Norma Marie Talmadge was an American actress and film producer of the silent era. A major box-office draw for more than a decade, her career reached a peak in the early 1920s, when she ranked among the most popular idols of the American screen.
Show People is a 1928 American silent comedy film directed by King Vidor. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
The Joan Crawford filmography lists the film appearances of American actress Joan Crawford, who starred in numerous feature films throughout a lengthy career that spanned nearly five decades.
The Stolen Jools is a 1931 American pre-Code comedy short produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the "fine work" of the NVA sanitarium.
Hobart Henley was an American silent film actor, director, screenwriter and producer. He was involved in over 60 films either as an actor or director or both in his twenty-year career, between 1914 and 1934 when he retired from filmmaking.
Spring Fever is a 1927 American silent comedy film starring William Haines, Joan Crawford, and George K. Arthur, and directed by Edward Sedgwick. Based on the 1925 play of the same name by Vincent Lawrence, this was the second film starring Haines and Crawford, and their first onscreen romantic teaming.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Pretty Ladies is a 1925 American silent comedy drama film starring ZaSu Pitts and released by Metro-Goldwyn-Mayer. The film is a fictional recreation of the famed Ziegfeld Follies. Directed by Monta Bell, the film was written by Alice D. G. Miller and featured intertitles by Joseph Farnham. Pretty Ladies originally featured musical color sequences, some in two-color Technicolor. However, the color sequences are now considered lost.
Lady of the Night is a 1925 American silent romantic drama film directed by Monta Bell. The film stars Norma Shearer in a dual role.
The Midshipman is a 1925 American silent romantic drama film directed by Christy Cabanne. The film stars Ramon Novarro and Harriet Hammond. Joan Crawford had an early uncredited role as an extra.
The Merry Widow is a 1925 American silent romantic drama/black comedy film directed and written by Erich von Stroheim. Released by Metro-Goldwyn-Mayer, the film stars Mae Murray, John Gilbert, Roy D'Arcy, and Tully Marshall, with pre-fame uncredited appearances by Joan Crawford and Clark Gable.
The Road to Yesterday is a 1925 American silent romantic drama film directed by Cecil B. DeMille. The film is significant because it was Cecil B. DeMille's first release from his new production company, DeMille Pictures Corporation. It was also upcoming actor William Boyd's first starring role. In DeMille's next picture, The Volga Boatman, which was a tremendous success, he cast Boyd as the solo leading man.
The Restless Sex is a 1920 American silent drama film starring Marion Davies, and Ralph Kellard. It was directed by Leon D'Usseau and Robert Z. Leonard and written by Frances Marion. The film is based upon the 1918 novel of the same name by Robert W. Chambers and was distributed by Paramount Pictures under the Famous Players-Lasky Corporation name.
The Sign on the Door is a 1921 American silent drama film starring Norma Talmadge and Lew Cody. The film was directed and written by Herbert Brenon, and based upon the 1919 play of the same name by Channing Pollock. A copy of this film is in the Library of Congress film archive.
The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released.
The Tower of Lies is a 1925 American silent drama film directed by Victor Sjöström. It was written by Agnes Christine Johnston and Max Marcin, based upon Selma Lagerlöf's 1914 novel The Emperor of Portugallia. The film was supposed to be called The Emperor of Portugallia, but was later changed to The Tower of Lies.
Exchange of Wives is a 1925 American comedy drama film directed by Hobart Henley, with screenplay by Fanny Hatton based upon a Broadway play by Cosmo Hamilton. The film stars Eleanor Boardman, Renée Adorée, Lew Cody, and Creighton Hale.
His Secretary is a 1925 American silent comedy film directed by Hobart Henley. The film stars Norma Shearer and Lew Cody.
The Dressmaker from Paris is a 1925 American silent romantic comedy drama film directed by Paul Bern. The story was written by Howard Hawks and Adelaide Heilbron. Heilbron also wrote the screenplay. The film starred Leatrice Joy and was her last film for Paramount Pictures. The film was costume designer Travis Banton's first assignment.
For Husband's Only is 1918 American silent comedy-drama film and directed by Lois Weber and her husband Phillips Smalley. The film was distributed by Universal Pictures. The film was apparently made in late 1917 but not released until just before the end of World War I. For Husband's Only is now considered to be a lost film.
