Related Research Articles
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of Calypso/Kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
Raymond Quevedo, better known as Atilla the Hun, was a calypsonian from Trinidad. He began singing in 1911 and was at his most prominent in the 1930s and 1940s. He was one of the pioneers in spreading awareness of calypso beyond its birthplace in Trinidad and Tobago. Together with the Roaring Lion he brought calypso to the United States for the first time in 1934. One of his popular calypsos was "FDR in Trinidad", commemorating U.S. President Franklin Delano Roosevelt's 1936 trip to Trinidad.
Lord Melody was a popular Trinidadian calypsonian, best known for singles such as "Boo Boo Man", "Creature From The Black Lagoon", "Shame & Scandal", "Jonah and the Bake", "Juanita", and "Rastaman Be Careful". Melody's career spanned forty years, from the beginnings of popular calypso music to his embrace of the more dance oriented Soca style by the late 1970s.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
A calypsonian, originally known as a chantwell, is a musician from the anglophone Caribbean who sings songs of the calypso genre.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch fetes" running in the lead up to the street parade on Carnival Monday and Tuesday. It is said that if the islanders are not celebrating it, then they are preparing for it, while reminiscing about the past year's festival. Traditionally, the festival is associated with soca music, with its origins formulated in the midst of hardship for enslaved West and Central Africans; however, recently Soca music has replaced calypso as the most celebrated type of music. Costumes, stick-fighting and limbo competitions are also important components of the festival.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
The Growler was a Trinidadian calypsonian. Growler recorded 36 record sides (78-rpm) during the 1930s and 1940s, making him among the most prolific recording artists in the golden age of calypso, with only Roaring Lion, Growling Tiger, King Radio, Attila the Hun and Wilmoth Houdini exceeding his output during this period. Lord Kitchener, one of the most important figures in the later development of calypso, acknowledged Growler as one of his influences.
"Marianne" is a traditional calypso song made popular by Trinidadian calypsonian Roaring Lion.
Roaring Lion was a Trinidadian calypsonian. His 65-year career began in the early 1930s and he is best known for his compositions "Ugly Woman" (1933), "Mary Ann" and "Netty, Netty", which are still performed today. The song "If You Wanna Be Happy", which hit number one on the Billboard Hot 100 on 18 May 1963, as well as the R&B singles chart, is based on Roaring Lion's "Ugly Woman".
Calypso Rose or Linda McCartha Monica Sandy-Lewis is a Trinidadian calypsonian. She started writing songs at the age of 13; over the years, she has composed more than 1000 songs and recorded more than 20 albums. Considered the "mother of calypso", Rose was the first female calypso star and her lyrics frequently address social issues like racism and sexism. Her influence over the calypso music genre forced the renaming of the Calypso King competition to the Calypso Monarch instead. In addition to writing songs about social issues, Rose is also an activist and was given the title of UNICEF Goodwill Ambassador for former child soldiers along with performing at numerous events for social change. She has received every award available to living artists in the Caribbean.
Discover America is the second album by American recording artist Van Dyke Parks, released in May 1972 by Warner Bros. Its sound is a major departure from his debut album, Song Cycle (1967), featuring all cover versions of previously written songs.
The Calypso Monarch contest is one of the two major annual calypso competitions held in Trinidad as part of the annual carnival celebrations.
Lord Pretender was the stage name of Aldric Farrell, M.O.M., H.B.M. a calypsonian vocalist born on the island of Tobago widely acknowledged to be a "master" of extempo, a lyrically improvised form of calypso music. Starting with an impromptu performance at the age of 12, his career spanned nearly seven decades until cancer of the larynx forced him to retire in the mid-1990s.
Clifford Morris, better known as Mighty Destroyer, was a Trinidadian calypsonian who won the Calypso King contest in 1941.
References
- 1 2 The Roaring Lion [Rafael de Leon], Calypso – From France to Trinidad: 800 Years of History, General Printers of San Juan, 1986, pp. 108–111.
- ↑ Dave Thompson, Reggae & Caribbean Music, Backbeat Books, 2002, ISBN 0-87930-655-6, pp. 5/65.
- ↑ Michael Anthony, Parade of the Carnivals of Trinidad 1839–1989, Port-of-Spain 1989, p. 167.
- ↑ Craig Martin Gibbs, Calypso and Other Music of Trinidad, 1912–1962: An Annotated Discography, Jefferson, NC 2015, ISBN 978-0-7864-7851-4, ISBN 978-1-4766-1931-6, p. 90.
- ↑ Michael Anthony, Glimpses of Trinidad & Tobago; with a glance at the West Indies, Columbus Publishers, 1974, p. 61.
- ↑ Rohlehr, Gordon (1990). Calypso & society in pre-independence Trinidad. University of Texas Press. p. 320-338. ISBN 9789768012524.
- ↑ Marc D. Knilletier: Die goldenen Jahre nach ’33 – Calypso-Songs kommentierten das weltpolitische Geschehen, Telepolis, March 2, 2008.