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John O'Keeffe was an Irish actor and dramatist. He wrote a number of farces, amusing dramatic pieces and librettos for pasticcio operas, many of which had great success. Among these are Tony Lumpkin in Town (1778), Love in a Camp (1786), and Omai (1785), an account of the voyages of the Tahitian explorer Omai, and Wild Oats (1791).
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young, set in 16th-century Spain. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
Marina is a 1738 tragedy by the British writer George Lillo. It is a reworking of Shakespeare's Pericles, Prince of Tyre, produced at a time when Covent Garden was experimenting with a summer season.
Elmerick, or Justice Triumphant is a 1740 tragedy by the British writer George Lillo. It was performed posthumously following his death the year before. It portrays the rivalry between the medieval Hungarian brothers Emeric, King of Hungary and Andrew II.
The Christian Hero is a 1735 tragedy by the British writer George Lillo. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Two years earlier William Havard had written Scanderbeg, another work based on his life.
Regulus is a 1744 tragedy by the British writer William Havard. It portrays the career of Marcus Atilius Regulus, a Roman Consul at the time of the First Punic War. It ran for seven performances during the season.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
Art and Nature is a 1738 comedy play by the British writer James Miller. The play received a rough reception from what Miller described a "faction" in the Drury Lane audience, and its run was not extended beyond a single night. He described its subsequent publication as an attempt to vindicate himself.
The Coffee House is a 1738 comedy play by the British writer James Miller, written as an afterpiece. After being performed at Drury Lane, it was published later that year with some alterations to the play's original text.
The Humours of Oxford is a 1730 comedy play by the British writer James Miller. It was Miller's debut play, inspired by his time at Wadham College, and proved popular. The plot is set around Oxford University and portrays the academics as overindulging in port wine. William Hogarth designed the frontispiece of the published version of the play.
William Mills (1701-1750) was a British stage actor.
Mustapha is a 1739 tragedy by the British writer David Mallet. It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent.
The Countess of Salisbury is a 1767 tragedy by Hall Hartson. It is inspired by the 1762 novel Longsword by Irish writer Thomas Leland, who had been Hartson's tutor. It is based on the life of William Longespée, 3rd Earl of Salisbury, son of Henry II of England, and his wife Ela of Salisbury, 3rd Countess of Salisbury.
High Life Below Stairs is a 1759 comedy play by the British writer James Townley. An afterpiece, it premiered at Drury Lane on a double bill with a revival of Dryden's The Mourning Bride. A popular hit, it was frequently revived.
The School for Rakes is a 1769 comedy play by the British writer Elizabeth Griffith. It was inspired by the 1767 French play Eugénie by Pierre Beaumarchais.
The Man's Bewitched is a 1709 comedy play by the British writer Susanna Centlivre. It is known by the longer title The Man's Bewitch'd; or, The Devil to do about Her.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.
References
- ↑ Burling p.161
