Abigail Reynolds (born 1970) is a British artist who lives in St Just, Cornwall, and has a studio at Porthmeor in St Ives. Reynolds studied at St Catherine's College, Oxford, Chelsea College of Arts, and Goldsmiths University. [1] In March 2016 she was awarded the BMW Art Journey prize at Art Basel. [2] In 2020 she received a Paul Hamlyn Foundation award for visual art. [3] Several of her works were selected for the British Art Show 9, touring 2021-22. [4]
In 2016 Reynolds was awarded the BMW Art Journey prize [5] at Art Basel. [6] As the third artist to take a BMW Art Journey, Reynolds spent five months visiting fifteen locations of Lost Libraries along the ancient Silk Road, filming historic sites in Italy, Egypt, Turkey, Uzbekistan, Iran and China with a Bolex camera on 16mm film. Reynolds' book titled Lost Libraries detailing her journey, was published by Hatje Cantz [7] in Nov 2017. [8] [9]
In 2016, Reynolds was awarded an Arts Council England Grant to produce her first film work 'The Mother's Bones'. From 2012 to 2014, Reynolds was the inaugural artist-in-residence at Rambert Dance Company, London. [10]
In 2022 Reynolds was commissioned to make a permanent artwork for Kresen Kernow, the Cornish archive. Her window,Tre celebrates the narratives woven into the Cornish landscape over time.
Reynolds has played an active role supporting the arts in Cornwall. She was commissioned by Tate St Ives to create a work to mark the opening of TSI2 (October 2017). This was a live work titled We Beat The Bounds. [11]
Reynolds has work in the Arts Council Collection, the Government Art Collection, Yale University Art Gallery, New York Public Library and many private collections. She is represented by Michael Hoppen Gallery in London.
Reynolds lectured for five years in contextual studies for the Fine Art program at Chelsea College of Art and Design in London, Reynolds taught in the sculpture department at the Ruskin School of Drawing and Fine Art, Oxford University from 2003 to 2010. This included curating a year-long interdisciplinary talks series titled 'Doubt' funded by the Gulbenkian Foundation.
2023, Artist in Focus: Perspectives. By Pallant House Gallery.
2023, Interview feature Photography into Sculpture. By Elizabeth Stone, Lenscratch
2022, Beautiful Utopias. By Martin Holman in Drift Magazine
2022 Cornish Beach. By Dom Carter in Creative Boom.
2022, Abigail Reynolds in conversation with Sir Nick Serota
2022, Abigail Reynolds in conversation with Richard Ovenden
2017, Artsy Editorial: Abigail Reynolds Travelled the World to Libraries that No Longer Exist. By Abigail Cain
2017, Elephant Magazine: 5 Questions with Abigail Reynolds. By Robert Shore
2016, Ocula Magazine: In Conversation with Abigail Reynolds. By Sam Gaskin
2019 Glass with an address: An address to a beach
The Serving Library: Lost Libraries
Kresen Kernow. Tre: A window for Cornwall.
Hospital Rooms Permanent Commission: Gregorian
St Ives is a seaside town, civil parish and port in Cornwall, England, United Kingdom. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times, it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial emphasis, and the town is now primarily a popular seaside resort, notably achieving the title of Best UK Seaside Town from the British Travel Awards in both 2010 and 2011. St Ives was incorporated by Royal Charter in 1639. St Ives has become renowned for its number of artists. It was named best seaside town of 2007 by The Guardian newspaper.
Tate St Ives is an art gallery in St Ives, Cornwall, England, exhibiting work by modern British artists with links to the St Ives area. The Tate also took over management of another museum in the town, the Barbara Hepworth Museum and Sculpture Garden, in 1980.
Sir Terence Ernest Manitou Frost RA was a British abstract artist, who worked in Newlyn, Cornwall. Frost was renowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment.
Alfred Wallis was a British fisherman and artist known for his port landscapes and shipping scenes painted in a naïve style. Having no artistic training, he began painting at the age of 70, using household paint on scraps of cardboard. He achieved little commercial success, although his work was championed by progressive artists such as Ben Nicholson and Christopher Wood.
Patrick Heron was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall.
Wilhelmina Barns-Graham CBE was one of the foremost British abstract artists, a member of the influential Penwith Society of Arts.
George Peter Lanyon was a British painter of landscapes leaning heavily towards abstraction. Lanyon was one of the most important artists to emerge in post-war Britain. Despite his early death at the age of forty-six he achieved a body of work that is amongst the most original and important reappraisals of modernism in painting to be found anywhere. Combining abstract values with radical ideas about landscape and the figure, Lanyon navigated a course from Constructivism through Abstract Expressionism to a style close to Pop. He also made constructions, pottery and collage.
Sir Alan Bowness CBE was a British art historian, art critic, and museum director. He was the director of the Tate Gallery between 1980 and 1988.
Bob Crossley was an abstract artist who lived in Cornwall, England from 1959. He was still painting at the age of 97. He worked in oil and acrylic, producing paintings influenced, in part, by the modernism of the 1950s.
Michael Kenneth Paynter is a retired Cornish civil servant, trade union activist, and poet. Apart from a period of study at the University of Newcastle, he has lived in St Ives.
The St Ives School refers to a group of artists living and working in the Cornish town of St Ives. The term is often used to refer to the 20th century groups which sprung up after the First World War around such artists as Borlase Smart, however there was considerable artistic activity there from the late 19th Century onwards.
Michael Bird is a British author and art historian. He was born in London and educated at Haberdashers' Aske's School and Merton College, Oxford. After teaching at Sherborne School he worked in publishing, including a stint on the editorial team of the Macmillan Dictionary of Art. Throughout the 1980s and 1990s, Bird published poetry, essays and reviews. His books on modern British art include monographs on the artists Sandra Blow (2005), Bryan Wynter (2010), Lynn Chadwick (2014) and George Fullard (2017),The St Ives Artists: A Biography of Place and Time and Studio Voices: Art and Life in 20th-century Britain (2018). He has also written a history of art for children, Vincent's Starry Night and Other Stories (2016).
Partou Zia was a British-Iranian artist and writer. Born in Tehran, she emigrated to England in 1970, where she completed her secondary education at Whitefields school near Hendon, London (1972–78). Zia studied Art History at the University of Warwick (1977–80) and at the Slade School of Fine Art (1986–91). In 2001, she completed a Ph.D. at Falmouth College of Arts and the University of Plymouth. In 1993, she moved to Cornwall where she lived and worked with her husband, the painter Richard Cook, until her death from cancer, in March 2008. Tate St Ives honoured her parting by hanging one of her last completed canvases, Forty Nights and Forty Days as a memorial to her, for a month, at the gallery's entrance.
Sacha Craddock is an independent art critic, writer and curator based in London. Craddock is co-founder of Artschool Palestine, co-founder or the Contemporary Art Award and council member of the Abbey Awards in Painting at the British School at Rome, Trustee of the Shelagh Cluett Trust, and President of the International Association of Art Critics AICA UK. She was chair of the Board of New Contemporaries and selection process from 1996 until December 2021.
Sax Impey is a British artist. He currently lives and works in St Ives, Cornwall, England, occupying a Porthmeor studio and continuing in the tradition of Patrick Heron, Ben Nicholson, and other recognized artists.
Kresen Kernow in Redruth, United Kingdom is Cornwall's archive centre, home to the world's biggest collection of archive and library material related to Cornwall. Funded by the National Lottery Heritage Fund and Cornwall Council and opened in 2019, it brings together the collections which were previously held at Cornwall Record Office, the Cornish Studies Library and Cornwall and Scilly Historic Environment Record as well as in various outstores.
The following outline is provided as an overview of and topical guide to Cornwall: Cornwall – ceremonial county and unitary authority area of England within the United Kingdom. Cornwall is a peninsula bordered to the north and west by the Celtic Sea, to the south by the English Channel, and to the east by the county of Devon, over the River Tamar. Cornwall is also a royal duchy of the United Kingdom. It has an estimated population of half a million and it has its own distinctive history and culture.
Roman Ondak is a Slovak conceptual artist.
Derek Jenkins is a former teacher and retired artist known primarily for his paintings of Cornish landscapes and paintings of striped pebbles found on beaches throughout the county. His best known work is 'South from Cape Cornwall' which was exhibited in the Tate.
The Atlantic Hotel is in Newquay, Cornwall, United Kingdom. It was first opened in July 1892 and occupies a prominent position on the shore, with views of the Atlantic Ocean & the North Cornish coast.
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