Adam Peters | |
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Born | England |
Occupation(s) | Composer, musician |
Instruments |
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Adam Peters is a British composer. [1] [2] He is known for his work with various bands and artists, as well as film and television scoring. [3] [4]
Peters' first band was called the Disruptive Patterns, where he played as a keyboardist. [5] He began playing cello, piano and keyboards with Echo & the Bunnymen and during his time with the band, they released several albums, including Ocean Rain , Evergreen and Reverberation . [6] His collaboration with lead vocalist Ian McCulloch and guitarist Will Sergeant resulted in some of the band's most beloved tracks, such as "The Killing Moon", "Seven Seas" and "Never Stop". [7] [8]
Peters had a collaboration with the Australian band The Triffids for the albums Born Sandy Devotional , Calenture and The Black Swan . [9] [10] Peters and David McComb contributed to the Leonard Cohen tribute album I'm Your Fan with a cover of "Don't Go Home With Your Hard-On" in 1991. [11] The Flowerpot Men was an early electronic music group formed by Peters and Ben Watkins, the band released three 12-inch EPs, including the track "Beat City", which was featured in the 1986 film Ferris Bueller's Day Off . [12] [13]
Peters' cello was featured on The Dream Academy's albums. [14] In 1994, he co-founded the band Family Of God, with clothing entrepreneur Chris Brick, releasing three albums: "Family Of God", "We Are The World", and "Exiter". [15] [16] In 1997, The New York Times described the band "mesmerizing psychedelic rock". [17]
Peters has also composed music for film and television. He collaborated with director such as Oliver Stone on the projects South of the Border , Savages , Snowden and The Untold History of the United States and Bryan Fogel on the documentaries Icarus , The Dissident and Icarus: The Aftermath. [3] [4] He wrote the orchestral arrangements for Paddington and contributed music to Rango , The Amazing Spider Man 2 , Joker: Folie à Deux and Crazy, Stupid, Love .
Year | Title |
---|---|
2024 | Mountain Queen: The Summits of Lhakpa Sherpa |
2022 | Icarus: The Aftermath |
2021 | Paper & Glue |
2021 | Biggie: I Got a Story to Tell |
2020 | Francesco |
2020 | The Dissident |
2019 | Fantastic Fungi |
2017 | Sand Castle |
2017 | The Yellow Birds |
2017 | Icarus |
2016 | Snowden |
2013 | The Man Whose Mind Exploded |
2012 | Savages |
2012 | After Porn Ends |
2009 | South of the Border |
Year | Title |
---|---|
2023 | Never Let Him Go |
2022 | Shantaram |
2022 | Hostages |
2018 | Phenoms |
2012-2013 | The Untold History of the United States |
2007-2008 | Bone Detectives |
Year | Result | Award | Category | Work | Ref. |
---|---|---|---|---|---|
2018 | Nominated | Motion Picture Sound Editors | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Feature Documentary | Icarus | [18] |
Echo & the Bunnymen are an English rock band formed in Liverpool in 1978. The original line-up consisted of vocalist Ian McCulloch, guitarist Will Sergeant and bassist Les Pattinson. By 1980, Pete de Freitas joined as the band's drummer.
"The Killing Moon" is a song by the English rock band Echo & the Bunnymen. It was released on 20 January 1984 as the lead single from their fourth studio album, Ocean Rain (1984). It is one of the band's highest-charting hits, reaching number 9 in the UK Singles Chart, and often cited as the band's greatest song. Ian McCulloch has said: "When I sing 'The Killing Moon', I know there isn't a band in the world who's got a song anywhere near that." In a retrospective review of the song, AllMusic journalist Stewart Mason wrote: "The smart use of strings amplifies the elegance of the tune, bringing both a musical richness and a sense of quiet dignity to the tune."
Ocean Rain is the fourth studio album by the English post-punk band Echo & the Bunnymen. It was released on 4 May 1984 by Korova and reached number four on the UK Albums Chart, number 87 on the United States Billboard 200, number 41 on the Canadian RPM 100 Albums and number 22 on the Swedish chart. Since 1984 the album has been certified gold by the British Phonographic Industry. Ocean Rain includes the singles "The Killing Moon", "Silver" and "Seven Seas".
Echo & the Bunnymen is the fifth studio album by the English rock band Echo & the Bunnymen, their last with drummer Pete de Freitas, who died in 1989 in a motorcycle accident, aged 27. The album was produced by Laurie Latham; the sessions took place in Germany, Belgium, London and Liverpool, following an aborted attempt at recording the tracks without de Freitas and with producer Gil Norton. With Latham being an exacting producer, and lead vocalist Ian McCulloch receiving star treatment and drinking heavily, the recording was more difficult than the band had initially hoped. The album made more use of keyboards than their previous studio albums, which had been string-heavy. Three singles were issued: "The Game", "Lips Like Sugar" and "Bedbugs and Ballyhoo".
Siberia is the tenth studio album by Echo & the Bunnymen. It was released on 20 September 2005 and received mixed reviews and was consequently the band's first album to not enter into the UK Top 75 Albums Chart.
Reverberation is the sixth studio album by the English rock band Echo & the Bunnymen. The album was released amidst a line-up change for the group, due to the departure of vocalist Ian McCulloch and the death of drummer Pete de Freitas. The remaining members, guitarist Will Sergeant and bassist Les Pattinson, were joined by ex-St. Vitus Dance singer Noel Burke, keyboard player Jake Brockman and drummer Damon Reece. The album was produced by former Beatles engineer Geoff Emerick at Ridge Farm Studio in Surrey, England, and had a more pronounced psychedelic sound than the group's previous releases.
Evergreen is the seventh studio album by the English rock band Echo & the Bunnymen. It is their first album since reforming after they disbanded in 1993. Vocalist Ian McCulloch and guitarist Will Sergeant had previously worked together as Electrafixion before they were rejoined by bassist Les Pattinson under the name Echo & the Bunnymen in early 1997. The album was recorded at Doghouse Studios in Henley-on-Thames and was produced by McCulloch and the band's manager Paul Toogood but was credited to the whole band.
Martyn Paul Casey is an English-born Australian rock bass guitarist. He has been a member of the Triffids, Nick Cave and the Bad Seeds and Grinderman. Casey plays either his Fender Precision Bass or Fender Jazz Bass.
The Flowerpot Men were a British electronic music group active in the 1980s. This group featured electronic musician Ben Watkins, Paul N. Davies, and cellist Adam Peters.
Leslie Thomas Pattinson is an English musician, best known for his work as the bassist and co-writer of the Liverpool-based band Echo & the Bunnymen, along with vocalist Ian McCulloch and guitarist Will Sergeant. He was brought up in Aughton, Lancashire and attended nearby Deyes High School in Maghull, where he and Sergeant were classmates and became friends.
"Trick of the Light" is a single released in January 1988 by Australian group The Triffids from their album Calenture. The single appeared in 7", 10", 12" and CD single versions. It was produced by Gil Norton and written by David McComb. The B-Side "Love the Fever" was co-written by David McComb and Adam Peters and was produced by Peters. It was recorded in August 1986.
Bury Me Deep in Love is a single released by Australian rock group The Triffids from their album Calenture. It appeared in October 1987 and reached No. 48 on the Australian Kent Music Report Singles Chart. It was produced by Gil Norton and written by David McComb, the group's lead singer and guitarist. The B-sides "Baby Can I Walk You Home" and "Region Unknown" were produced by Victor Van Vugt and The Triffids. The single was released as 7", 12" & CD single versions.
The discography of Echo & the Bunnymen, an English post-punk band which formed in 1978, consists of thirteen studio albums, ten live albums, nine compilation albums, eight extended plays (EP), and thirty singles on Zoo Records; WEA and its subsidiaries, Korova, Sire Records, London Records and Rhino; Cooking Vinyl; and Ocean Rain Records, as well as five music VHS/DVDs, and twenty-two music videos.
"The Pictures on My Wall" is the first single released by English rock band Echo & the Bunnymen and was released on 5 May 1979 in a limited issue of 4,000 copies. The single reached number twenty-four on the UK Indie Chart.
"Silver" is a single by the English rock band Echo & the Bunnymen which was released on 13 April 1984. It was the second single to be released from their fourth studio album, Ocean Rain (1984). It stayed on the UK Singles Chart for five weeks, reaching a peak of number 30. It also reached number 14 on the Irish Singles Chart.
"Seven Seas" is a single by the English rock band Echo & the Bunnymen, which was released on 6 July 1984 by Korova. It was the third single to be released from their fourth studio album Ocean Rain (1984). It reached number 16 on the UK Singles Chart and number 10 on the Irish Singles Chart.
"Lips Like Sugar" is a single by the English rock band Echo & the Bunnymen, which was released in July 1987. It was the second single from their eponymous fifth studio album (1987).
"I Want to Be There (When You Come)" is a single by Echo & the Bunnymen which was released in September 1997. It was the second single released after Ian McCulloch, Will Sergeant and Les Pattinson reformed the band. It was also the second single to be released from their 1997 album, Evergreen. It reached number 30 on the UK Singles Chart, number 26 on the US Modern Rock Tracks chart, and number 16 on the Canadian RPM Alternative 30 chart.
"Rust" is a single by Echo & the Bunnymen which was released in March 1999. It was the first single to be released from their 1999 album, What Are You Going to Do with Your Life?. It reached number 22 on the UK Singles Chart and currently remains their last UK Top 40 hit.
Meteorites is the twelfth studio album by British band Echo & the Bunnymen. It was released on 3 June 2014 and produced by Youth and Andrea Wright. It was the band's first UK Top 40 album entry since 1999.