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Abraham Burickson | |
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| Born | 1975 |
| Alma mater | Cornell University University of Texas |
| Occupation(s) | poet, writer, conceptual artist |
| Organization | Odyssey Works |
| Website | www |
Abraham Burickson (born 1975) [1] is an American poet, writer, and conceptual artist.
Abraham Burickson was born in New York City, the son of Sherwin Burickson.[ citation needed ] He earned a BA in architecture from Cornell University, having changed his major from English and anthropology. [2] In 2008 he received an MFA from the Michener Center for Writers at the University of Texas.
In 2001, with actor Matthew Purdon, Burickson co-founded the conceptual art and performance group Odyssey Works, becoming its artistic director [3] [4] and co-director of its Experience Design Certificate program. [5] In 2009 he founded an interdisciplinary retreat, the Odyssey Lab. [6] He heads the Long Architecture Project, which bases architectural design on deep analysis of clients' values and aims. [5]
Burickson was a James Michener Fellow in Poetry at the Michener Center for Writers from 2005 to 2008. He also received a fellowship from the Millay Colony for the Arts in 2005, and in 2010 was Artist-in-Residence at Risley Residential College at Cornell. He has taught at Maryland Institute College of Art [7] and at Academy of Art University. [6] In 2018, he won the Mary Sawyers Baker Prize for Interdisciplinary Art. [1]
In 2016, with Ayden LeRoux, he published Odyssey Works: Transformative Experiences for an Audience of One, which consists of six essays outlining Odyssey Works' approach to art-making as experience design. [3] His 2023 book Experience Design: A Participatory Manifesto seeks to redirect design from things to experiences. [5]
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing alienation" from prevailing "morality, optimism, and convention" and a desire to change how "human beings in a society interact and live together".
In visual arts, music and other media, minimalism in the modern sense was an art movement that began in the post-war era in Western art, and it is most strongly associated with American visual arts in the 1960s and early 1970s.
Stuckism is an international art movement founded in 1999 by Billy Childish and Charles Thomson to promote figurative painting as opposed to conceptual art. By May 2017, the initial group of 13 British artists had expanded to 236 groups in 52 countries.
Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).
Information art, which is also known as informatism or data art, is an art form that is inspired by and principally incorporates data, computer science, information technology, artificial intelligence, and related data-driven fields. The information revolution has resulted in over-abundant data that are critical in a wide range of areas, from the Internet to healthcare systems. Related to conceptual art, electronic art and new media art, informatism considers this new technological, economical, and cultural paradigm shift, such that artworks may provide social commentaries, synthesize multiple disciplines, and develop new aesthetics. Realization of information art often take, although not necessarily, interdisciplinary and multidisciplinary approaches incorporating visual, audio, data analysis, performance, and others. Furthermore, physical and virtual installations involving informatism often provide human-computer interaction that generate artistic contents based on the processing of large amounts of data.
Luigi Carlo Filippo Russolo was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913). Russolo completed his secondary education at Seminary of Portograuro in 1901, after which he moved to Milan and began gaining interest in the arts. He is often regarded as one of the first noise music experimental composers with his performances of noise music concerts in 1913–14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori.
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates."
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art:
The Jack S. Blanton Museum of Art at the University of Texas at Austin is one of the largest university art museums in the U.S. with 189,340 square feet devoted to temporary exhibitions, permanent collection galleries, storage, administrative offices, classrooms, a print study room, an auditorium, shop, and cafe. The Blanton's permanent collection consists of more than 21,000 works, with significant holdings of modern and contemporary art, Latin American art, Old Master paintings, and prints and drawings from Europe, the United States, and Latin America.
Kenneth Goldsmith is an American poet and critic. He was the founding editor of UbuWeb and an artist-in-residence at the Center for Programs in Contemporary Writing (CPCW) at the University of Pennsylvania, where he taught. He was also a senior editor of PennSound at the University of Pennsylvania. He hosted a weekly radio show at WFMU from 1995 until June 2010. He published 32 books including ten books of poetry, notably Fidget (2000), Soliloquy (2001), Day (2003) and his American trilogy, The Weather (2005), Traffic (2007), and Sports (2008), 'Seven American Deaths and Disasters (2011), and 'Capital: New York Capital of the Twentieth Century (2015). He also was the author of three books of essays, Uncreative Writing: Managing Language in the Digital Age (2011), Wasting Time on The Internet (2016), and Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb (2020). In 2013, he was appointed the Museum of Modern Art's first poet laureate.
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom and the implied or overtly stated superiority of the writers over the status quo. The manifesto gives a means of expressing, publicising and recording ideas for the artist or art group—even if only one or two people write the words, it is mostly still attributed to the group name.
Paul Hartal is a Canadian painter and poet, born in Szeged, Hungary. He has created the term "Lyrical Conceptualism" to characterize his style in both painting and poetry, attempting to unite the scientific with the creative, or intuitive.
Participatory art is an approach to making art which engages public participation in the creative process, letting them become co-authors, editors, and observers of the work. This type of art is incomplete without viewers' physical interaction. It intends to challenge the dominant form of making art in the West, in which a small class of professional artists make the art while the public takes on the role of passive observer or consumer, i.e., buying the work of the professionals in the marketplace. Commended works by advocates who popularized participatory art include Augusto Boal in his Theater of the Oppressed, as well as Allan Kaprow in happenings.
The arts or creative arts are a vast range of human practices of creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thinking, doing, and being in an extensive range of media. Both dynamic and a characteristically constant feature of human life have developed into stylized and intricate forms. This is achieved through sustained and deliberate study, training, or theorizing within a particular tradition, generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Odyssey Works is an interdisciplinary performance collective founded by Abraham Burickson and Matthew Purdon in San Francisco in 2001. The group, composed of artists practicing in various disciplines, creates 24hr performances for just one person.
Luis Berríos-Negrón is a Puerto Rican artist working with sculpture and installation, in public and environmental art.
Rhythm of Structure is a multimedia interdisciplinary project founded in 2003. It features a series of exhibitions, performances, and academic projects that explore the interconnecting structures and process of mathematics and art, and language, as way to advance a movement of mathematical expression across the arts, across creative collaborative communities celebrating the rhythm and patterns of both ideas of the mind and the physical reality of nature.
Emily Barker is an American multidisciplinary artist and activist based in Los Angeles. Their work focuses on topics related to disability, discrimination, and capitalism.
Nanette Wylde is an American artist and writer. Wylde is known for her early incorporation of digital media as a fine art media, her work in net.art, electronic literature, and artwork which takes book form.
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