Louis Henry Sullivan was an American architect, and has been called a "father of skyscrapers" and "father of modernism." He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Wright and Henry Hobson Richardson, Sullivan is one of "the recognized trinity of American architecture." The phrase "form follows function" is attributed to him, although the idea was theorised by Viollet le Duc who considered that structure and function in architecture should be the sole determinants of form. In 1944, Sullivan was the second architect to posthumously receive the AIA Gold Medal.
Richard Morris Hunt was an American architect of the nineteenth century and an eminent figure in the history of architecture of the United States. He helped shape New York City with his designs for the 1902 entrance façade and Great Hall of the Metropolitan Museum of Art's Fifth Avenue building, the pedestal of the Statue of Liberty, and many Fifth Avenue mansions since destroyed.
Chicago Musical College is a division of the Chicago College of Performing Arts at Roosevelt University.
Charles John Phipps was an English architect known for more than 50 theatres he designed in the latter half of the 19th century, including several important ones in London. He is noted for his design of the Theatre Royal, Exeter, which caught fire in 1887, killing 186 visitors.
Dexter Park was a horse race track in Chicago built in the years following the Civil War. It was named for a gelding and trotter who had set world records for the mile and inspired the naming of several new towns including Dexter, Missouri, and Dexter, Texas. The track's formal opening was held in July 1867.
The James M. Nederlander Theatre is a theater located at 24 West Randolph Street in the Loop area of downtown Chicago, Illinois. Previously known as the Oriental Theatre, it opened in 1926 as a deluxe movie palace and vaudeville venue. Today the Nederlander presents live Broadway theater and is operated by Broadway In Chicago, currently seating 2,253.
The Woods Theatre was a movie palace at the corner of Randolph and Dearborn Streets in the Chicago Loop. It opened in 1918 and was a popular entertainment destination for decades. Originally a venue for live theater, it was later converted to show movies. It closed in 1989 and was demolished in 1990.
Alajos Hauszmann, from 1918 Hauszmann de Velencze, was a Hungarian architect, professor, and member of the Hungarian Academy of Sciences.
Pike's Opera House, later renamed the Grand Opera House, was a theater in New York City on the northwest corner of 8th Avenue and 23rd Street, in the Chelsea neighborhood of Manhattan. It was constructed in 1868, at a cost of a million dollars, for distiller and entrepreneur Samuel N. Pike (1822–1872) of Cincinnati. The building survived in altered form until 1960 as an RKO movie theater, after which it was replaced by part of Penn South, an urban renewal housing development.
Morris Meyerfeld Jr. was a German-born American entrepreneur who through the Orpheum Circuit dominated the vaudeville market west of the Mississippi for nearly two decades.
John A. Fox (1835–1920) was an American architect. Fox practiced in Boston for fifty years and is best remembered for his works in the Stick Style.
The Globe Theatre (est.1871) was a playhouse in Boston, Massachusetts, in the 19th century. It was located at 598 Washington Street, near the corner of Essex Street. Arthur Cheney oversaw the Globe until 1876. From 1871 to 1873 it occupied the former theatre of John H. Selwyn. After a fire in May 1873, the Globe re-opened on the same site in December 1874. Architect Benjamin F. Dwight designed the new building. From 1877 to 1893 John Stetson served as proprietor; some regarded him as "a theatrical producer with a reputation for illiteracy in his day such as Samuel Goldwyn has achieved" in the 1960s. The theatre burned down in January 1894.
McVicker's Theater (1857–1984) was a playhouse in Chicago, Illinois, United States. Built for actor James Hubert McVicker, the theater was the leading stage for comedic plays in Chicago's early years. It often hosted performances by Edwin Booth, who married McVicker's daughter and was once targeted there in an attempted murder. Adler & Sullivan designed a remodel in 1883. Although destroyed in two fires, including the Great Chicago Fire, McVicker's remained an operating theater until 1984. It was demolished the next year.
Col. Wood's Museum was a museum and public theatre located in Chicago, Illinois. The museum was founded in 1864, but was destroyed by the Great Chicago Fire. A second incarnation opened in 1875, but it was also destroyed by fire. The final incarnation of the museum was opened in 1884. In addition to museum exhibits, the museum in its various iterations also included a theatre which presented plays to the public.
The late-Victorian-era Downtown of Los Angeles in 1880 was centered at the southern end of the Los Angeles Plaza area, and over the next two decades, it extended south and west along Main Street, Spring Street, and Broadway towards Third Street. Most of the 19th-century buildings no longer exist, surviving only in the Plaza area or south of Second Street. The rest were demolished to make way for the Civic Center district with City Hall, numerous courthouses, and other municipal, county, state and federal buildings, and Times Mirror Square. This article covers that area, between the Plaza, 3rd St., Los Angeles St., and Broadway, during the period 1880 through the period of demolition (1920s–1950s).
Ascher Brothers was a theater business in Chicago and Wisconsin. It was owned by brothers including Max Ascher, Nathan Ascher, and Harry Ascher who established it in 1909. The business owned more than two dozen theaters and was one of the city's largest owners of theaters along with Balaban and Katz and Lubliner and Trinz. The brothers exited the theater business in 1929.
Olympic Theatre was the name of five former 19th and early 20th-century theatres on Broadway in Manhattan and in Brooklyn, New York.
The Jeffery Theater is a vacant theater building at 1952 E. 71st Street, in Chicago's South Shore neighborhood.
Michael Ralph Thomas Gunn was an Irish businessman and theater manager who built and ran the Gaiety Theatre, Dublin. For several years he was closely involved with Richard D'Oyly Carte, and the Gilbert and Sullivan operas. He invested in some of Carte's ventures and helped manage Carte's theater and touring productions in England while Carte was in the United States.
The Grand Opera House was a theatre located at 119 North Clark Street in Chicago, Illinois. Established by Chicago impresario John A. Hamlin, the theatre originally opened as the Coliseum in 1875 and was later rebranded as Hamlin's Theatre in 1878. Initially a disreputable variety theatre catering to lowbrow tastes, the theatre was completely reinvented after an extensive and expensive remodel and reconstruction led by architect Dankmar Adler. It reopened in 1880 as the Grand Opera House; now under the management of Harry L. Hamlin who ran the theatre for the next 32 years under that name. Under his tenure the venue became a respectable theatre which featured mainly performances of light operas and musical comedies; although some plays were also performed. In 1888 the well known painter and scenic designer Ernest Albert re-designed the interior of the opera house.
