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James Quin was an English actor of Irish descent.
Theophilus Cibber was an English actor, playwright, author, and son of the actor-manager Colley Cibber.
Charlotte Charke was an English actress, playwright, novelist, autobiographer, and noted transvestite. She acted on the stage from the age of 17, mainly in breeches roles, and took to wearing male clothing off the stage. She assumed the name "Charles Brown" and called her daughter "Mrs. Brown." She suffered a series of failures in her business affairs after working in a variety of jobs commonly associated with men; including as a valet, sausage maker, farmer, pastry chef, and tavern owner, until finally achieved success under her own name as a writer, thus continuing the rest of her life as a novelist and memoirist.
Charles Johnson was an English playwright, tavern keeper, and enemy of Alexander Pope's. He was a dedicated Whig who allied himself with the Duke of Marlborough, Colley Cibber, and those who rose in opposition to Queen Anne's Tory ministry of 1710–1714.
Robert Wilks was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition.
Catherine Clive Catherine ‘Kitty’ Clive was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English musical theatre. She was celebrated both in high-style parts – singing, for instance, Handel’s music for her in Messiah, Samson, and The Way of the World – and in low-style ballad opera roles. Her likeness was printed and traded in unprecedented volume. She championed women’s rights throughout her career. An image crisis in the late 1740s forced Clive to quit serious song and instead lampoon herself on stage. Though this self-ridicule won Clive public favour back, and she reigned as first comedienne until her retirement in 1769, the strategy’s very success caused her musical legacy to be slighted and forgotten. A definitive biography of Clive by Berta Joncus appeared in 2019.
Thomas Walker (1698–1744) was an English actor and dramatist.
John Harper was an English actor. He was known for comic parts.
Elizabeth Vincent was a British stage actress of the eighteenth century. She was the wife of the instrumentalist and composer, Richard Vincent.
John Mills (c.1670–1736) was a British stage actor. A long-standing part of the Drury Lane company from 1695 until his death, he appeared in both comedies and tragedies. His wife Margaret Mills was an actress, and his son William Mills also became an actor at Drury Lane.
Roger Bridgewater was a British stage actor of the eighteenth century. He worked as party of the Drury Lane company for many years, specialising in dramatic roles, before switching to Covent Garden in 1734. In later years he frequently played Falstaff.
William Mills (1701-1750) was a British stage actor.
William Milward (1702-1742) was a British stage actor.
James Rosco was a British stage actor. His name is also written as James Roscoe.
John Roberts was a British stage actor of the eighteenth century.
Thomas Smith was a British stage actor of the eighteenth century.
Edward Berry (1706-1760) was a British stage actor. He was a long-standing member of the Drury Lane company, appearing frequently with David Garrick.
John Corey was an English stage actor and playwright of the eighteenth century. His name is sometime written as John Cory.
Charles Williams (1693–1731) was a British stage actor.
Richard Cross was a British stage actor.
