Related Research Articles
Under a Cloud is a 1937 British comedy film directed by George King and starring Betty Ann Davies, Edward Rigby, Hilda Bayley. The screenplay concerns a man who returns from Australia and tries to reconcile with his estranged family.
Blind Justice is a 1934 British thriller film directed by Bernard Vorhaus and starring Eva Moore, Frank Vosper, Geraldine Fitzgerald, Roger Livesey, and John Mills. The screenplay concerns a woman who is blackmailed by a criminal, who has discovered that her brother was shot as a coward during World War I.
Fair Exchange is a 1936 British comedy film directed by Ralph Ince and starring Patric Knowles, Raymond Lovell and Cecil Humphreys. It was made at Teddington Studios as a quota quickie by the British subsidiary of Warner Brothers.
Life Goes On is a 1932 British crime film directed by Jack Raymond and starring Elsie Randolph, Betty Stockfeld and Warwick Ward. It was made at British and Dominion's Elstree Studios as a supporting feature for release by Paramount Pictures.
Should a Doctor Tell? is a 1930 British drama film directed by H. Manning Haynes and starring Basil Gill, Norah Baring and Maurice Evans. The screenplay concerns a doctor who agonises over whether to tell his son that the woman he is marrying is pregnant by another man, which would mean breaking the hypocratic oath.
Birds of a Feather is a 1936 British comedy film directed by John Baxter and starring George Robey, Horace Hodges and Eve Lister. The screenplay concerns a sausage-making tycoon who rents a castle from an impoverished aristocrat. It was adapted from the play A Rift in the Loot by George Foster. It was made at Shepperton Studios as a quota quickie.
John Halifax aka John Halifax, Gentleman is a 1938 British historical drama film directed by George King and starring John Warwick, Nancy Burne and Roddy McDowall. It is based on the 1856 novel John Halifax, Gentleman by Dinah Craik. It was made at Shepperton Studios as a quota quickie. The film's sets were designed by Philip Bawcombe.
Bed and Breakfast is a 1938 British drama film directed by Walter West and starring Daphne Courtney, Barry Lupino and Frank Miller. It depicts the lives of the inhabitants in a boarding house. It was the last appearance of the silent star Mabel Poulton in a feature film as well as the last to be directed by West. The film was made at Southall Studios, with production beginning in May 1936.
Ticket of Leave is a 1936 British crime film directed by Michael Hankinson and starring Dorothy Boyd, John Clements and George Merritt. It was made as a quota quickie at British and Dominions Elstree Studios by the British subsidiary of Paramount Pictures. The screenplay concerns a woman who joins forces with a criminal after he robs her flat. The title refers to the ticket of leave given to prisoners when they were released from jail.
A Real Bloke is a 1935 British drama film directed by John Baxter and starring George Carney, Mary Clare and Diana Beaumont. It was made at Cricklewood Studios as a quota quickie for release by MGM.
Dial 999 is a 1938 British crime film directed by Lawrence Huntington and starring John Longden, Elizabeth Kent and Neville Brook. It was made as a quota quickie by 20th Century Fox at Wembley Studios. The film's title aimed to capitalize on the recent introduction of the emergency telephone number 999.
The Way of Youth is a 1934 British crime film directed by Norman Walker and starring Irene Vanbrugh, Aileen Marson and Sebastian Shaw. It was made at British and Dominions Elstree Studios as a quota quickie.
The House of Unrest is a 1931 British mystery film directed by Leslie Howard Gordon and starring Dorothy Boyd, Malcolm Keen and Tom Helmore. It was made as a quota quickie at Cricklewood Studios.
Lucky Blaze is a 1933 British sports film directed by Widgey R. Newman and starring William Freshman, Vera Sherborne and Moore Marriott. It was made as a quota quickie.
My Lucky Star is a 1933 British comedy film directed by Louis Blattner and John Harlow and starring Florence Desmond, Oscar Asche and Harry Tate. It was made at Elstree Studios as a quota quickie. A young woman working in a shop poses as a film star.
The Lure is a 1933 British crime film directed by Arthur Maude and starring Anne Grey, Cyril Raymond and Alec Fraser. It was made at Wembley Studios as a quota quickie.
The Flaw is a 1933 British thriller film directed by Norman Walker and starring Henry Kendall, Eric Maturin and Phyllis Clare. It was made as a quota quickie at Wembley Studios, and was remade in 1955 with the same title.
Call Me Mame is a 1933 British comedy film directed by John Daumery and starring Ethel Irving, John Batten and Dorothy Bartlam. It was made at Teddington Studios as a quota quickie.
The Dark Light is a 1951 British thriller film directed by Vernon Sewell and starring Albert Lieven, David Greene, Norman Macowan. It was filmed at a rented country estate in Gilston and on location around Portsmouth.
Borrowed Clothes is a 1934 British drama film directed by Arthur Maude and starring Anne Grey, Lester Matthews and Sunday Wilshin.
References
- ↑ Chibnall p.264
