A Great Day in Harlem | |
---|---|
Directed by | Jean Bach |
Written by | Jean Bach Susan Peehl Matthew Seig |
Produced by | Stuart Samuels Terrell Braly Matthew Seig |
Starring | Quincy Jones Dizzy Gillespie Sonny Rollins Buck Clayton |
Narrated by | Quincy Jones |
Cinematography | Steve Petropoulos |
Edited by | Susan Peehl |
Distributed by | Castle Hill Productions |
Release date |
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Running time | 60 minutes |
Country | United States |
Language | English |
A Great Day in Harlem is a 1994 American documentary film directed by Jean Bach about the photograph of the same name. It was nominated for an Academy Award for Best Documentary Feature. [1]
Director Jean Bach acquired an original home movie showing the 1958 photo shoot from musician Milt Hinton. [2] She used Hinton's home video as the basis for her hour-long documentary. [2] In a piece published in The New Yorker , jazz critic Whitney Balliett praised Bach's film as "a brilliant, funny, moving, altogether miraculous documentary." [2]
Jean Bach described how, upon the film's release, a number of similar photographs employed the "A Great Day in..." theme. [3] Hugh Hefner assembled Hollywood-area musicians for "A Great Day in Hollywood" in conjunction with a sneak preview of A Great Day in Harlem. [3] Soon after, "A Great Day in Philadelphia" included musicians such as Jimmy Heath, Benny Golson and Ray Bryant. [3] During the filming of Kansas City , musicians including Jay McShann posed for "A Great Day in Kansas City." [3] A multi-page supplement in The Star-Ledger featured "A Great Day in Jersey," while a Dutch photograph was titled "A Great Day in Haarlem." [3]
The trend spread to other styles of music, with Houston blues musicians posing for "A Great Day in Houston." [3] "A Great Day in Hip Hop" was followed by XXL's "The Greatest Day in Hip Hop." [3] An Atlanta radio station gathered musicians for "A Great Day in Doo-Wop." [3] A New York cellist, inspired by both the original photograph and the film, assembled chamber musicians for "A Great Day in New York." [3] The New York Post ran "A Great Day in Spanish Harlem." [3]
By 2004, The New York Times was referring to the original photograph as A Great Day in Harlem. [3]
Ronald Levin Carter is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy Awards, and is also a cellist who has recorded numerous times on that instrument. In addition to a lengthy solo career that began in the early 1960s, Carter is well-known for playing on several iconic Blue Note albums of the 1960s, as well as being part of the Miles Davis Quintet from 1963-1968.
Cabell Calloway III was an American jazz singer and bandleader. He was a regular performer at the Cotton Club in Harlem, where he became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years.
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Roy Ayers is an American funk, soul, and jazz composer, vibraphone player, and record producer. Ayers began his career as a post-bop jazz artist, releasing several albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk. He is a key figure in the acid jazz movement, and has been dubbed "The Godfather of Neo Soul". He is best known for his compositions "Everybody Loves the Sunshine", "Searchin", and "Running Away". At one time, he was said to have more sampled hits by rappers than any other artist.
Gordon Roger Alexander Buchanan Parks was an American photographer, composer, author, poet, and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African Americans—and in glamour photography. He is best remembered for his iconic photos of poor Americans during the 1940s, for his photographic essays for Life magazine, and as the director of the films Shaft, Shaft's Big Score and the semiautobiographical The Learning Tree.
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A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. The idea for the photo came from Esquire's art director, Robert Benton, rather than Kane. However, after being given the commission, it seems the latter was responsible for choosing the location for the shoot. The subjects are shown at 17 East 126th Street, between Fifth and Madison Avenue, where police had temporarily blocked off traffic. Published as the centerfold of the January 1959 issue of Esquire, the image was captured with a Hasselblad camera, and earned Kane his first Art Directors Club of New York gold medal for photography. It has been called "the most iconic photograph in jazz history".
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Milton John Hinton was an American double bassist and photographer.
Art Kane was an American fashion and music photographer active from the 1950s through the early 1990s. He created many portraits of contemporary musicians, including Bob Dylan, Jefferson Airplane, Sonny and Cher, Aretha Franklin, Frank Zappa, Jim Morrison, Janis Joplin, the Rolling Stones, and The Who.
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Jean Bach was an American documentary film director, radio producer and jazz aficionado. Bach directed the 1994 documentary, A Great Day in Harlem, based on a 1958 photograph of the same name.
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