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This article contains information about the literary events and publications of 1715.
This article contains information about the literary events and publications of 1723.
Eliza Haywood, born Elizabeth Fowler, was an English writer, actress and publisher. An increase in interest and recognition of Haywood's literary works began in the 1980s. Described as "prolific even by the standards of a prolific age", Haywood wrote and published over 70 works in her lifetime, including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood today is studied primarily as one of the 18th-century founders of the novel in English.
William Rufus Chetwood was an English or Anglo-Irish publisher and bookseller, and a prolific writer of plays and adventure novels. He also penned a valuable General History of the Stage.
The Dark Lady is a woman described in Shakespeare's sonnets, and so called because the poems make it clear that she has black wiry hair, and dark, "dun"-coloured skin. The description of the Dark Lady distinguishes itself from the Fair Youth sequence by being overtly sexual. Among these, Sonnet 151 has been characterised as "bawdy" and is used to illustrate the difference between the spiritual love for the Fair Youth and the sexual love for the Dark Lady. The distinction is commonly made in the introduction to modern editions of the sonnets. As with the Fair Youth sequence, there have been many attempts to identify her with a real historical individual. A widely held scholarly opinion, however, is that the "dark lady" is nothing more than a construct of Shakespeare's imagination and art, and any attempt to identify her with a real person is "pointless".
The Ambitious Stepmother is a 1700 tragedy by the British writer Nicholas Rowe. It was his debut play. Rowe set his play in Biblical times, but it had strong subtexts of the contemporary questions about the British succession that led to the Act of Settlement in 1701. At the court of Persia, Artemisa schemes against her stepson Artaxerses.
The Fatal Vision is a 1716 tragedy by the British writer Aaron Hill. It is also known as The Fatal Vision: Or, the Fall of Siam.
Squire Trelooby is a 1704 farce by the writers William Congreve, John Vanbrugh and William Walsh. All were members of the Kit-Cat Club, and another member, Samuel Garth, wrote a prologue. The farce was inspired by the French play Monsieur de Pourceaugnac by Molière.
The Wife of Bath is a 1713 comedy play by the British writer John Gay. It was inspired by The Wife of Bath's Tale by Geoffrey Chaucer. The play marked a conscious switch by Gay towards an apolitical and distant past, after his contemporary work The Mohocks had faced controversy and censorship the previous year. Robert Wilks, a celebrated actor and manager of the Drury Lane Theatre, appeared as Chaucer. The title role of the wife was played by Margaret Bicknell with Mary Porter as Myrtilla and the cast rounded out by William Bullock, Lacy Ryan, Christopher Bullock, William Pinkethman, Susanna Mountfort and Henry Norris.
The Captives is a 1724 tragedy by the British writer John Gay. The action takes place in the ancient Median Empire, following the fashion in many tragedies of the era to have oriental settings. It concerns a plot against the King, which involves his wife and two royal Persian captives.
The Fair Example, or the Modish Citizen is a 1703 comedy play by the English writer Richard Estcourt, originally staged at the Drury Lane Theatre. It was part of a growing trend of plays to feature a plot of an honest wife reforming her rakish husband along with Sir Harry Wildair, As You Find It, The Wife's Relief and The Modish Couple. It is a reworking of the 1693 French play Les Bourgeoises à la Mode by Florent Carton Dancourt. In 1705 a separate English adaptation of the French work John Vanbrugh's The Confederacy appeared at the rival Queen's Theatre in the Haymarket.
The Wife's Relief, or, The Husband's Cure is a 1711 comedy play by the British writer Charles Johnson. The plot revolves around a virtuous wife who tries to mend her husband's rakish ways.
Frederick, Duke of Brunswick-Lunenburgh is a 1729 historical tragedy by the British writer Eliza Haywood. It is based on the life medieval ruler Frederick I, Duke of Brunswick-Wolfenbüttel.
Mariamne is a 1723 tragedy play by the British writer Elijah Fenton. It is based on the biblical Mariamne, wife of Herod the Great of Judea. The following year Voltaire produced a French play of the same title.
Medea is a 1730 play by the British writer Charles Johnson. It is about Medea from Greek mythology and based on the play Medea by Euripides.
The Fair Captive is a 1721 tragedy by the British writer Eliza Haywood.
The Modish Couple is a 1732 comedy play by the British writer James Miller, under the pen name Charles Boaden. A virtuous wife reforms her rakish husband.
The Provoked Husband is a 1728 comedy play by the British writer and actor Colley Cibber, based on a fragment of play written by John Vanbrugh. It is also known by the longer title The Provok'd Husband: or, a Journey to London.
The Devil to Pay is a 1731 ballad opera by the Irish writer Charles Coffey and British writer John Mottley. Also known by the longer title The Devil to Pay: Or, The Wives Metamorphos'd, it was part of a group of ballad operas produced in the wake of the success of John Gay's The Beggar's Opera. The work is adapted from Thomas Jevon's 1686 play The Devil of a Wife.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
References
- ↑ Burling p.103
