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Apartment House 1776 is a 1976 composition by the American composer John Cage, composed for the United States Bicentennial and premiered by six orchestras across the country in 1976. The work was commissioned jointly by the orchestras of Boston, Chicago, Cleveland, Los Angeles, New York, and Philadelphia. In these performances, the work was performed together with Cage's 1975–76 orchestral work Renga.
Following Cage's Musicircus principle (featuring what he called a "multiplicity of centers"), the work calls for four solo vocalists, each representing a different religious tradition in the United States: Protestant, Sephardic, Native American, and African American. The singers, who represent the four religious traditions practiced at the U.S.'s founding in 1776, select authentic songs from their respective traditions and sing them without attempting to match them to those of the other singers.
The soloists for the original performances were Helen Schneyer (Protestant), Nico Castel (Sephardic), Swift Eagle (Native American – Apache and Santo Domingo Pueblo), and Jeanne Lee (African American). The original performances were conducted by Seiji Ozawa (Boston), Pierre Boulez (New York) and Zubin Mehta (Los Angeles) .
The singers are accompanied by versions of anthems and congregational music written by composers who were at least 20 years old at the time of the American Revolution, which Cage recomposed by means of chance operations. The composers whose works are so used include William Billings, James Lyon, Jacob French, Andrew Law, and Supply Belcher. In addition, Cage provides four marches for solo drums (transcribed by James Barnes from Benjamin Clark's Drum Book of 1797) and 14 tunes for melody instruments, which are based on dance or military tunes of the period.
John Coolidge Adams is an American composer and conductor whose music is rooted in minimalism. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, which are often centered around recent historical events. Apart from opera, his oeuvre includes orchestral, concertante, vocal, choral, chamber, electroacoustic and piano music.
Philip Morris Glass is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically.
John Milton Cage Jr. was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Charles Edward Ives was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early life, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century.
4′33″ is a three-movement composition by American experimental composer John Cage. It was composed in 1952, for any instrument or combination of instruments, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly perceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, 4′33″ being the total length of the first public performance.
Minimal music is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non-representational approach, and calls attention to the activity of listening by focusing on the internal processes of the music.
Supply Belcher was an American composer, singer, and compiler of tune books. He was one of the so-called Yankee tunesmiths or First New England School, a group of mostly self-taught composers who created sacred vocal music for local choirs. He was active first in Lexington, Massachusetts, then eventually moved to Farmington, Maine. Like most of his colleagues, Belcher could not make music his main occupation, and worked as tax assessor, schoolmaster, town clerk, and so on; nevertheless he was considerably well known for his musical activities, and even dubbed 'the Handell [sic] of Maine' by a local newspaper. Most of his works survive in The Harmony of Maine, a collection Belcher published himself in Boston in 1794.
Richard Cory Kostelanetz is an American artist, author, and critic.
Falstaff – Symphonic Study in C minor, Op. 68, is an orchestral work by the English composer Edward Elgar. Though not so designated by the composer, it is a symphonic poem in the tradition of Franz Liszt and Richard Strauss. It portrays Sir John Falstaff, the "fat knight" of William Shakespeare's Henry IV Parts 1 and 2.
Notations is a book that was edited and compiled by American avant-garde composer John Cage (1912–1992) with Alison Knowles and first published in 1969 by Something Else Press. The book is made up of a large collection of graphical scores, facsimiles of holographs, from the Foundation for Contemporary Performance Arts, with text by 269 composers, which are presented in alphabetical order, with each score allotted equal space, and in which the editor has no more authority than the reader in assigning value to the work. The book includes the manuscript for the Beatles song "The Word" from the Rubber Soul album (1965).
Paul Zukofsky was an American violinist and conductor known for his work in the field of contemporary classical music.
Cheap Imitation is a piece for solo piano by John Cage, composed in 1969. It is an indeterminate piece created using the I Ching and based, rhythmically, on Socrate by Erik Satie.
Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements.
Etudes Australes is a set of etudes for piano solo by John Cage, composed in 1974–75 for Grete Sultan. It comprises 32 indeterminate pieces written using star charts as source material. The etudes, conceived as duets for two independent hands, are extremely difficult to play. They were followed by two more collections of similarly difficult works: Freeman Etudes for violin (1977–90) and Etudes Boreales (1978) for cello, piano, or both together.
M: Writings ’67–’72 is a book of essays by American avant-garde composer John Cage (1912–1992), first published in 1973 by Wesleyan University Press.
Adrienne Albert is an American composer living and working in Santa Monica, California. Although relatively new to composition, Albert is established in the field with a recent NEA grant for a "symphony" about Homer, Alaska, now complete, and various other commissions, artist in residencies, and awards. Albert's work is performed internationally, in the US, in Europe, and extends to a recent set of Chinese performances.
Richard Bunger Evans, also known as Richard Bunger, is an American composer and pianist who worked with John Cage and subsequently wrote "the classic book on John Cage," The Well-Prepared Piano. Evans has composed and performed music for opera and musical theatre, piano, art songs, prepared piano, choral music, string orchestra and chamber music. Evans continues to compose and perform in these various genres, and is highly respected as an accompanist to singers. During his 17-year career as a music professor, Evans was named one of two Outstanding Professors of 1981–1982 in the California State University system.
The San Francisco Symphony Youth Orchestra (SFSYO) is the youth orchestra of the San Francisco Symphony. The SFSYO performs an annual concert series and has made several recordings. The orchestra rehearses in Louise M. Davies Symphony Hall, directed by Daniel Stewart.
Symbolon is a composition for orchestra written by the American composer Ellen Taaffe Zwilich. The piece was commissioned by the New York Philharmonic for their 1988 tour of the Soviet Union and was completed on January 8, 1988. It is dedicated to Zubin Mehta, who conducted the work's premiere by the New York Philharmonic in Leningrad on June 1, 1988. It was the first piece of American orchestral music to be premiered in the Soviet Union.
Merle Marsicano was an American dancer and choreographer who worked with a wide range of avante garde composers and artists.