Profit and the Loss | |
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Directed by | A. V. Bramble Eliot Stannard |
Written by | H. F. Maltby (play) |
Starring | James Carew Randle Ayrton Saba Raleigh |
Production company | |
Distributed by | Ideal Film Company |
Release date |
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Running time | 5 reels |
Country | United Kingdom |
Language | English |
Profit and the Loss is a 1917 British silent drama film directed by A. V. Bramble and Eliot Stannard and starring James Carew, Randle Ayrton and Margaret Halstan. [2]
When friends fail him, a tenant farmer turns to making money.
Debt of Honour is a 1936 British drama film directed by Norman Walker and starring Leslie Banks, Will Fyffe, Geraldine Fitzgerald and Garry Marsh. Based on a story by Sapper, and scripted by Tom Geraghty and Cyril Campion, the film is also known as The Man Who Could Not Forget.
The Feather is a 1929 sound British romantic drama film directed by Leslie S. Hiscott, based on the 1927 novel of the same name by Charlotte Mary Matheson, and starring Jameson Thomas, Véra Flory, Randle Ayrton and Mary Clare. While the film has no audible dialog, it features a synchronized musical score, singing and sound effects. The film was made by the independent producer Julius Hagen at Elstree Studios.
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James Usselman, known professionally as James Carew, was an American actor who appeared in many films, mainly in Britain. He was born in Goshen, Indiana in 1876 and began work as a clerk in a publishing firm. He began acting on stage in Chicago in 1897 in Damon and Pythias.
High Seas is a sound 1929 British adventure film directed by Denison Clift and starring Lillian Rich, James Carew, John Stuart, Randle Ayrton and Winter Hall. While the film has no audible dialog, it features a synchronized musical score, singing and sound effects on the soundtrack.
The Freedom of the Seas is a 1918 British comedy play by Walter C. Hackett. A downtrodden London clerk joins the Royal Navy during the First World War. Given command of a tramp steamer he rises to the occasion and thwarts the plans of a German spy. It appeared at the Royalty Theatre before transferring to the Theatre Royal, Haymarket where the cast included Dennis Eadie, Billie Carleton, Tom Reynolds, Marion Lorne, Randle Ayrton, Sydney Valentine and James Carew.
Frederick Randle Ayrton was a British actor of stage and screen, and was also a producer and director.
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Southern Love is a 1924 British drama film directed by Herbert Wilcox and starring Betty Blythe, Herbert Langley and Randle Ayrton. It is based on the verse drama The Spanish Student by Henry Wadsworth Longfellow. It is known by the alternative title Woman's Secret.
Glorious Youth is a 1929 British silent drama film directed by Graham Cutts and starring Anny Ondra, Randle Ayrton and William Freshman. It is also known by the alternative title of Eileen of the Trees. It was one of two films Cutts made with the Czech actress Anny Ondra. The film is based on the novel Eileen of the Trees by Henry De Vere Stacpoole and was made at Elstree Studios.
Talk of the Devil is a 1936 British crime film directed by Carol Reed and starring Ricardo Cortez, Sally Eilers and Basil Sydney.
Passion Island is a 1927 British silent drama film directed by Manning Haynes and starring Lilian Oldland, Moore Marriott and Randle Ayrton. It is based on a novel by W. W. Jacobs and concerns a vendetta on the island of Corsica.
Justice is a 1917 British silent crime film directed by Maurice Elvey and starring Gerald du Maurier, Hilda Moore, and Lilian Braithwaite. It was based on the 1910 play Justice by John Galsworthy. It is not known whether the film currently survives, which suggests that it is a lost film.
One of the Best is a 1927 British silent historical drama film directed by T. Hayes Hunter and starring Carlyle Blackwell, Walter Byron and Eve Gray. It was based on a play by Seymour Hicks. Film historian Rachael Low described it as an "unsophisticated costume drama". The 'drumming out' scene of Lieutenant Keppel was filmed at Hounslow Barracks using the officers and men of the Royal Fusiliers wearing 1820s uniforms.
Victory and Peace is a 1918 British silent war film directed by Herbert Brenon and starring Matheson Lang, Marie Lohr, and James Carew. The film was produced by the National War Aims Committee that was set up in 1917 to focus on domestic propaganda during the First World War. The novelist Hall Caine was recruited for the committee by the Prime Minister David Lloyd George to write the screenplay. Lloyd George chose Caine due to his experience in the field of cinema and his "reputation as a man of letters". The film was designed to show what would happen in a German invasion. It was mostly shot in Chester with some scenes filmed at Chirk Castle. Most of the negative of the newly finished film was destroyed in a fire at the offices of the London Film Company in June 1918. It was re-filmed over four months, just as the war ended, and so never went on general release. It is a partially lost film, with only around 1,000 feet of film still surviving. Edward Elgar was to have composed the score. Originally entitled The National Film, its alternative title is The Invasion of Britain.
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No. 5 John Street is a 1921 British silent drama film directed by Kenelm Foss and starring Zena Dare and Mary Odette and Lionelle Howard. It is based on the 1899 novel by Richard Whiteing. The screenplay concerns a soap-making heiress who disguises herself as a worker.
The Little People is a 1926 British silent romance film directed by George Pearson and starring Mona Maris, Frank Stanmore and Gerald Ames.
The Beggar Student is a 1931 British operetta film directed by Victor Hanbury and John Harvel and starring Shirley Dale, Lance Fairfax and Jerry Verno. It was based on the 1882 operetta The Beggar Student composed by Carl Millöcker. A separate German film was made the same year.
Margaret Halstan was a British stage, radio, television and film actress. In theatre and film roles she often played upper-class ladies of the gentry, with a career spanning over six decades. She was particularly known for her Shakespearian roles, having debuted in 1895, at the turn of the century she joined Sir Frank Benson theatre company, and also played in the theatrical company's of Sir George Alexander and Sir Herbert Beerbohm Tree, before making her debut in silent film in 1916.