A Symphony of Cities | |
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Studio album by | |
Released | 2002 |
Recorded | 2000 |
Studio | Sparrow Sound Design, Chicago, Illinois |
Genre | Free jazz |
Length | 1:11:46 |
Label | Southport Records S-SSD 0096 |
A Symphony of Cities is an album by percussionist Famoudou Don Moye and bassist Tatsu Aoki. It was recorded in 2000 at Sparrow Sound Design in Chicago, Illinois, and was released on CD in 2002 by Southport Records. On the album, Moye and Aoki are joined by saxophonist Francis Wong and flutist Joel Brandon. [1] [2] [3]
In a review for All About Jazz , Jim Santella called the album "a symphony of African and Asian sounds that can easily be considered representative of every large population center," and wrote: "The African-Asian concept Moye and Aoki reveal with their first track is but one part of the formula. Their true spirit lies in every corner of the globe, and this recommended session remains accessible to all." [4]
AAJ writer Mark F. Turner stated: "The sound of this recording is also a real treat as each instrument’s powerful and intricate voice comes through and transports the listener to another environment. The infectious percussion and interesting rhythms combined with a global yet urban flavor make A Symphony of Cities a unique and rewarding musical experience." [5]
Writing for Jazz Times , Larry Appelbaum praised Moye's "Ode to Wilbur Ware", calling it "a moving tribute to another great Chicago bassist," and commenting: "it's altogether appropriate that Aoki should lay down a spare, deep ostinato, leaving Brandon and Wong to play the melody and dart around one another." He also noted that "it's good to see creative musicians in communities across the country collaborating and creating their own opportunities in the face of a record industry dominated by global media giants." [6]
The Art Ensemble of Chicago is an avant-garde jazz group that grew out of the Association for the Advancement of Creative Musicians (AACM) in the late 1960s. The ensemble integrates many jazz styles and plays many instruments, including "little instruments": bells, bicycle horns, birthday party noisemakers, wind chimes, and various forms of percussion. The musicians would wear costumes and face paint while performing. These characteristics combined to make the ensemble's performances both aural and visual. While playing in Europe in 1969, five hundred instruments were used.
Tatsu Aoki is a multi-instrumentalist trained in traditional Japanese music, educator and experimental filmmaker. In his career as Chicago's Jazz and creative improvisor, he is mostly known as a long-standing bassist for Fred Anderson and he has also worked with George Freeman, and Von Freeman in the 90s. Aoki also has curious recording projects with Malachi Favors, Roscoe Mitchell, Don Moye, Wu Man, and other internationally renowned artists. Aoki also directs cultural events that promote the history of Japanese artistic traditions and contemporary Asian influences in jazz. As the founder and artistic director of Asian Improv Arts Midwest, he hosts events such as the annual Chicago Asian American Jazz Festival and the Japanese American Service Committee's Tsukasa Taiko Legacy arts residency program.
Wilbur Bernard Ware was an American jazz double bassist. He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others.
Donald Moye, Jr., known as Famoudou Don Moye, is an American jazz percussionist and drummer. He is most known for his involvement with the Art Ensemble of Chicago and is noted for his mastery of African and Caribbean percussion instruments and rhythmic techniques.
Malachi Favors was an American jazz bassist who played with the Art Ensemble of Chicago.
Live at the 6th Tokyo Music Joy is a live album by the Art Ensemble of Chicago and Lester Bowie's Brass Fantasy recorded in February 1990 for the Japanese DIW label. It is the only recording to showcase both of the groups that Lester Bowie established and features performances by the Art Ensemble, the Brass Fantasy and both bands.
Non-Cognitive Aspects of the City: Live at the Iridium is a live album by the Art Ensemble of Chicago recorded in April, 2004 at the Iridium Jazz Club in New York City and released in 2006 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with trumpeter Corey Wilkes and bassist Jaribu Shahid replacing the late Lester Bowie and Malachi Favors Maghostut.
Sirius Calling is an album by the Art Ensemble of Chicago recorded in April, 2003 in Madison, Wisconsin and released in 2004 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with Malachi Favors Maghostut on what would be the final album before his death. It was recorded on April 24–26, 2003 in Madison, WI.
Fred Chicago Chamber Music is a double album by American jazz saxophonist Fred Anderson recorded in 1996 and released on the Chicago-based Southport label. The first disc matches him in a trio with bassist Tatsu Aoki and drummer Afifi Phillard, while the second is composed of Anderson/Aoki duets with Southport co-owner Bradley Parker-Sparrow joining in on piano for two tracks.
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Heaven Dance is an album by the Leaders Trio, pianist Kirk Lightsey, bassist Cecil McBee and drummer Don Moye, that was recorded in 1988 and released by the Sunnyside label.
Pieces of Time is an album by jazz drummers Kenny Clarke, Andrew Cyrille, Milford Graves, and Famoudou Don Moye. It was recorded in September 1983, and was released by the Soul Note label in 1984. The album, the catalyst for which was Cyrille, presents compositions by all four musicians, along with four two-minute "personal statements." Liner notes were provided by Max Roach, who wrote: "This idea of four percussionists, using sounds as their premise in creating a work as profound as Pieces of Time, is pure artistic design."
Artistry is an album by bassist Sirone, his first as a leader. It was recorded on July 5, 1978, at Generation Sound in New York City, and was released in 1979 by the Of The Cosmos label. On the album, Sirone is joined by flutist James Newton, cellist Muneer Bernard Fennell, and percussionist Don Moye. Liner notes were provided by Stanley Crouch.
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Cassava Balls is a live album by percussionists Hartmut Geerken and Famoudou Don Moye and saxophonist John Tchicai. It was recorded in May 1985 at the Praxis '85 Festival at the Orpheus Theater in Athens, Greece, and was released on LP by the Praxis label later that year. In 1999, Leo Records reissued the recording on CD with three extra tracks as part of their Golden Years of New Jazz series.
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