Adoration of the Shepherds may refer to several works by the Dutch artist Matthias Stom:
Abraham Bloemaert was a Dutch painter and printmaker who used etching and engraving. He initially worked in the style of the "Haarlem Mannerists", but by the beginning of the 17th-century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti.
The Adoration of the Shepherds is an episode in the story of Jesus's nativity in which shepherds are near witnesses to his birth in Bethlehem, arriving soon after he is actually born. It is recounted, or at least implied, in the Gospel of Luke and follows on from the annunciation to the shepherds, in which the shepherds are summoned by an angel to the scene of the birth. Like the episode preceding it, the adoration is a common subject in art, where it is often combined with the Adoration of the Magi. In such cases it is typically just referred to by the latter title.
Matthias Stom or Matthias Stomer was a Dutch, or possibly Flemish, painter who is only known for the works he produced during his residence in Italy. He was influenced by the work of non-Italian followers of Caravaggio in Italy, in particular his Dutch followers often referred to as the Utrecht Caravaggists, as well as by Jusepe de Ribera and Peter Paul Rubens. He did not share the other Northern Caravaggisti's preference for humorous, and sometimes scabrous, genre scenes and elaborate decorative allegories but favored stories from the bible instead. He worked in various locations in Italy where he enjoyed the patronage of religious institutions as well as prominent members of the nobility.
The Museum of Fine Arts of Rennes is a municipal museum of fine arts in the French city of Rennes, the capital of Brittany. Its collections range from ancient Egypt antiquities to the Modern art period and make the museum one of the most important in France outside Paris, notably for its paintings and drawings holdings.
The Museu de Belles Arts de València is an art gallery in Valencia, Spain, founded in 1913. It houses some 2,000 works, most dating from the 14th–17th centuries, including a Self portrait of Diego Velázquez, a St. John the Baptist by El Greco, Goya's Playing Children, Gonzalo Pérez's Altarpiece of Sts. Ursula, Martin and Antony and a Madonna with Writing Child and Bishop by the Italian Renaissance master Pinturicchio. It houses a large series of engravings by Giovan Battista Piranesi.
The Adoration of the Golden Calf is a painting by Nicolas Poussin, produced between 1633 and 1634. It depicts the adoration of the golden calf by the Israelites, from chapter 32 of the Book of Exodus. It was made as part of a pair of paintings commissioned by Amadeo dal Pozzo, Marchese di Voghera of Turin, a cousin to Cassiano dal Pozzo, Poussin's main sponsor in Rome. By 1685 the pair had passed to the Chevalier de Lorraine and in 1710 they were bought by Benigne de Ragois de Bretonvillers. In 1741 they were bought from Samuel by Sir Jacob Bouverie, whose son William became the first Earl of Radnor. The Earls of Radnor owned the pair from then until 1945, when it was split for the first time and The Adoration of the Golden Calf bought by the National Gallery in London for £10,000, half of which was contributed by the Art Fund. It now hangs in Room 19 of the National Gallery, where it and Poussin's The Adoration of the Shepherds were vandalised with red spray paint on 17 July 2011. The French-speaking vandal covered up most of the nude figures.
Saint Rosalie Interceding for the Plague-stricken of Palermo is a painting of 1624 by Anthony van Dyck, in the Metropolitan Museum of Art in New York since 1871.
Bartolomeo Passante or Bassante was an Italian painter of the Baroque era active in Naples.
The Museum & Gallery, Inc. is currently located on the campus of Bob Jones University in Greenville, South Carolina. It was established in 1951, and focuses on sacred art, mainly European Old Master paintings, but also includes smaller collections of sculpture, furniture, architectural elements, textiles, Greek and Russian icons, and ancient artifacts. As of 2017, the museum is closed for a planned move to downtown Greenville, SC.
The Adoration of the Shepherds is a 1644 oil-on-canvas painting by the French artist Georges de La Tour. It is now in the Louvre Museum, in Paris, which purchased it in 1926.
Supper at Emmaus is an undated oil on canvas painting by the Dutch or Flemish painter Matthias Stom. It was created when the artist was living in Rome, c. 1620-1640. It was bought by the town of Grenoble in 1826 and now hangs in Grenoble Museum. It depicts the scene described in the Gospel of Luke, when the Emmaus disciples recognize Jesus when He was breaking the bread.
The Judgement of Solomon is an oil on canvas painting by Matthias Stom, created c. 1640, of the Judgement of Solomon, now in the Currier Museum of Art in Manchester, New Hampshire, which purchased it from the J.E. Safra collection at Sotheby's on 5 July 2017 for £428,750. Its palette, style and drapery are similar to other works painted by the artist while on Sicily such as The Stoning of St Stephen, now in the Palazzo Alliata Villafranca in Palermo - the artist settled on the island around 1640.
Saint Jerome is an oil-on-canvas painting by Dutch artist Matthias Stom. It was completed c. 1635 and is now in the Musee des Beaux Arts de Nantes, which bought it in 1810. Painted in a tenebrist style, it depicts Saint Jerome at a table in a darkened space. Before him there are a Bible, a rosary, a crucifix, and a skull. Jerome gazes in the direction of light which falls from the upper left.
The subject of the Adoration of the Magi was treated at least four times by the Dutch or Flemish painter Matthias Stom:
Salome Receives the Head of John the Baptist is an oil on canvas painting by Dutch artist Matthias Stom, probably painted around 1630–1632 in Rome. It is now held in the National Gallery, in London, to which it was presented by the Trustees of Sir Denis Mahon's Charitable Trust via the Art Fund in 2013.
The Incredulity of Saint Thomas is an oil painting on canvas by Matthias Stom, created c. 1640-1649. It is held in the Museo del Prado, in Madrid.
Isaac Blessing Jacob is an oil on canvas painting by Matthias Stom, created c. 1635, whilst the artist was on Sicily. It is now in the Barber Institute of Fine Arts, which purchased it in 1994. The sniffing dog indicates the work can also be read as an allegory of the five senses.
The Angels' Kitchen is a 1646 oil on canvas painting by Bartolomé Esteban Murillo, originally produced for a small Franciscan monastery in the artist's native Seville. From at least 1810 it was in the Alcázar of Seville, before being looted by Marshal Soult, arriving in his collection in Paris in 1813. The French state bought it in the sale of Soult's collection in 1858 and it has hung in the Louvre, in Paris, ever since.
Virgin and Child in a Landscape is a 1496-1499 oil on panel painting by Cima da Conegliano, now in the North Carolina Museum of Art, in Raleigh.