A Cry from the Streets | |
---|---|
Directed by | Lewis Gilbert |
Written by | Vernon Harris Novel: The Friend in Need by Elizabeth Coxhead |
Produced by | Ian Dalrymple |
Starring | Max Bygraves Barbara Murray |
Cinematography | Harry Gillam |
Edited by | Peter Hunt |
Music by | Larry Adler |
Distributed by | Eros Films (UK) Tudor Pictures (USA) |
Release date |
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Running time | 99 minutes |
Country | United Kingdom |
Language | English |
Budget | £50,000 [1] |
A Cry from the Streets is a 1958 British drama film directed by Lewis Gilbert, starring Max Bygraves and Barbara Murray. [2] It was written by Vernon Harris based on the 1957 novel The Friend in Need by Elizabeth Coxhead.
When a man is hanged for murdering his wife, their three small children go into social care. Bill is an electrician with the local care home, and is introduced to the children and their social worker, Ann. Growing ever fonder of the kids, he and Ann take them out on trips and picnics, to try to bring some happiness back into their lives. However, events spiral out of control when a child gets hold of a loaded gun.
Lewis Gilbert said he went to Eros asking to make a film with Max Bygraves for £60,000. They agreed if it could be made for £50,000, without reading the script, because they knew they would be able to see a Bygraves film profitably at that price. [1]
The movie features two Australian child stars, Colin Petersen from Smiley and The Scamp and Dana Wilson from The Shiralee. [3]
Bygraves wrote in his memoirs that Lewis Gilbert was the most senstive director he worked with adding "I honestly believe that could I have had his direction for a few more movies, I could have been a good screen actor. He was the only director that would come up to me before a take and say things like: “In this next scene you are bloody well annoyed—you feel like telling the matron to get stuffed—but with the kids looking on you daren’t, so you bottle it up and just nod ‘Yes’.” [4]
Kinematograph Weekly listed it as being "in the money" at the British box office in 1958. [5] It was one of the twelve most popular films of the year. [6]
Variety called it "a refreshing little film with the golden ingredient of heart." [7]
The Monthly Film Bulletin wrote: "This film's heart is so firmly in the right place that it seems ungracious to carp. Yet it never really faces the problems it poses. What, for instance, does one tell a child whose father has killed her mother, or a small boy whose mother has just committed suicide? Elizabeth Coxhead's book may have attempted an answer, but the film does not. Interest is spread among so many groups of people that there is no time for real character development, and the melodramatic climax is out of key with the rest of the story. Nevertheless, there is a warmly human atmosphere in this film and the superficially happy ending is not allowed to obscure the fact that there are still deprived children in need of help. ...Max Bygraves has a relaxed style and genuine charm, and it is pleasant to see an ordinary young working man believably played. But his integrity serves only to emphasize the theatrical posturing of Barabara Murray, who gives a cold and artificial performance in a part that calls for generous impulsiveness." [8]
The New York Times wrote "this inquiry into the lives of some of the orphaned and homeless youngsters in a municipal children's shelter is realistic, bittersweet drama played with compassion and insight. Although it sometimes waxes melodramatic, it gently tugs at the heartstrings and, now and again, tickles the funnybone only as guileless kids can." [9]
Leslie Halliwell wrote: "Mildly pleasing but unconvincing semi-documentary, with children competing with the star at scene-stealing" [10]
Filmink wrote "it’s skilfully made by Gilbert, Bygraves is charming, and Petersen and Wilson are terrific." [3]
The film was entered into the 1st Moscow International Film Festival, and Vernon Harris's screenplay received a BAFTA nomination. [11] [12]
Walter William "Max" Bygraves was an English comedian, singer, actor and variety performer. He appeared on his own television shows, sometimes performing comedy sketches between songs. He made twenty Royal Variety Performance appearances and presented numerous programmes, including Family Fortunes between 1983 and 1985. His catchphrase "I wanna tell you a story" became an integral part of his act, although it had originated with comedian Mike Yarwood impersonating Bygraves.
Cast a Dark Shadow is a 1955 British suspense film noir directed by Lewis Gilbert and written by John Cresswell, based on the 1952 play Murder Mistaken by Janet Green. It stars Dirk Bogarde, Margaret Lockwood, Kay Walsh, Kathleen Harrison and Robert Flemyng. The film was released on 20 September 1955, distributed by Eros Films Ltd. in the United Kingdom and Distributors Corporation of America in the United States. The story concerns a husband who murders his wife.
Smiley is a 1956 British-American comedy film directed by Anthony Kimmins and starring Colin Petersen. It was based on the 1945 novel of the same name by Moore Raymond who co-wrote the film with Kimmins. It tells the story of a young Australian boy who is determined to buy a bicycle for four pounds, and along the way he gets into many misadventures.
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Vernon Harris was a British screenwriter. He often worked with the film director Lewis Gilbert. Harris was nominated for an Academy Award for Best Adapted Screenplay for his script for film Oliver! (1968).
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The Whole Truth is a 1958 British-American thriller film directed by John Guillermin and starring Stewart Granger, George Sanders, Donna Reed, Gianna Maria Canale and Peter Dyneley. It was written by Jonathan Latimer based on the 1955 play of the same title by Philip Mackie.
No Trees in the Street is a 1959 British crime thriller directed by J. Lee Thompson and starring Sylvia Syms, Herbert Lom and Melvyn Hayes. It was written by Ted Willis, from his 1948 stage play of the same name.
Bobbikins is a 1959 British comedy film directed by Robert Day and starring Shirley Jones and Max Bygraves. It was made in CinemaScope and released by 20th Century Fox. It was produced by the British subsidiary of 20th Century Fox and shot at Elstree Studios.
The Flesh Is Weak is a 1957 British film directed by Don Chaffey and starring John Derek and Milly Vitale. It was written by Leigh Vance and Roger Falconer based on an original story by Deborah Bedford. Distributors Corporation of America released the film in the USA as a double feature with Blonde in Bondage (1957).
Tread Softly Stranger is a 1958 British crime drama film directed by Gordon Parry and starring Diana Dors, George Baker and Terence Morgan. The screenplay was written by George Minter adapted from the stage play Blind Alley (1953) by Jack Popplewell. The film was shot in black-and-white in film noir style, and its setting in an industrial town in northern England mirrors the kitchen sink realism movement coming into vogue in English drama and film at the time.
Spare the Rod is a 1961 British social drama directed by Leslie Norman and starring Max Bygraves, Geoffrey Keen, Donald Pleasence and Richard O'Sullivan. The film was based on the 1954 novel by Michael Croft and deals with an idealistic schoolteacher coming to a tough area of East London to teach in a secondary modern school at a time when such establishments were largely starved of attention and resources from education authorities and were widely regarded as dumping grounds with sub-par teaching standards, for the containment of non-academically inclined children until they reached the school-leaving age.
No Time for Tears is a 1957 British drama film directed by Cyril Frankel in CinemaScope and Eastman Color and starring Anna Neagle, George Baker, Sylvia Syms and Anthony Quayle. It was written by Anne Burnaby and Frederix Gotfurt. The staff at a children's hospital struggle with their workload.
Smiley Gets a Gun is a 1958 Australian comedy-drama film in CinemaScope directed by Anthony Kimmins and starring Sybil Thorndike and Chips Rafferty. It is the sequel to the 1956 film Smiley.
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