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A Flower is a song for voice and closed piano by John Cage. It was composed in 1950, for a choreography by Louise Lippold, wife of sculptor Richard Lippold. There is no text; the singer vocalises a small number of phonemes such as "uh", "wah", etc., without vibrato. Instructions given in the score include, for some passages, "like a pigeon" and "like a wild duck". The entire vocal line is constructed of just four pitches, except for a single bar near the end where a fifth pitch is used. The pianist plays by hitting the piano lid in various ways - with his fingers, with his knuckles, etc. The composition is somewhat similar to the earlier work for voice and closed piano, The Wonderful Widow of Eighteen Springs .
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John Milton Cage Jr. was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
A prepared piano is a piano that has had its sounds temporarily altered by placing bolts, screws, mutes, rubber erasers, and/or other objects on or between the strings. Its invention is usually traced to John Cage's dance music for Bacchanale, created without room for a percussion orchestra. Typical of Cage's practice as summed up in the Sonatas and Interludes (1946–48) is that each key of the piano has its own characteristic timbre, and that the original pitch of the string will not necessarily be recognizable. Further variety is available with use of the una corda pedal.
Morton Feldman was an American composer.
La Monte Thornton Young is an American composer, musician, and artist recognized as one of the first American minimalist composers and a central figure in post-war avant-garde music. He is best known for his exploration of sustained tones, beginning with his 1958 composition Trio for Strings. His works have called into question the nature and definition of music, most prominently in the text scores of his Compositions 1960. Despite having released very little recorded material throughout his career—much of it currently out of print—some sources have described him as "the most influential living composer today". The Observer wrote that his work has had "an utterly profound effect on the last half-century of music."
Aleatoricmusic is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities.
Benjamin Burwell Johnston Jr. was an American contemporary music composer using just intonation. He was called "one of the foremost composers of microtonal music" by Philip Bush and "one of the best non-famous composers this country has to offer" by John Rockwell.
Charles Sprague "Carl" Ruggles was an American composer. His pieces employed "dissonant counterpoint", a term coined by Charles Seeger to describe Ruggles' music. His method of atonal counterpoint was based on a non-serial technique of avoiding repeating a pitch class until a generally fixed number such as eight pitch classes intervened. He wrote painstakingly slowly so his output is quite small.
4′33″ is a three-movement composition by American experimental composer John Cage (1912–1992). It was composed in 1952, for any instrument or combination of instruments, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly perceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, 4′33″ being the total length of the first public performance.
Vexations is a musical work by Erik Satie. Apparently conceived for keyboard, it consists of a short theme in the bass whose four presentations are heard alternatingly unaccompanied and played with chords above. The theme and its accompanying chords are written using strikingly eccentric and impractical enharmonic notation. The piece is undated, but scholars usually assign a date around 1893–1894 on the basis of musical and biographical evidence.
Indeterminacy is a composing approach in which some aspects of a musical work are left open to chance or to the interpreter's free choice. John Cage, a pioneer of indeterminacy, defined it as "the ability of a piece to be performed in substantially different ways".
Music of Changes is a piece for solo piano by John Cage. Composed in 1951 for pianist and friend David Tudor, it is a ground-breaking piece of indeterminate music. The process of composition involved applying decisions made using the I Ching, a Chinese classic text that is commonly used as a divination system. The I Ching was applied to large charts of sounds, durations, dynamics, tempo and densities.
Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements.
String Quartet in Four Parts is a string quartet by John Cage, composed in 1950. It is one of the last works Cage wrote that is not entirely indeterminate. Like Sonatas and Interludes for prepared piano (1946–48) and the ballet The Seasons (1947), this work explores ideas from Indian philosophy.
The Wonderful Widow of Eighteen Springs is a song for voice and closed piano by John Cage. It was composed in late 1942 and quickly became a minor classic in Cage's oeuvre. The text was a reworked version of a passage from James Joyce's Finnegans Wake.
Nowth upon Nacht is a song for voice and piano by John Cage. It was composed in 1984 in memoriam for Cathy Berberian, the celebrated soprano singer, wife of composer Luciano Berio.
American avant-garde composer John Cage (1912–1992) started composing pieces for solo prepared piano around 1938–40. The majority of early works for this instrument were created to accompany dances by Cage's various collaborators, most frequently Merce Cunningham. In response to frequent criticisms of prepared piano, Cage cited numerous predecessors. In the liner notes for the very first recording of his most highly acclaimed work for prepared piano, Sonatas and Interludes, Cage wrote: "Composing for the prepared piano is not a criticism of the instrument. I'm only being practical." This article presents a complete list of Cage's works for prepared piano, with comments on each composition. All of Cage's indeterminate works for unspecified forces can also be performed on or with Prepared Piano.
Music for Piano is a series of 85 indeterminate musical compositions for piano by American avant-garde composer John Cage. All of these works were composed by making paper imperfections into sounds using various kinds of chance operations.
Voices and Instruments is a 1976 album by saxophonist Jan Steele and composer John Cage. The album was the fifth release on Brian Eno's Obscure Records.
27' 10.554" is a composition for percussion by American composer John Cage. It was finished in 1956.