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The Powers of Ten films are two short American documentary films written and directed by Charles and Ray Eames. Both works depict the relative scale of the Universe according to an order of magnitude based on a factor of ten, first expanding out from the Earth until the entire universe is surveyed, then reducing inward until a single atom and its quarks are observed.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
Aaron Russo was an American entertainment businessman, film producer, director, and political activist. He was best known for producing movies including Trading Places, Wise Guys, and The Rose. Later in life, he created various libertarian-leaning political documentaries including Mad as Hell and America: Freedom to Fascism.
Arthur Lipsett was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay. His first film, Very Nice, Very Nice, was nominated for an Academy Award.
Charles Eli Guggenheim was an American documentary film director, producer, and screenwriter. He was the most honored documentary filmmaker in the academy history, winning four Oscars from twelve nominations.
Haskell Wexler was an American cinematographer, film producer, and director. Wexler was judged to be one of film history's ten most influential cinematographers in a survey of the members of the International Cinematographers Guild. He won the Academy Award for Best Cinematography twice, in 1966 and 1976, out of five nominations. In his obituary in The New York Times, Wexler is described as being "renowned as one of the most inventive cinematographers in Hollywood."
Alexandr Hackenschmied, born Alexander Siegfried George Hackenschmied, known later as Alexander Hammid, was a Czech-American photographer, film director, cinematographer and film editor. He immigrated to the U.S. in 1938 and became involved in American avant-garde cinema. He is best known for three films: Crisis (1939), Meshes of the Afternoon (1943) and To Be Alive! (1964). He made Meshes of the Afternoon with Maya Deren, to whom he was married from 1942 to 1947. His second marriage was to the photographer Hella Heyman, who had also collaborated with Hammid and Deren on several films.
John Chambers was an American make-up artist and prosthetic makeup expert in both television and film. He received an Academy Honorary Award from the Academy of Motion Picture Arts and Sciences in 1968. He is best known for creating the pointed ears of Spock in the television series Star Trek (1966), and for his groundbreaking prosthetic make-up work on the Planet of the Apes film franchise.
Kartemquin Films is a four-time Oscar-nominated 501(c)3 non-profit production company located in Chicago, Illinois, that produces a wide range of documentary films. It is the documentary filmmaking home of acclaimed producers such as Gordon Quinn, Steve James, Peter Gilbert, Maria Finitzo, Joanna Rudnick, Bing Liu, Aaron Wickenden, and Ashley O’Shay (Unapologetic).
Thomas Furneaux Lennon is a documentary filmmaker. He was born in Washington, D.C., graduated from Phillips Exeter Academy in 1968 and Yale University in 1973.
Colin Archibald Low was a Canadian animation and documentary filmmaker with the National Film Board of Canada (NFB). He was known as a pioneer, one of Canada's most important filmmakers, and was regularly referred to as "the gentleman genius". His numerous honors include five BAFTA awards, eight Cannes Film Festival awards, and six Academy Award nominations.
The Redwoods is a 1967 American short documentary film produced by Trevor Greenwood and Mark Jonathan Harris. It was produced for the Sierra Club as part of their campaign for a national park to protect the redwood forest. In 1968, it won an Oscar at the 40th Academy Awards for Documentary Short Subject.
The Johnstown Flood is a 1989 American short documentary film directed by Charles Guggenheim about the Johnstown Flood. David McCullough, author of the 1968 book, The Johnstown Flood, hosted the film.
Cynthia Wade is an American television, commercial and film director, producer and cinematographer based in New York City. She has directed documentaries on social issues including Shelter Dogs in 2003 about animal welfare and Freeheld in 2007 about LGBT rights as well as television commercials and web campaigns. She has won over 40 film festival awards, won an Oscar in 2008, and was nominated for her second Oscar in 2013.
David Lloyd Wolper was an American television and film producer, responsible for shows such as Roots, The Thorn Birds, and North and South, and the theatrically-released films Willy Wonka & the Chocolate Factory (1971) and L.A. Confidential. He was awarded the Jean Hersholt Humanitarian Award at the 57th Academy Awards in 1985 for his work producing the opening and closing ceremonies of the 1984 Summer Olympics in Los Angeles, as well as helping to bring the games there. His 1971 film about the study of insects, The Hellstrom Chronicle, won an Academy Award.
A Place to Stand is a 1967 film produced and edited by the Canadian artist and filmmaker Christopher Chapman for the Ontario pavilion at Expo 67 in Montréal, Québec, Canada. For the film, he pioneered the concept of moving panes, of moving images, within the single context of the screen. At times there are 15 separate images moving at once. This technique, which he dubbed "multi-dynamic image technique" has since been employed in many films, notably Norman Jewison's 1968 film The Thomas Crown Affair. Jewison has credited Chapman as the creator of the edit style. The technique can also be seen more recently on television in the series 24.
Brett D. Morgen is an American documentary filmmaker. His directorial credits include The Kid Stays in the Picture (2002), Crossfire Hurricane (2012), Kurt Cobain: Montage of Heck (2015), Jane (2017), and Moonage Daydream (2022).
Albert Kish was a Canadian documentarian/filmmaker.
Robert Verrall is a Canadian animator, director and film producer who worked for the National Film Board of Canada (NFB) from 1945 to 1987. Over the course of his career, his films garnered a BAFTA Award, prizes at the Cannes Film Festival and Venice Film Festival, and six Academy Award nominations.
Julia Bell Reichert was an American Academy Award-winning documentary filmmaker, activist, and feminist. She was a co-founder of New Day Films. Reichert's filmmaking career spanned over 50 years as a director and producer of documentaries.
References
- ↑ "The 41st Academy Awards (1969) Nominees and Winners". oscars.org. Retrieved May 30, 2016.
