Daniel. Sidney J. Furie: Life and Films. The University Press of Kentucky, 2015. pp30-31
