Aaron Lipstadt | |
---|---|
Born | |
Occupation | Film/television director and producer |
Years active | 1980–present |
Website | alipstadt |
Aaron Lipstadt (born November 12, 1952) is an American film director, television director and producer.
In 1980, he began his career as assistant production manager on the film Battle Beyond the Stars . [1] He continued to manage productions for the films Saturday the 14th (1981), Galaxy of Terror (1981), Forbidden World (1982) and The Slumber Party Massacre (1982). In 1982, he made his directorial debut with the film Android . In 1984, he directed the film City Limits .
Since 1986, he has focused primarily on directing television. His television credits include Miami Vice , Crime Story , The Equalizer , Quantum Leap , Law & Order , Law & Order: Special Victims Unit , Law & Order: Trial by Jury , The Division , Medium , The 4400 , Elementary and many other series. [1]
Actor
Year | Title | Role | Notes |
---|---|---|---|
1982 | The Slumber Party Massacre | Pizza Boy | |
1998 | Where's Marlowe? | Festival Director | |
2003 | Manhood | Gordon | |
2005 | Crazylove | Judge Milton | (final film role) |
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Aaron Spelling was an American film and television producer and occasional actor. His productions included the TV series Family (1976–1980), Charlie's Angels (1976–1981), The Love Boat (1977–1986), Hart to Hart (1979–1984), Dynasty (1981–1989), Beverly Hills, 90210 (1990–2000), Melrose Place (1992–1999), 7th Heaven (1996–2007), and Charmed (1998–2006). He also served as producer of The Mod Squad (1968–1973), The Rookies (1972–1976), and Sunset Beach (1997–1999).
Blood money may refer to:
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Android may refer to:
David Hugh Jones was an English stage, television and film director.
David Irving v Penguin Books and Deborah Lipstadt is a case in English law against American historian Deborah Lipstadt and her British publisher Penguin Books, filed in the High Court of Justice by the British author David Irving in 1996, asserting that Lipstadt had libelled him in her 1993 book Denying the Holocaust. The court ruled that Irving's claim of libel relating to Holocaust denial was not valid under English defamation law because Lipstadt's claim that he had deliberately distorted evidence had been shown to be substantially true. English libel law puts the burden of proof on the defence, meaning that it was up to Lipstadt and her publisher to prove that her claims of Irving's deliberate misrepresentation of evidence to conform to his ideological viewpoints were substantially true.
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