The Manchurian Candidate is a 1962 American neo-noir psychological political thriller film directed and produced by John Frankenheimer. The screenplay is by George Axelrod, based on the 1959 Richard Condon novel The Manchurian Candidate. The film's leading actors are Frank Sinatra, Laurence Harvey, and Angela Lansbury, with co-stars Janet Leigh, Henry Silva, and James Gregory.
The Ladykillers is a 1955 British black comedy crime film directed by Alexander Mackendrick for Ealing Studios. It stars Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers, Danny Green, Jack Warner, and Katie Johnson as the old lady, Mrs. Wilberforce.
George Emlyn Williams, CBE was a Welsh writer, dramatist and actor.
Laurence Harvey was a Lithuanian-born British actor and film director. He was born to Lithuanian Jewish parents and emigrated to South Africa at an early age, before later settling in the United Kingdom after World War II. In a career that spanned a quarter of a century, Harvey appeared in stage, film and television productions primarily in the United Kingdom and the United States.
James Maxwell was an American-British actor, theatre director and writer, particularly associated with the Royal Exchange Theatre in Manchester.
Cyril Wolf Mankowitz was an English writer, playwright and screenwriter. He is particularly known for three novels— Make Me an Offer (1952), A Kid for Two Farthings (1953) and My Old Man's a Dustman—and other plays, historical studies, and the screenplays for many successful films which have received awards including the Oscar, Bafta and the Cannes Grand Prix.
The Good Die Young is a 1954 British crime film directed by Lewis Gilbert and starring Laurence Harvey, Gloria Grahame, Joan Collins, Stanley Baker, Richard Basehart and John Ireland. It was made by Remus Films from a screenplay based on the novel of the same name by Richard Macaulay. It tells the story of four men in London with no criminal past whose marriages and finances are collapsing and, meeting in a pub, are tempted to redeem their situations by a robbery.
Life at the Top is a 1965 British drama film, a production of Romulus Films released by Columbia Pictures. The screenplay was by Mordecai Richler, based on the 1962 novel Life at the Top by John Braine, and is a sequel to the film Room at the Top (1959). It was directed by Ted Kotcheff and produced by James Woolf, with William Kirby as associate producer. The music score was by Richard Addinsell and the cinematography by Oswald Morris. The film's art director, Edward Marshall, received a 1966 BAFTA Award nomination.
I Was Monty's Double is a 1958 film produced by the Associated British Picture Corporation and directed by John Guillermin. The screenplay was adapted by Bryan Forbes from the autobiography of M. E. Clifton James, an actor who pretended to be General Bernard Montgomery as a decoy during World War II.
Romeo and Juliet is a 1954 British-Italian film adaptation of William Shakespeare's play of the same name. It was directed by Renato Castellani and stars Laurence Harvey as Romeo, Susan Shentall as Juliet, Flora Robson as the Nurse, Mervyn Johns as Friar Laurence, Bill Travers as Benvolio, Sebastian Cabot as Lord Capulet, Ubaldo Zollo as Mercutio, Enzo Fiermonte as Tybalt and John Gielgud as the Chorus.
A Dandy in Aspic is a 1968 neo-noir Technicolor and Panavision British spy film, directed by Anthony Mann, based on the 1966 novel of the same name by Derek Marlowe and starring Laurence Harvey, Tom Courtenay, and Mia Farrow. Costumes by Pierre Cardin. It was Mann's final film.
Susan Shaw was an English actress.
Pool of London is a 1951 British noir crime film directed by Basil Dearden. It stars Bonar Colleano, Earl Cameron and Susan Shaw.
Storm Over the Nile is a 1955 British adventure film adaptation of the 1902 novel The Four Feathers, directed by Terence Young and Zoltan Korda. The film not only extensively used footage of the action scenes from the 1939 film version stretched into CinemaScope, but is a shot-for-shot, almost line-for-line remake of the earlier film, which was also directed by Korda. Several pieces of music by the original composer Miklos Rozsa were also utilized. It featured Anthony Steel, Laurence Harvey, James Robertson Justice, Mary Ure, Ian Carmichael, Michael Hordern and Christopher Lee. The film was shot on location in the Sudan.
Scarlet Thread is a 1951 British crime drama film directed by Lewis Gilbert and produced by Ernest G. Roy.
The Running Man is a 1963 British-American neo noir drama film directed by Carol Reed, starring Laurence Harvey as a man who fakes his own death in a glider accident, then runs into trouble when an insurance investigator starts taking a close interest. It was adapted by screenwriter John Mortimer from the 1961 novel The Ballad of the Running Man by Shelley Smith.
Eat the Peach is a 1986 Irish comedy film, directed by Peter Ormrod. The title derives from the T. S. Eliot poem "The Love Song of J. Alfred Prufrock." It was written by Peter Ormrod with John Kelleher.
It's Not Cricket is a 1949 British comedy film directed by Alfred Roome and starring Basil Radford, Naunton Wayne, Susan Shaw and Maurice Denham. It is the second of two starring films for Radford and Wayne who appeared as supporting players in ten other films. It was also one of the final films made by Gainsborough Pictures before the studio was merged into the Rank Organisation.
The Switch is a 1963 British crime drama film directed by Peter Maxwell, and starring Anthony Steel, Zena Marshall and Conrad Phillips. The film concerns a criminal gang that smuggles watches into the UK by hiding them in the petrol tank of a woman's car. It was Susan Shaw's last film.
Daughter of Darkness is a 1948 British film, with macabre overtones, directed by Lance Comfort and starring Anne Crawford, Maxwell Reed and – in the central role – Siobhán McKenna. Released in January 1948, it was based on a then ten-year-old play by Max Catto called They Walk Alone. An expensive film for its day, it was shot at Riverside Studios, Hammersmith, London, and on location. McKenna was offered a Hollywood contract following her memorable performance, but heeded the counsel of Laurence Olivier to remain in theatre work.
