Odyssey Works is an interdisciplinary performance collective founded by Abraham Burickson and Matthew Purdon in San Francisco [1] in 2001. The group, composed of artists practicing in various disciplines (writers, composers, designers, actors, performance artists etc.), creates 24hr performances for just one person. [2]
The group creates 24-36hr performances for one person audiences. According to the New York Times, "Odyssey Works tends to invite all manner of glancing comparisons: artists like Vito Acconci, Marina Abramović and Aaron Landsman; the interactive Punchdrunk play “Sleep No More”; the notion of relational aesthetics; and the largely European trend of performing theater for one person at a time." [3] The performances, which are site specific and highly participatory, [4] are part of the relational aesthetics movement in performance and art and find their roots in the situationist movement of the 1960s and the work of such directors as Jerzy Grotowski and Peter Brook. [5]
A book about Odyssey Works' ouvre will be published in the Fall of 2016 by Princeton Architectural Press [6]
Odyssey Works is currently directed by Abraham Burickson.
Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".
Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as the improvisation unfolds in present time, without use of an already prepared, written script.
Michael Palmer is an American poet and translator. He attended Harvard University, where he earned a BA in French and an MA in Comparative Literature. He has worked extensively with Contemporary dance since the 1970s and has collaborated with many composers and visual artists. Palmer has lived in San Francisco since 1969.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
The Public Theater is an arts organization in New York City. Founded by Joseph Papp, The Public Theater was originally the Shakespeare Workshop in 1954; its mission was to support emerging playwrights and performers. Its first production was the musical Hair in 1967. Since Papp, the theatre has been led by JoAnne Akalaitis (1991–1993), and George C. Wolfe (1993–2004), and is currently under Artistic Director Oskar Eustis and Executive Director Patrick Willingham.
The Neo-Futurists are an experimental theater troupe founded by Greg Allen in 1988, based on an aesthetics of honesty, speed and brevity. Neo-Futurist theatre was inspired in part by the Italian Futurist movement from the early 20th century. Originating in Chicago, branches of the Neo-Futurists also exist in New York City, San Francisco, and London.
Liam Gillick is a British artist who lives and works in New York City. Gillick deploys multiple forms to make visible the aesthetics of the constructed world and examine the ideological control systems that have emerged along with globalization and neoliberalism. He utilizes materials that resemble everyday built environments, transforming them into minimalist abstractions that deliver commentaries on social constructs, while also exploring notions of modernism.
Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud. Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space." The artist can be more accurately viewed as the "catalyst" in relational art, rather than being at the centre.
Terry Alan Fox was an American conceptual artist known for his work in performance art, video, and sound. He was of the first generation conceptual artists and was a central participant in West Coast performance art, video and conceptual art movements of the late 1960s and early 1970s. Fox was active in San Francisco and in Europe, living in Europe in the latter portion of his life.
David Gordon was an American dancer, choreographer, writer, and theatrical director prominent in the world of postmodern dance and performance. Based in New York City, Gordon's work has been seen in major performance venues across the United States, Europe, South America and Japan, and has appeared on television on PBS's Great Performances and Alive TV, and the BBC and Channel 4 in Great Britain.
60x60 is a collection of 60 electroacoustic or acousmatic works from 60 different composers/artists, each work 60 seconds or less in duration. 60x60 project showcases sixty new works, each sixty seconds or less, by sixty composers in a continuous sixty-minute concert, for a one-hour cross-section of contemporary music. The 60x60 project was conceived and developed by the new music consortium, Vox Novus and its founder, Robert Voisey.
Miltos Manetas is a Greek painter and multimedia artist. He currently lives and works in Bogotá.
Participatory art is an approach to making art which engages public participation in the creative process, letting them become co-authors, editors, and observers of the work. This type of art is incomplete without viewers' physical interaction. It intends to challenge the dominant form of making art in the West, in which a small class of professional artists make the art while the public takes on the role of passive observer or consumer, i.e., buying the work of the professionals in the marketplace. Commended works by advocates who popularized participatory art include Augusto Boal in his Theater of the Oppressed, as well as Allan Kaprow in happenings.
California Shakespeare Theater is a regional theater located in the San Francisco Bay Area of California. Its performance space, the Lt. G. H. Bruns III Memorial Amphitheater, is located in Orinda, while the administrative offices, rehearsal hall, costume and prop shop are located in Berkeley.
Dzi Croquettes is a 2009 Brazilian documentary film directed by Tatiana Issa and Raphael Alvarez about the dance and theater group of the same name.
Niloufar Talebi is an author, literary translator, librettist, multidisciplinary artist, and producer. She was born in London to Iranian parents. Her work has been presented by, and/or performed at Carnegie Hall, Cal Performances, Atlanta Symphony Orchestra, American Lyric Theater, Hammer Museum, Los Angeles County Museum of Art, Craft and Folk Art Museum, Riverside Theatre, Royce Hall, ODC/Dance Theater, Berkeley Repertory Theatre, Magic Theatre, Intersection for the Arts, SOMArts Cultural Center, John F. Kennedy Center for the Performing Arts, Stanford University, and Brooklyn Academy of Music.
Abraham Burickson is an American poet, writer, and conceptual artist.
Digital Performance refers to the use of computers as an interface between a creator, consumer of images, and sounds in a wide range of artistic applications. It is performance that incorporates and integrates computer technologies and techniques. Performers can incorporate multimedia into any type of production whether it is live on a theatre stage, or in the street. Anything as small as video recordings or a visual image classifies the production as multimedia. When the key role in a performance is the technologies, it is considered a digital performance. This can be as simple as making projections on a screen for a live audience or as complex as planning and putting on a show online.
Michael Jackson and Bubbles is a porcelain sculpture by the American artist Jeff Koons and manufactured in the Italian porcelain factory of Cesare Villari in Solagna, Italy. It was created in 1988 within the framework of his Banality series.