A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by British philosopher and women's rights advocate Mary Wollstonecraft (1759–1797), is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the eighteenth century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men.
Audre Lorde was an American writer, professor, philosopher, intersectional feminist, poet and civil rights activist. She was a self-described "Black, lesbian, feminist, socialist, mother, warrior, poet" who dedicated her life and talents to confronting different forms of injustice, as she believed there could be "no hierarchy of oppressions" among "those who share the goals of liberation and a workable future for our children."
Angelina Emily Grimké Weld was an American abolitionist, political activist, women's rights advocate, and supporter of the women's suffrage movement. At one point she was the best known, or "most notorious," woman in the country. She and her sister Sarah Moore Grimké were considered the only notable examples of white Southern women abolitionists. The sisters lived together as adults, while Angelina was the wife of abolitionist leader Theodore Dwight Weld.
"The Wife of Bath's Tale" is among the best-known of Geoffrey Chaucer's Canterbury Tales. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer, himself, for the character is one of his most developed ones, with her Prologue twice as long as her Tale. He also goes so far as to describe two sets of clothing for her, in his General Prologue. She calls herself both Alyson and Alys in the prologue, but to confuse matters, these are also the names of her 'gossip', whom she mentions several times, as well as many female characters throughout The Canterbury Tales.
Mary Terrell was an American civil rights activist, journalist, teacher and one of the first African-American women to earn a college degree. She taught in the Latin Department at the M Street School —the first African American public high school in the nation—in Washington, DC. In 1895, she was the first African-American woman in the United States to be appointed to the school board of a major city, serving in the District of Columbia until 1906. Terrell was a charter member of the National Association for the Advancement of Colored People (1909) and the Colored Women's League of Washington (1892). She helped found the National Association of Colored Women (1896) and served as its first national president, and she was a founding member of the National Association of College Women (1923).
African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African American writers have been recognized by the highest awards, including the Nobel Prize given to Toni Morrison in 1993. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
Womanist theology is a methodological approach to theology which centers the experience and perspectives of Black women, particularly African-American women. The first generation of womanist theologians and ethicists began writing in the mid to late 1980s, and the field has since expanded significantly. The term has its roots in Alice Walker's writings on womanism. "Womanist theology" was first used in an article in 1987 by Delores S. Williams. Within Christian theological discourse, Womanist theology emerged as a corrective to early feminist theology written by white feminists that did not address the impact of race on women's lives, or take into account the realities faced by Black women within the United States. Similarly, womanist theologians highlighted the ways in which Black theology, written predominantly by male theologians, failed to consider the perspectives and insights of Black women. Scholars who espouse womanist theology are not monolithic nor do they adopt each aspect of Walker's definition. Rather, these scholars often find kinship in their anti-sexist, antiracist and anti-classist commitments to feminist and liberation theologies.
Patricia Hill Collins is an American academic specializing in race, class, and gender. She is a distinguished university professor of sociology emerita at the University of Maryland, College Park. She is also the former head of the Department of African-American Studies at the University of Cincinnati. Collins was elected president of the American Sociological Association (ASA), and served in 2009 as the 100th president of the association – the first African-American woman to hold this position.
Anna Julia Cooper was an American author, educator, sociologist, speaker, Black liberation activist, Black feminist leader, and one of the most prominent African-American scholars in United States history.
Maria W. Stewart was an American teacher, journalist, abolitionist and lecturer known for her role in the anti-slavery and women's rights movements in the United States. The first known American woman to speak to a mixed audience of men and women, white and black, she was also the first African American woman to make public lectures, as well as to lecture about women's rights and make a public speech opposing slavery.
Alice Childress was an American novelist, playwright, and actress, acknowledged as "the only African-American woman to have written, produced, and published plays for four decades." Childress described her work as trying to portray the have-nots in a have society, saying: "My writing attempts to interpret the 'ordinary' because they are not ordinary. Each human is uniquely different. Like snowflakes, the human pattern is never cast twice. We are uncommonly and marvellously intricate in thought and action, our problems are most complex and, too often, silently borne." Childress became involved in social causes, and formed an off-Broadway union for actors.
Georgia Blanche Douglas Camp Johnson, better known as Georgia Douglas Johnson, was a poet and playwright. She was one of the earliest female African-American playwrights, and an important figure of the Harlem Renaissance.
Ann Plato was a 19th-century African American educator and author. She was the second African-American woman to publish a book in the United States and the first to publish a book of essays and poems. As a young African-American girl writing in the 19th century, Plato has been described as an heir to Phillis Wheatley, who wrote her first published poem at the age of 13 in 1766. There is little biographical information on Plato, and most of her life is known from her only published work, Essays; including Biographies and Miscellaneous Pieces, in Prose and Poetry, which included the preface written by Reverend James W. C. Pennington, an abolitionist leader in Hartford, Connecticut, and a pastor.
The Cancer Journals is a 1980 book of non-fiction by Audre Lorde. It deals with her struggle with breast cancer.
Published in 1983, In Search of Our Mothers' Gardens: Womanist Prose is a collection composed of 36 separate pieces written by Alice Walker. The essays, articles, reviews, statements, and speeches were written between 1966 and 1982. Many are based on her understanding of "womanist" theory. Walker defines "womanist" at the beginning of the collection as "A black feminist or feminist of color. From the black folk expression of mother to female children and also a woman who loves other women, sexually and/or nonsexually. Appreciates and prefers women's culture. Committed to survival and wholeness of entire people, male and female. Womanist is to feminist as purple is to lavender."
According to The Norton Anthology of American Literature, the term Americanization was coined in the early 1900s and "referred to a concerted movement to turn immigrants into Americans, including classes, programs, and ceremonies focused on American speech, ideals, traditions, and customs, but it was also a broader term used in debates about national identity and a person’s general fitness for citizenship”.
When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships is a 1999 book by Eric and Leslie Ludy, an American married couple. After becoming a bestseller on the Christian book market, the book was republished in 2004 and then revised and expanded in 2009. It tells the story of the authors' first meeting, courtship, and marriage. The authors advise single people not to be physically or emotionally intimate with others, but to wait for the spouse that God has planned for them. The first edition was packaged with a CD single by the Ludys: "Faithfully", a song they had written specifically to accompany the book.
Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender.
if i can cook / you know god can is a culinary memoir by Ntozake Shange. It was originally published by Beacon Press, in Boston MA, United States, in 1998. The piece is both memoir and cookbook. Short essays precede recipes written in personal vernacular, and these recipes cover locations such as Cuba, Nicaragua, Brazil, the Dominican Republic, Haiti and the United States.
