A new loyal song, upon King William's Progress into Ireland is an English broadside ballad believed to have been composed roughly around the 1690s. [1] Online facsimiles of the ballad, as well as recordings of the ballad sung in its original tune, are available for public consumption. [2] The ballad praises the future exploits William III of England will make in Ireland, specifically at the Battle of Boyne. Though the ballad is believed to have been composed around 1690, just one year after William deposed James II of England, the title of the ballad ("A new loyal song") makes clear the fact that the composer was a supporter of William and his Glorious Revolution.
Sung to the standard tune of "Valiant Jockey's Marched Away," [3] the ballad begins with a rather straightforward praise of William: "Now our Mighty William goes / To Ireland to Subdue His Foes." Indeed, the ballad consistently paints William III as not only a conqueror, but a liberator, a harbinger of freedom from the "Irish Rebels." The ballad also supports William's religious convictions, which were Protestant in nature, as well as his desire to rid Ireland of its deeply rooted Roman Catholic belief structure: "Rebels fly, and quit your Arms, / King Williams Name your Camp Alarms; / Now your Preists, & good St. Patricks Cross / Will both be quickly at a loss." [4] The ballad concludes, as many encomiums do, with the general praise of the subject and a desire for his or her continued longevity: "Heaven bless our King and Queen, / Who have our Nations safe-guard been, / Wheresoe’re They do Their Banner spread, / May Larwels Crown their Royal Head."
The ballad's form is uncomplicated in structure. It is broken up into six stanzas, the first two being 12 lines, followed by two 6 line stanzas, and concluding with two 12 line stanzas. It utilizes rhyming couplets with alternating iambic pentameter and iambic tetrameter metrical lines.
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
"An Invitation to Lubberland" was a broadside ballad first printed in 1685. Many believe that it inspired the hobo ballad which formed the basis of the song Big Rock Candy Mountain recorded in 1928 by Harry McClintock. Lubberland is the Swedish name for Cockaigne, land of plenty in medieval myth.
"The Sash" is a ballad from the Irish province of Ulster commemorating the victory of King William III in the Williamite War in Ireland in 1690–1691. The lyrics mention the 1689 Siege of Derry, the 1689 Battle of Newtownbutler near Enniskillen, the 1691 Battle of Aughrim, and the 1690 Battle of the Boyne. It is popular amongst Ulster loyalists and many other unionists in Northern Ireland, as well as in parts of Scotland.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"A Ballad upon the Popish Plot" is an early modern English broadside ballad about a fabricated conspiracy known as "The Popish Plot" that occurred between 1678 and 1681 in the kingdoms of England and Scotland, during a period of widespread social and cultural prejudice against Catholicism. The song records an indictment of the Plot—a crucial consequence of national religious conflict that arguably began with the English Reformation—in the form of the ballad, one of the most time-honored and influential styles of popular music.
The Clarret Drinker's Song: Or, The Good Fellows Design is an English broadside ballad published by John Oldham in 1680 and is set to the standard tune of "Let Caesar Live Long." An original copy of the ballad is located in the National Library of Scotland, however online facsimiles and recordings are available for public consumption.
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"A free admonition without any fees / To warne the Papistes to beware of three trees" is an English broadside ballad published by William Birch in 1571 and is not currently set to any tune An original copy of the ballad is located in the Huntington Library, however online facsimiles are available for public consumption.
"Royal Courage" or "King William's Happy Success in Ireland" is an English broadside ballad published by Thomas Betterton between 1682 and 1692, and is set to the tune of "Let the Soldiers Rejoice". The original copy of the ballad is available for view at the Pepys Library of Magdalene College, Cambridge. Online facsimiles of the ballad, as well as audio recordings sung to the original tune, have been made available online for public consumption.
The Wandering Jew's Chronicle is an English broadside ballad dating back to the 17th century, with The Wandering Jew as its narrator. From the point of view of the titular character, this ballad tells the history of the English monarchs, beginning with William the Conqueror, and continuing through King Charles II in early versions, and King George II in later versions. The ballad, according to Giles Bergel, dates back to an initial publication of 1634. Copies of the ballad can be found at the British Library and Magdalene College. Online facsimiles of the text are also available for public consumption.
Cromwell's Panegyrick is a printed English broadside ballad composed in 1647. Copies of it are in collections including the British Library, Society of Antiquaries, The National Archives, Huntington Library, and the National Library of Scotland. Online facsimiles of the ballad are available online for public consumption. Though the ballad's title claims to be a panegyric, it quickly becomes a mock-panegyric, taking the theme of praise and turning it on its head. In this way, the ballad becomes more of a satire as opposed to a true panegyric. For instance, though it describes in part Cromwell's role in the Second English Civil War, which broke out officially in 1648, it also mentions how large and bulbous Cromwell's nose was: "Well may his Nose, that is dominicall, / Take pepper int." The ballad undercuts all of Cromwell's accomplishments in the military, and goes so far as to claim – as many did of Cromwell in the 1640s and 50s – that he was an individual motivated purely by a desire for power and kingship, thus painting him in a Machiavellian light.
The Wandering Jew is an English broadside ballad dating back to the late 17th century. The ballad, subtitled "The Shoemaker of JERUSALEM. Who lived Jesus Christ was Crucified, and by him appointed to Wander till his Coming Again," tells the story of the legendary figure of the Wandering Jew, his interaction with Jesus Christ, and his subsequent eternal wanderings. Variations in the text reveal a stronger sense of Anti-Semitism in the ballad. Copies of the ballad can be found at the National Library of Scotland, the British Library, and the Huntington Library. Online facsimiles of the ballad are also available for public consumption at the UCSB English Broadside Ballad Archive.
"Packington's Pound" is an English broadside ballad that dates back, roughly, to the last quarter of the 16th century. It is most recognized by its tune, and, in fact, more tunes were set to "Packington's Pound" than ballads named "Packington's Pound." Claude Simpson in "The British Broadside Ballad and its Music" writes: "This [Packington's Pound] is the most popular single tune associated with ballads before 1700." Extant copies of the ballad can be found at the Huntington Library, the Pepys Library, and the National Library of Scotland.
England's Happiness in the Crowning of William and Mary is an English broadside ballad composed in 1689 and takes as its primary focus the coronation of William III and Mary II. William and Mary's joint reign began in February 1689 when the Convention Parliament, summoned by William after his invasion of England in 1689, offered him the crown. Though this ballad never comments explicitly on William and Mary's 1689 penning of the English Bill of Rights, it nevertheless focuses heavily on one specific component of the act, namely the reestablishment of Protestant liberty, as William III and Mary II were both Protestants: "For a Protestant King and a Protestant Queen, / The like in old England long time hath not been."
"St. George and the Dragon," or "An Excellent Ballad of St. George and the Dragon" is a 17th-century ballad that considers the account of England's patron saint, St. George, and his famous defeat of a dragon. Printed on a broadside, "St. George and the Dragon" is a ballad with less of a narrative about the St. George and the Dragon episode in the Romance genre, and more of a continued assertion that St. George's defeat of the dragon is the most heroic episode in known myth or history. The collections of various libraries house surviving copies of the ballad printed on broadsides, including the British Library, the National Library of Scotland, and the Huntington Library. Online copies of the ballad facsimiles are also available.
England's Triumph, Or, The Kingdom's Joy for the proclaiming of King William and His Royal Consort, Queen Mary, in the Throne of England, on the 13th. of this instant February. 1688, or simply England's Triumph, is an English broadside ballad composed in 1689. As the title suggests, the ballad takes as its primary focus the coronation of William III of England and his consort Mary II of England, which took place in February 1689. William III and Mary II's coregency marked the end of the Glorious Revolution and the reign of James II of England. The coregency also brought about a shift in the religious paradigm of 17th-century England, which was Roman Catholic when James II sat upon the throne. Indeed, the ballad comments on the "vile pop'ry" that ruled the throne prior to the rule of William III, which saw the restoration of Protestant liberty. Extant copies of the ballad are available at Magdalene College, Cambridge in the Pepys Library. Alternatively, online facsimiles of the ballad are available online for public consumption.
An Admirable New Northern Story is an English broadside ballad from the late 17th century. It tells the story of Constance and Anthony, two lovers who are constant to each other despite two years of separation. When Anthony has to leave England, Constance dresses like a man and joins his ship's kitchen crew in order to stay with him. After a shipwreck, they are separated for two years in Spain. When they finally see each other again by chance, they are reunited and return to England to be married. Also known as "Constance and Anthony." Sung to the Tune of "I Would Thou Wert in Shrewsbury." Copies of the broadside can be found in the British Library, the University of Glasgow Library, the National Library of Scotland, and Magdalene College, Cambridge. On-line facsimiles of the ballad are also available for public consumption.
The English Broadside Ballad Archive (EBBA) is a digital library of 17th-century English Broadside Ballads, a project of the English Department of the University of California, Santa Barbara. The project archives ballads in multiple accessible digital formats.
"Early, Early in the Spring" is a British folk song that has been collected from traditional singers in England, Scotland, Ireland, Canada and the United States. It tells the story of a sailor gone to sea whose beloved promises to wait for him. When he returns she has married a rich man and he goes back to sea with a broken heart and a bitter attitude. In a few American versions the betrayed lover is a cowboy.