A Toast To Panama Red | ||||
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Studio album by | ||||
Released | January 1972 | |||
Recorded | September–October 1971 | |||
Studio | ||||
Genre | Hard rock, psychedelic rock, progressive rock | |||
Length | 38:38 | |||
Label | Columbia (Australia), Regal Zonophone (UK) | |||
Producer | Jeff Jarratt | |||
The Masters Apprentices chronology | ||||
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Singles from A Toast To Panama Red | ||||
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A Toast To Panama Red is the fourth studio album by The Masters Apprentices, released in January 1972 on Regal Zonophone. It would be the group's final studio album until 1988's reunion album Do What You Wanna Do .
In April 1971, Choice Cuts was released in Australia to widespread acclaim, reaching #11 on the Go-Set Top 20 Album Charts. [1] They made numerous TV appearances, including a three-song live set for the ABC's GTK which included a live-in-the-studio performance of "Future of Our Nation".
When Choice Cuts was released in the UK it was well received by critics. EMI's John Halsall called from London to inform them that Choice Cuts was receiving glowing notices in the English music press, including a rave review in Melody Maker . Halsall urged them to return to London as soon as possible and that they would be able to record a new album there.
By the time they arrived in the UK in July, interest was waning. At this point a new UK label Bronze—who had just signed Slade and Uriah Heep—made an approach to the band. Although the group was hesitant, being still signed to EMI, they decided to use the offer as leverage in hopes of getting a better deal out of EMI. Wheatley delivered an ultimatum to EMI Australia, demanding that they either release the band from their contract or match Bronze's offer of £90,000 (or $180,000 in Australia). EMI did neither, responding with an advance of $1,000. Fearing legal repercussions, the band ruefully declined Bronze's offer, Keays' later opined that the best course of action would have been to "sign with Bronze and let the lawyers work it all out later." [2]
Returning to Abbey Road in September 1971, the band were reunited with Jarratt and Brown, plus engineer (and Sgt Pepper's veteran) Richard Lush. According to Wheatley, one of The Masters Apprentices' tracks, "Games We Play", was recorded at George Martin's Air Studios, with Martin himself conducting the children's choir which features on the second part of the track. The new album was titled A Toast to Panama Red, in homage to the Central American variety of marijuana.
Although Keays' recollections are more positive, Wheatley's own account of the album sessions is that they were an unhappy experience for him. [3] He had a bad LSD trip the night before they went into the studio and began the recording in a negative frame of mind. [3] Tensions mounted steadily during the recording and Wheatley did not play on some of the tracks, with his parts covered by Ford. According to Keays, Wheatley had been working part-time at a management agency over the previous few months and had insufficient time to rehearse because of his day job.
The LP was lauded as one of the best Australian progressive releases, [4] but it was largely ignored at the time. Sales were hindered by the lurid cover, which even Keays later admitted was not an ideal choice, being as garish as Choice Cuts was tasteful. Designed and painted by Keays, it was evidently a dig at the UK, and featured a grotesque psychedelic caricature of a bulldog's head wearing a Union Jack eye patch, its ears are skewered by an arrow from which dangles a tag, emblazoned with the album's title.
All songs written by Doug Ford and Jim Keays, except where noted.
No. | Title | Length |
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1. | "Answer Lies Beyond" | 3:37 |
2. | "Beneath the Sun" (Doug Ford) | 6:12 |
3. | "Games We Play - Part I" | 7:00 |
4. | "Games We Play - Part II" | 4:58 |
No. | Title | Length |
---|---|---|
1. | "The Lesson So Listen" | 3:09 |
2. | "Love Is" | 4:15 |
3. | "Melodies Of St. Kilda" | 2:44 |
4. | "Southern Cross" | 5:10 |
5. | "Thyme To Rhyme" | 2:45 |
Douglas John Ford is an Australian rock guitarist and songwriter since the mid-1960s. He was lead guitarist of rock n roll group, the Missing Links (1965–66), then during 1968–72, he joined the pop-rock band, the Masters Apprentices. He established a writing partnership with that group's lead singer, Jim Keays. Ford participated in some of the reunions of the Masters Apprentices from 1988 to 1991 and 1997. At the ARIA Music Awards of 1998 the group were inducted into the ARIA Hall of Fame.
Colin John Burgess is an Australian rock musician who was the drummer in The Masters Apprentices from 1968 to 1972. He was later the original drummer with hard rock band AC/DC between November 1973 and February 1974. The Masters Apprentices had top 20 singles chart success with "5:10 Man", "Think about Tomorrow Today", "Turn Up Your Radio" and "Because I Love You". In 1998 The Masters Apprentices, with Burgess, were inducted into the ARIA Hall of Fame. He has performed in various bands with his brother, Denny Burgess, on bass guitar and vocals, including His Majesty.
Ronald Leslie BurnsAM is an Australian retired rock singer-songwriter and musician.
Zoot were a pop rock band formed in Adelaide, South Australia, in 1964 as Down the Line. They changed their name to Zoot in 1967 and by 1968 had relocated to Melbourne. They had a top-five hit on the Go-Set national singles chart with a heavy rock cover of The Beatles' ballad "Eleanor Rigby" released in 1970, but they disbanded in May 1971.
"Before Too Long" is a song by Australian rock group Paul Kelly and the Coloured Girls, released as the first single from their debut double album, Gossip. It was released in June 1986 on the original White Label Records, a subsidiary of Mushroom Records. It reached No. 15 on the Australian Kent Music Report Singles Chart, remaining for 19 weeks. The track was a surprise hit for Kelly at a time when chart success had eluded him and provided increased interest for the release of Gossip, which would become his biggest mainstream success to that date.
Jeremy Stuart Smith is an Australian rock musician; he was a founding member of Hunters & Collectors on French horn, guitars, keyboards, programming, and backing vocals (1981–1998). Smith worked on Ghostwriters's 1996 album, Second Skin.
Darryl Grant Cotton was an Australian pop, rock singer-songwriter, television presenter and actor. He was a founding member of Australian rock group Zoot in 1965, with Beeb Birtles, and were later joined by Rick Brewer and Rick Springfield. As a solo artist Cotton released the albums, Best Seat in the House (1980), It's Rock 'n' Good Fun (1984) and Let the Children Sing (1994). In April 1980 his biggest solo hit, "Same Old Girl", which was co-written by Cotton, peaked at No. 6 on the Australian Kent Music Report Singles Chart. He acted in the TV soap opera, The Young Doctors (1979), and on stage as Joseph in the theatre production of Joseph and the Amazing Technicolour Dreamcoat (1983). He presented TV shows, Summer Rock and The Early Bird Show. In 1996 he formed Burns Cotton & Morris with fellow 1960s pop singers, Ronnie Burns and Russell Morris. In 2000 Burns retired from the trio and, with Jim Keays, they became Cotton Keays & Morris. In May 2012, Cotton was diagnosed with liver cancer and died on 27 July 2012, aged 62.
The Ferrets were an Australian pop band. They are best known for their song "Don't Fall in Love" and album, Dreams of a Love which were both released in 1977.
The Incredible Penguins were an Australian supergroup formed in 1985, which reached the top ten on the Australian Kent Music Report Singles Chart with their cover of "Happy Xmas " in December. Contributors included Angry Anderson, Bob Geldof, Brian Mannix, Scott Carne, Colleen Hewett, and John Farnham. The charity project, for research on little penguins, was organized and produced by Countdown host, Ian Meldrum.
James Keays was a Scottish-born Australian musician who fronted the rock band The Masters Apprentices as singer-songwriter, guitarist and harmonica-player from 1965 to 1972 and subsequently had a solo career. He also wrote for a music newspaper, Go-Set, as its Adelaide correspondent in 1970 and its London correspondent in 1973.
The Masters Apprentices were an Australian rock band fronted by Jim Keays on lead vocals, which originally formed as The Mustangs in 1964 in Adelaide, South Australia, relocated to Melbourne, Victoria in February 1967 and attempted to break into the United Kingdom market from 1970 before disbanding in 1972. Their popular Australian singles are "Undecided", "Living in a Child's Dream", "5:10 Man", "Think About Tomorrow Today", "Turn Up Your Radio" and "Because I Love You". The band launched the career of bass guitarist Glenn Wheatley, who later became a music industry entrepreneur and an artist talent manager for both Little River Band and John Farnham.
"Sweet Guy" is a song by Australian rock group Paul Kelly and the Messengers released in June 1989 as the lead single from the studio album, So Much Water So Close to Home. The song was written by Kelly – his first from a woman's point of view. He co-produced the track with Scott Litt. The single was released in June 1989 on the Mushroom Records label. It reached No. 53 on the Australian ARIA Singles Chart and the Top 40 in New Zealand. The song was later covered by Renée Geyer on Difficult Woman (1994), Adalita Srsen on Before Too Long.
"Undecided" is the debut single by Australian rock group, the Masters Apprentices, which was issued in October 1966 on Astor Records. It peaked at No. 13 on the Go-Set national singles charts. It was included on The Masters Apprentices debut EP and The Masters Apprentices debut studio album, both released in 1967.
"Buried and Dead" is a song by Australian rock group, the Masters Apprentices, released in May 1967 on Astor Records as the second single from the band's debut self-titled extended play. It peaked at No. 26 on the Go-Set national singles charts.
"Living in a Child's Dream" is a song by Australian rock group, the Masters Apprentices. It was released in August 1967 on Astor Records as the lead single from the band's second EP The Masters Apprentices Vol. 2. The track was written by the group's guitarist, Mick Bower. It peaked at No. 9 on the Go-Set national singles charts.
The Masters Apprentices is the self titled debut studio album by the Masters Apprentices, released in June 1967 on Astor Records. It featured two hit singles; "Undecided" and "Buried and Dead", both of which has been released on The Masters Apprentices EP in February 1967.
Masterpiece is the second studio album by The Masters Apprentices, released in February 1970 on Columbia Records.
Master's Apprentices is the third studio album by The Masters Apprentices, released in March 1971 on Regal Zonophone.
Nickelodeon is the first live album by The Masters Apprentices, released in November 1971 on Columbia Records.
Do What You Wanna Do is the fifth studio album by the Masters Apprentices, released in November 1988 on Virgin Records. It was the group's first album in 17 years since A Toast To Panama Red.