The Abecedarium Nordmannicum is a presentation of the 16 runes of the Younger Futhark as a short poem (sometimes counted as one of the "rune poems"), in the 9th-century Codex Sangallensis 878 (on page 321). The Younger Futhark are given after the Hebrew alphabet on the preceding page, and the Anglo-Saxon futhorc on the same page. The text of the rune poem was unfortunately destroyed in the 19th century by chemicals intended for its preservation. It survives in an 1828 drawing by Wilhelm Grimm.
Under a heading ABECEDARIUM NORD, the manuscript presents the Younger Futhark in three lines. Linguistically, the text is a mixture of Old Norse, Old Saxon and Old High German. It is probably based on a Danish original, maybe imported from Haithabu to Lower Germany, and adapted to the idiom of its recipients. The background of the Carolingian notation of Norse runes is that of intensified contacts between the Frankish Empire and Denmark which necessitated interpreters for economic and political exchanges.
The following is a transcription of Grimm's drawing (the oblique stroke indicates words written below the line):
The Abecedarium Nordmanicum is on the same page as the Abecedarium anguliscum (the Anglo-Saxon runes). There are interlineal glosses for some of the runes specific to the Younger Futhark, giving their Anglo-Saxon phonetic equivalents: ᚼhagal is glossed with ᚻhaegl, ᛅar with ᚪ ac, ᛙman with ᛗman, and ᛦyr with ᚣ yr. The content of the poem are the names of the runes, connected by a few additional alliterating words as mnemonical aids. For the r, m and l runes, the Anglo-Saxon names are given rather than the Scandinavian ones, as rat, man and lagu for reidh, madr and logr, respectively. The Anglo-Saxon runes ᚹᚱᛠᛏ (wreat) written underneath the feu forman of the first line. It is not clear whether they should be considered part of the poem's text.
There are slight differences as to how the poem has been read. Gallée (1894) reads the text as follows: [1]
The imo in the first line is the reading of von Arx (); it is also read as (uninterpretable) hiemo or heno or keno. The name tiu is an emendation for a gap in the text. Dickins (1916) gave the following (cursive letters marking emendations): [2]
The text is interpreted as a simple mnemonic list of rune names, translating to something like:
The text does not appear to associate any meaning with the letter names, merely describing their sequence in the futhark row. A possible exception to this is lagu which is glossed as "the bright" (lioht being an Old High German adjective meaning "bright, light, clear", or as a noun liohta "lamp, beacon").
Karl Maria Wiligut was an Austrian occultist and soldier. He served in the Austro-Hungarian Army during World War I and was a leading figure in the Irminism movement, eventually joining the SS after being recruited by Heinrich Himmler.
Othala, also known as ēðel and odal, is a rune that represents the o and œ phonemes in the Elder Futhark and the Anglo-Saxon Futhorc writing systems respectively. Its name is derived from the reconstructed Proto-Germanic *ōþala- "heritage; inheritance, inherited estate". As it does not occur in Younger Futhark, it disappears from the Scandinavian record around the 8th century, however its usage continued in England into the 11th century.
A rune is a letter in a set of related alphabets known as runic alphabets native to the Germanic peoples. Runes were used to write Germanic languages before they adopted the Latin alphabet, and for specialised purposes thereafter. In addition to representing a sound value, runes can be used to represent the concepts after which they are named (ideographs). Scholars refer to instances of the latter as Begriffsrunen. The Scandinavian variants are also known as futhark or fuþark ; the Anglo-Saxon variant is futhorc or fuþorc.
Rune poems are poems that list the letters of runic alphabets while providing an explanatory poetic stanza for each letter. Four different poems have been preserved: the Anglo-Saxon Rune Poem, the Norwegian Rune Poem, the Icelandic Rune Poem and the Swedish Rune Poem.
The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same.
The Elder Futhark, also known as the Older Futhark, Old Futhark, or Germanic Futhark, is the oldest form of the runic alphabets. It was a writing system used by Germanic peoples for Northwest Germanic dialects in the Migration Period. Inscriptions are found on artifacts including jewelry, amulets, plateware, tools, and weapons, as well as runestones in Scandinavia, from the 2nd to the 10th centuries.
Algiz is the name conventionally given to the "z-rune" ᛉ of the Elder Futhark runic alphabet. Its transliteration is z, understood as a phoneme of the Proto-Germanic language, the terminal *z continuing Proto-Indo-European terminal *s.
Armanen runes are 18 pseudo-runes, inspired by the historic Younger Futhark runes, invented by Austrian mysticist and Germanic revivalist Guido von List during a state of temporary blindness in 1902, and described in his Das Geheimnis der Runen, published as a periodical article in 1906, and as a standalone publication in 1908. The name seeks to associate the runes with the postulated Armanen, whom von List saw as ancient Aryan priest-kings. The Armanen runes continue in use today in esotericism and in Germanic neopaganism.
Anglo-Saxon runes are runes used by the early Anglo-Saxons as an alphabet in their writing system. The characters are known collectively as the futhorc from the Old English sound values of the first six runes. The futhorc was a development from the 24-character Elder Futhark. Since the futhorc runes are thought to have first been used in Frisia before the Anglo-Saxon settlement of Britain, they have also been called Anglo-Frisian runes. They were likely to have been used from the 5th century onward, recording Old English and Old Frisian.
Anglo-Saxon paganism, sometimes termed Anglo-Saxon heathenism, Anglo-Saxon pre-Christian religion, or Anglo-Saxon traditional religion, refers to the religious beliefs and practices followed by the Anglo-Saxons between the 5th and 8th centuries AD, during the initial period of Early Medieval England. A variant of Germanic paganism found across much of north-western Europe, it encompassed a heterogeneous variety of beliefs and cultic practices, with much regional variation.
Codex Sangallensis 878 is a manuscript kept in the library of the Abbey of St. Gall, in Switzerland. It dates to the 9th century and probably originates in Fulda monastery. It contains mainly excerpts of grammatical texts, including the Ars minor and Ars maior of Aelius Donatus, the grammar of Priscian, the Etymologiae of Isidore of Sevilla and the grammar of Alcuin. Furthermore, it contains a presentation of the Greek alphabet, the Hebrew alphabet, the Anglo-Saxon runes and the Scandinavian Younger Futhark, the latter in the form of a short rune poem known as the Abecedarium Nordmannicum.
The Franks Casket is a small Anglo-Saxon whale's bone chest from the early 8th century, now in the British Museum. The casket is densely decorated with knife-cut narrative scenes in flat two-dimensional low-relief and with inscriptions mostly in Anglo-Saxon runes. Generally thought to be of Northumbrian origin, it is of unique importance for the insight it gives into early Anglo-Saxon art and culture. Both identifying the images and interpreting the runic inscriptions has generated a considerable amount of scholarship.
The Wessobrunn Prayer is among the earliest known poetic works in Old High German, believed to date from the end of the 8th century.
Ansuz is the conventional name given to the a-rune of the Elder Futhark, ᚨ. The name is based on Proto-Germanic *ansuz, denoting a deity belonging to the principal pantheon in Germanic paganism.
There are seven known rings of the Anglo-Saxon period bearing futhorc inscriptions. Futhorc are Anglo-Saxon runes which were used to write Old English.
Odin is a widely revered god in Germanic paganism. Norse mythology, the source of most surviving information about him, associates him with wisdom, healing, death, royalty, the gallows, knowledge, war, battle, victory, sorcery, poetry, frenzy, and the runic alphabet, and depicts him as the husband of the goddess Frigg. In wider Germanic mythology and paganism, the god was also known in Old English as Wōden, in Old Saxon as Uuôden, in Old Dutch as Wuodan, in Old Frisian as Wêda, and in Old High German as Wuotan, all ultimately stemming from the Proto-Germanic theonym *Wōðanaz, meaning 'lord of frenzy', or 'leader of the possessed'.
The Skern Runestone, designated as Danish Runic Inscription 81 or DR 81 in the Rundata catalog, is a Viking Age memorial runestone located in the small village of Skjern, Denmark between Viborg and Randers. The stone features a facial mask and a runic inscription which ends in a curse. A fragment of a second runestone designated as DR 80 was also found in Skjern.
The Old English rune poem, dated to the 8th or 9th century, has stanzas on 29 Anglo-Saxon runes. It stands alongside younger rune poems from Scandinavia, which record the names of the 16 Younger Futhark runes.
Runic alphabets have seen numerous uses since the 18th-century Viking revival, in Scandinavian Romantic nationalism (Gothicismus) and Germanic occultism in the 19th century, and in the context of the Fantasy genre and of Germanic Neopaganism in the 20th century.
