A Lucky Sweep | |
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Directed by | A. V. Bramble |
Produced by | Harry Rowson |
Starring | John Longden Diana Beaumont |
Production company | Harry Rowson Productions |
Distributed by | Producers Distributing Corporation |
Release date |
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Running time | 58 minutes |
Country | United Kingdom |
Language | English |
A Lucky Sweep is a 1932 British comedy film directed by A. V. Bramble and starring John Longden, Diana Beaumont and A. G. Poulton. It was made at Elstree Studios as a quota quickie. [1]
Under a Cloud is a 1937 British comedy film directed by George King and starring Betty Ann Davies, Edward Rigby, Hilda Bayley. The screenplay concerns a man who returns from Australia and tries to reconcile with his estranged family.
Open All Night is a 1934 British drama film directed by George Pearson and starring Frank Vosper, Margaret Vines, Gillian Lind, Geraldine Fitzgerald and Michael Shepley. It was made at Twickenham Studios in London. The film's sets were designed by the art director James Carter. The film was produced as a quota quickie by Julius Hagen for distribution by RKO Pictures. It was later released in the United States until the alternative title Murder by Appointment.
Blind Justice is a 1934 British thriller film directed by Bernard Vorhaus and starring Eva Moore, Frank Vosper, Geraldine Fitzgerald, Roger Livesey, and John Mills. The screenplay concerns a woman who is blackmailed by a criminal, who has discovered that her brother was shot as a coward during World War I.
Badger's Green is a 1934 British comedy film directed by Adrian Brunel and starring Valerie Hobson, Bruce Lester, David Horne and Wally Patch. It was adapted from the 1930 play Badger's Green by R.C. Sheriff. A picturesque village is threatened with redevelopment by a speculative builder, leading to widespread protest. In the end the builder agrees to settle the future of the village on the result of a cricket match.
Fair Exchange is a 1936 British comedy film directed by Ralph Ince and starring Patric Knowles, Raymond Lovell and Cecil Humphreys. It was made at Teddington Studios as a quota quickie by the British subsidiary of Warner Brothers.
Life Goes On is a 1932 British crime film directed by Jack Raymond and starring Elsie Randolph, Betty Stockfeld and Warwick Ward. It was made at British and Dominion's Elstree Studios as a supporting feature for release by Paramount Pictures.
Should a Doctor Tell? is a 1930 British drama film directed by H. Manning Haynes and starring Basil Gill, Norah Baring and Maurice Evans. The screenplay concerns a doctor who agonises over whether to tell his son that the woman he is marrying is pregnant by another man, which would mean breaking the hypocratic oath.
Birds of a Feather is a 1936 British comedy film directed by John Baxter and starring George Robey, Horace Hodges and Eve Lister. The screenplay concerns a sausage-making tycoon who rents a castle from an impoverished aristocrat. It was adapted from the play A Rift in the Loot by George Foster. It was made at Shepperton Studios as a quota quickie.
John Halifax aka John Halifax, Gentleman is a 1938 British historical drama film directed by George King and starring John Warwick, Nancy Burne and Roddy McDowall. It is based on the 1856 novel John Halifax, Gentleman by Dinah Craik. It was made at Shepperton Studios as a quota quickie. The film's sets were designed by Philip Bawcombe.
Bed and Breakfast is a 1938 British drama film directed by Walter West and starring Daphne Courtney, Barry Lupino and Frank Miller. It depicts the lives of the inhabitants in a boarding house. It was the last appearance of the silent star Mabel Poulton in a feature film as well as the last to be directed by West. The film was made at Southall Studios, with production beginning in May 1936.
Mannequin is a 1933 British drama film directed by George A. Cooper and starring Harold French, Judy Kelly and Diana Beaumont. It was made at Twickenham Studios in London with sets designed by the art director James A. Carter. Produced as a quota quickie, it was released by the American distributor RKO.
Ticket of Leave is a 1936 British crime film directed by Michael Hankinson and starring Dorothy Boyd, John Clements and George Merritt. It was made as a quota quickie at British and Dominions Elstree Studios by the British subsidiary of Paramount Pictures. The screenplay concerns a woman who joins forces with a criminal after he robs her flat. The title refers to the ticket of leave given to prisoners when they were released from jail.
The Girl in the Night is a 1931 British crime film directed by Henry Edwards and starring Edwards, Dorothy Boyd and Sam Livesey. It was made at Elstree Studios. It was released as a quota quickie.
A Real Bloke is a 1935 British drama film directed by John Baxter and starring George Carney, Mary Clare and Diana Beaumont. It was made at Cricklewood Studios as a quota quickie for release by MGM.
Dial 999 is a 1938 British crime film directed by Lawrence Huntington and starring John Longden, Elizabeth Kent and Neville Brook. It was made as a quota quickie by 20th Century Fox at Wembley Studios. The film's title aimed to capitalize on the recent introduction of the emergency telephone number 999.
The Way of Youth is a 1934 British crime film directed by Norman Walker and starring Irene Vanbrugh, Aileen Marson and Sebastian Shaw. It was made at British and Dominions Elstree Studios as a quota quickie.
My Lucky Star is a 1933 British comedy film directed by Louis Blattner and John Harlow and starring Florence Desmond, Oscar Asche and Harry Tate. It was made at Elstree Studios as a quota quickie. A young woman working in a shop poses as a film star.
The Flaw is a 1933 British thriller film directed by Norman Walker and starring Henry Kendall, Eric Maturin and Phyllis Clare. It was made as a quota quickie at Wembley Studios, and was remade in 1955 with the same title.
Call Me Mame is a 1933 British comedy film directed by John Daumery and starring Ethel Irving, John Batten and Dorothy Bartlam. It was made at Teddington Studios as a quota quickie.
Come Into My Parlour is a 1932 British crime film directed by John Longden and starring Patrick Aherne, Renée Houston and Hal Walters. The title is taken from the poem The Spider and the Fly by Mary Howitt. It was produced at Ludwig Blattner's Elstree Studios outside London as a quota quickie for distribution by MGM. It was the only directorial effort of John Longden, better known as an actor.