Aaron Betsky (born 1958 in Missoula, Montana) is an American critic of art, architecture, and design. He was the director of Virginia Tech's School of Architecture + Design until early 2022.
Trained as an architect and in the humanities at Yale University, he is the author of over a dozen books, including Architecture Matters, Making It Modern, Landscrapers: Building With the Land, Scanning: The Aberrant Architectures of Diller + Scofidio, Queer Space, Revelatory Landscapes, and Architecture Must Burn. Internationally known as a lecturer, curator, reviewer, and commentator, he writes the blog "Beyond Buildings" for Architect Magazine. Director of the 11th Venice Architecture Biennale, [1] he has also been president and Dean of the School of Architecture at Taliesin (originally the Frank Lloyd Wright School of Architecture), director of the Netherlands Architecture Institute (2001-2006) the Cincinnati Art Museum (2006-2014), and was founding Curator of Architecture, Design and Digital Projects at the San Francisco Museum of Modern Art (1995-2001). As an unlicensed architect, he worked for Frank O. Gehry & Associates and Hodgetts + Fung. In 2003, he co-curated "Scanning: The Aberrant Architectures of Diller + Scofidio" at the Whitney Museum of American Art.
Betsky was born in Missoula, Montana, but moved with his family as a child to the Netherlands, returning to the USA for college at Yale University. He graduated from Yale in 1979 with a B.A. in History, the Arts and Letters (1979) and received his Masters of Architecture from Yale University School of Architecture in 1983. [2]
From 1995 to 2001 Betsky was Curator of Architecture, Design and Digital Projects at the San Francisco Museum of Modern Art. From 2001 to 2006 he served as director of the Netherlands Architecture Institute. He has taught at SCI-Arc, the A. Alfred Taubman College of Architecture and Urban Planning at the University of Michigan, the University of Cincinnati, among others, and worked for Frank O. Gehry & Associates and Hodgetts + Fung. From August 2006 to January 2014, he was the director of the Cincinnati Art Museum. [3] [4] In 2008, he was named as the director of the 11th Exhibition of the Venice Biennale of Architecture, which he titled, Out There. Architecture Beyond Building. [5] In January 2015, Betsky was appointed dean of the School of Architecture at Taliesin (formerly the Frank Lloyd Wright School of Architecture). [6] In 2020 he was appointed director of the School of Architecture + Design at Virginia Tech, [7] but as of February 2022 was listed as Professor.
Betsky has addressed the historically gendered nature of architecture (Building Sex: Men, Women, Architecture, and the Construction of Sexuality, 1995), the unique qualities of Dutch design (False Flat: Why Dutch Design is So Good, 2004), and consistently advocated for an interpretation of architecture that transcends physical building (see his writings in Architecture Must Burn, 2000; and Out There: Architecture Beyond Building, 2008). Another recurrent theme in his writings is a call to embrace and reimagine the American suburban landscape (see At Home in Sprawl, 2011 [8] ). Betsky has championed temporary or pop-up architecture as a democratic antidote to architecture's traditional "ridiculous obsession with eternity." [9] He has often called for the renovation and adaptive reuse of old buildings rather than wasteful construction of new ones: "When will we learn that adaptation and reuse is so much better?" [10]
Betsky has written monographs on the work of numerous 20th and 21st century architects and designers, including Zaha Hadid, I.M. Pei, UN Studio, Koning Eizenberg, MVRDV, Renny Ramakers, Jim Olson, Frank Lloyd Wright, and James Gamble Rogers, as well as treatises on aesthetics, psychology and human sexuality as they pertain to aspects of architecture, and is one of the main contributors to a spatial interpretation of Queer theory. His essay "Plain Weirdness: The Architecture of Neutelings Riedijk" won the 2014 Geert Bekaert Prize in Architectural Criticism. [11] He has made significant contributions to architecture history and theory, including a scholarly monograph on early-20th-century architect James Gamble Rogers ( ISBN 978-0262023818) and an analysis of buildings embedded in the earth, Landscrapers: Building with the Land (ISBN 9780500341889). His 2016 book on the history of Modern design, Making It Modern, was listed on Metropolis magazine's "Top 50 Design Books to Read This Fall." [12] His 2017 book Architecture Matters, which Interior Design magazine called "a delightful ramble through a lively, well-stocked mind," offers "46 Thoughts on Why Architecture Matters," among them “Why Architecture Is So Cool (to a Teenager),” “How Dreams Die in the Process,” “How Perfection Kills,” “Why It All Happens in China,” and “What We Can Still Learn From the Greeks.” [13]
In addition to his books, Betsky authors a twice-weekly column for Architect Magazine, the "Beyond Buildings" blog, [14] and is a contributing writer for Dezeen magazine. [15] His articles, published in various magazines such as ArtForum, Architectural Review, Architect, Blueprint, and others, include critical ideas for improving the built environment, for example: "We need to start from the qualities of the interior that usually come from furniture and furnishings, while also paying attention to the thoughtful use of light, scale and sequence. This means that pattern and decoration, arrangement of furniture and fixtures, ways in which buildings respond to the body, and the ability for the interior to both cocoon us and create a relationship to a larger world through frames and views, need to be the seed of all design." [16]
Frank Lloyd Wright Sr. was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".
The International Style or internationalism is a major architectural style that was developed in the 1920s and 1930s and was closely related to modernism and modernist architecture. It was first defined by Museum of Modern Art curators Henry-Russell Hitchcock and Philip Johnson in 1932, based on works of architecture from the 1920s. The terms rationalist architecture and modern movement are often used interchangeably with International Style, although the former is mostly used in the English-speaking world to specifically refer to the Italian rationalism, or even the International Style that developed in Europe as a whole.
Dame Zaha Mohammad Hadid was an Iraqi-British architect, artist and designer, recognized as a major figure in architecture of the late-20th and early-21st centuries. Born in Baghdad, Iraq, Hadid studied mathematics as an undergraduate and then enrolled at the Architectural Association School of Architecture in 1972. In search of an alternative system to traditional architectural drawing, and influenced by Suprematism and the Russian avant-garde, Hadid adopted painting as a design tool and abstraction as an investigative principle to "reinvestigate the aborted and untested experiments of Modernism [...] to unveil new fields of building".
The Price Tower is a nineteen-story, 221-foot-high tower at 510 South Dewey Avenue in Bartlesville, Oklahoma. It was built in 1956 to a design by Frank Lloyd Wright. It is the only realized skyscraper by Wright, and is one of only two vertically oriented Wright structures extant; the other is the S.C. Johnson Wax Research Tower in Racine, Wisconsin.
Diller Scofidio + Renfro is an American interdisciplinary design studio that integrates architecture, the visual arts, and the performing arts. Based in New York City, Diller Scofidio + Renfro is led by four partners – Elizabeth Diller, Ricardo Scofidio, Charles Renfro, and Benjamin Gilmartin – who work with a staff of architects, artists, designers, and researchers.
Neo-futurism is a late-20th to early-21st-century movement in the arts, design, and architecture.
Conceptual architecture is a form of architecture that utilizes conceptualism, characterized by an introduction of ideas or concepts from outside of architecture often as a means of expanding the discipline of architecture. This produces an essentially different kind of building than one produced by the widely held 'architect as a master-builder' model, in which craft and construction are the guiding principles. In conceptual architecture, the finished building as product is less important than the ideas guiding them, ideas represented primarily by texts, diagrams, or art installations. Architects that work in this vein are Diller + Scofidio, Bernard Tschumi, Peter Eisenman, and Rem Koolhaas.
Mark Antony Wigley is a New Zealand-born architect and author based in the United States. From 2004 to 2014, he was the Dean of Columbia University's Graduate School of Architecture, Planning and Preservation.
The Contemporary Arts Center (CAC) is a contemporary art museum in Cincinnati, Ohio and one of the first contemporary art institutions in the United States. The CAC is a non-collecting museum that focuses on new developments in painting, sculpture, photography, architecture, performance art and new media. Focusing on programming that reflects "the art of the last five minutes", the CAC has displayed the works of many now-famous artists early in their careers, including Andy Warhol. In 2003, the CAC moved to a new building designed by Zaha Hadid.
Anthony Alofsin is an American architect, artist, art historian, writer, and professor. Educated at Memphis Academy of Art and Phillips Academy, Andover, he received from Harvard College and the Harvard Graduate School of Design, respectively, a Bachelor of Arts (1971) and Master of Architecture (1981). From Columbia University, he obtained a Ph.D. in Art History and Archaeology (1987).
Nigel Coates is an English architect.
Martin Myles Filler is an American architecture critic. He is best known for his long essays on modern architecture that have appeared in The New York Review of Books since 1985, and which served as the basis for his 2007 book Makers of Modern Architecture, published by New York Review Books.
Italian modern and contemporary architecture refers to architecture in Italy during the 20th and 21st centuries.
Zaha Hadid Architects is a British architecture and design firm founded by Zaha Hadid (1950–2016), with its main office situated in Clerkenwell, London. After the death of "starchitect" Hadid, Patrik Schumacher became head of the firm, at the time with a staff of 400 with 36 projects across 21 countries.
Peter Noever is an Austrian designer and curator–at–large of art, architecture and media. From 1986 to 2011 he was the artistic director and CEO of MAK—Austrian Museum of Applied Arts and Contemporary Art in Vienna.
Women in architecture have been documented for many centuries, as professional practitioners, educators and clients. Since architecture became organized as a profession in 1857, the number of women in architecture has been low. At the end of the 19th century, starting in Finland, certain schools of architecture in Europe began to admit women to their programmes of study. In 1980 M. Rosaria Piomelli, born in Italy, became the first woman to hold a deanship of any school of architecture in the United States, as Dean of the City College of New York School of Architecture. In recent years, women have begun to achieve wider recognition within the profession, however, the percentage receiving awards for their work remains low. As of 2023, 11.5% of Pritzker Prize Laureates have been female.
Patrik Schumacher is a London based architect and architectural theorist. He is the principal architect of Zaha Hadid Architects.
SOHO China is a Chinese building developer, primarily in the office and commercial sector, with some residential and mixed-use properties in its portfolio. The company, which uses the name "SOHO" in both English and Chinese contexts, was founded in 1995 by Chairman Pan Shiyi (潘石屹) and CEO Zhang Xin (张欣). The name SOHO comes from the phrase "Smart Office, Home Office" as the company decided to combine office rooms and residential apartments in the same building to facilitate a comfortable and productive environment.
The Changsha Meixihu International Culture and Arts Centre is a cultural complex located in the Meixihu subdistrict of Changsha, Hunan, China. It was completed in 2019. The complex was designed by British architectural firm Zaha Hadid Architects.