Nowth upon Nacht is a song for voice and piano by John Cage. It was composed in 1984 in memoriam for Cathy Berberian, the celebrated soprano singer, wife of composer Luciano Berio.
John Milton Cage Jr. was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Catherine Anahid "Cathy" Berberian was an American mezzo-soprano and composer based in Italy. She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp Zu Eulenburg, arrangements of songs by The Beatles, and folk songs from several countries and cultures. As a composer, she wrote Stripsody (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and Morsicat(h)y (1969), a composition for the keyboard based on Morse code.
Luciano Berio, Cavaliere di Gran Croce OMRI was an Italian composer. He is noted for his experimental work and also for his pioneering work in electronic music.
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The text is from page 555–6 of James Joyce's Finnegans Wake , [1] describing the darkest part of the night, and the activities of the characters, each written in a style reflecting their personalities. It follows the lyrical account of Infantina Isobel, who "night by silentsailing night [...] evencalm lay sleeping", which Cage used earlier in The Wonderful Widow of Eighteen Springs. Joyce switches to guttural Germanic language, to describe Joe Sackerson, the drunken Scandinavian watchman of the pub:
James Augustine Aloysius Joyce was an Irish novelist, short story writer, poet, teacher, and literary critic. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century. Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, most famously stream of consciousness. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, his published letters and occasional journalism.
Finnegans Wake is a work of fiction by Irish writer James Joyce. It is significant for its experimental style and reputation as one of the most difficult works of fiction in the English language. Written in Paris over a period of seventeen years and published in 1939, two years before the author's death; Finnegans Wake was Joyce's final work. The entire book is written in a largely idiosyncratic language, which blends standard English lexical items and neologistic multilingual puns and portmanteau words to unique effect. Many critics believe the technique was Joyce's attempt to recreate the experience of sleep and dreams. Owing to the work's linguistic experiments, stream of consciousness writing style, literary allusions, free dream associations, and abandonment of narrative conventions, Finnegans Wake remains largely unread by the general public.
The Wonderful Widow of Eighteen Springs is a song for voice and closed piano by John Cage. It was composed in late 1942 and quickly became a minor classic in Cage's oeuvre. The text was a reworked version of a passage from James Joyce's Finnegans Wake.
nowth upon nacht, while in his tumbril Wachtman Havelook seequeerscenes, from yonsides of the choppy, punkt by his curserbog, went long the grassgross bumpinstrass that henders the pubbel to pass, stowing his bottle in a hole for at whet his whuskle to stretch ecrooksman, sequestering for lovers' lost propertied offices the leavethings from allpurgers' night, og gneiss ogas gnasty, kikkers, brillers, knappers and bands, handsboon and strumpers, sminkysticks and eddiketsflaskers
The vocal line is declamatory and uses a small number of high pitches. The pianist does not touch the keys but produces noises by opening and shutting the piano lid three times, with the sustain pedal depressed. The piece is intended to be performed directly after The Wonderful Widow of Eighteen Springs.
