The Rijksakademie van beeldende kunsten was founded in 1870 in Amsterdam. It is a classical academy, a place where philosophers, academics and artists meet to test and exchange ideas and knowledge. The school supports visual artists with a two-year curriculum.
The Willem de Kooning Academy is a Dutch academy of media, art, design, leisure and education based in Rotterdam. It was named after one of its most famous alumni, Dutch fine artist Willem de Kooning.
Jan Pieter Veth was a Dutch painter, poet, art critic and university lecturer. He is especially noted as a portrait painter. Amongst his sitters were Max Liebermann, Lambertus Zijl, Frank van der Goes, Antoon Derkinderen and other contemporaries including various fellow painters.
Boris Van Berkum is a Dutch visual artist who was born, has lived, and works in Rotterdam, the Netherlands.
Herman Ambrosius Jan Baanders, also known by his initials as H.A.J. Baanders, was a Dutch architect, designer and entrepreneur who was active in the Amsterdamse School style of architecture. He designed the Amsterdams Lyceum, among others.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Koen Jozef van Velsen is an architect from Hilversum, Netherlands known for his design work on the Discothèque Slinger, rehabilitation center Groot Klimmendaal and the library in Zeewolde. His work employs a contextual design approach, free of a personal esthetic.
Tjeerd (Tsjeard) Bottema was a Dutch painter, illustrator and book cover designer.
Koninklijke Academie voor Beeldende Kunsten, or Royal Academy of Visual Arts refers to a 19th-century name for one of two art schools in the Northern Netherlands:
Huibert Marie Luns was a Dutch painter, sculptor and writer. He also designed book covers, posters and medals.
The Stadstekenacademie was an 18th-century art academy in Amsterdam. It was the precursor of the Koninklijke Academie and the Rijksakademie van beeldende kunsten. Other Dutch towns such as Haarlem also had a drawing academy.
Johannes Ludovicus ("Jan") Springer was a Dutch architect. He played a major role in the professionalization of the practice of architecture in the Netherlands during the late nineteenth century through the association Architectura et Amicitia, and from 1906 until his death he was the director of the Royal Academy of Visual Arts in The Hague.
The Fontys School of Fine and Performing Arts is a Dutch vocational university of the arts located in Tilburg, part of the Fontys Hogescholen. The School originated from the merging of various educational institutions that had existed in different capacity before being united under the Fontys group. Among the precursors of the School was the Brabants Conservatorium, one of the nine conservatoires in the Netherlands.
The Royal Academy of Arts and Design was an academy for art education in 's-Hertogenbosch. In 2004 it merged with the Art Academy St. Joost from Breda to become the Academy of Art and Design St. Joost located in both Breda and 's-Hertogenbosch.
Frederika Henriëtte Broeksmit (1875–1945) was a Dutch artist and peace activist.
Debora Geertruida Duyvis (1886-1960) was a Dutch illustrator and engraver.
Jeanette Henriëtte Marcus (1891-1993) was a Dutch artist.
Jacqueline Marguerite van Nie (1897-1983) was a Dutch artist.
Johanna Hendrika Pieneman (1889-1986) was a Dutch artist.
Margaretha "Etha" Tekla Johanna Fles (1857-1948) was a Dutch artist and art critic.
