Adufe

Last updated
Adufe
Vea.adufe.png
Percussion instrument
Classification Frame drum
Hornbostel–Sachs classification 211.311
(Directly struck membranophone)

The adufe is a traditional square tambourine of Moorish origin, which is used in Portugal and Galicia, and other regions of Spain. [1] [2]

Contents

History

A Portuguese percussion instrument, it was traditionally used in the Beira region of Castelo Branco. It was also used in many other regions across the Iberian Peninsula, and similar instruments are also found in Northern Africa. Normally used for Christian religious processions it was also used as a musical company for the local festivals or even for the works in the fields. Traditionally, it was only played by women. [3] However it was also played by men in several occasions, though not in religious times.

Features

The adufe is a square or rectangular frame drum usually made of pine, over which is mounted a goat's skin. The size of the frame usually ranges from 12 to 22 inches on each side, and 1 to 2 inches thick. The skin is stitched on the sides, with the stitches covered by a coloured ribbon. In the interior small seeds or small stones are placed to make pleasing sounds. An adufe is completely handmade.

See also

Related Research Articles

<span class="mw-page-title-main">Tambourine</span> Handheld drum with metal jingles

The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit, or they can be held in the hand and played by tapping, hitting, or shaking the instrument.

<span class="mw-page-title-main">Galician gaita</span> Traditional bagpipe of Galicia and northern Portugal

The Galician gaita is the traditional instrument of Galicia and northern Portugal.

<span class="mw-page-title-main">Dhol</span> Double-headed Indian drum

Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.

A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater.

<span class="mw-page-title-main">Dholak</span> South Asian folk percussion instrument

The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius. The dholak can be anywhere about 16" to 24" in length. It is widely used in qawwali, kirtan, bhajan, bhangra, chutney, baithak gana, Bollywood film songs, lokgeet and various classical styles such as Hindustani, Carnatic and Trinidadian local classical / Guyanese taan. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diametre and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is made for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak can made of sheesham or mango wood. The larger drum head has a compound of tar, clay and sand, called "masala" which is applied to lower the pitch and produce the sound. The smaller drumhead is played with the person's dominant hand, while the larger is played by the person's weaker hand. A dholak can either be fitted with a nuts and bolts or a rope and steel rings for tuning. Commonly in the Indian subcontinent, there are only one set of rings for tuning the treble side of the dholak, while in the Caribbean, hook screws are placed into the sides of the dholak to allow tuning of both the treble and the bass. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee while sitting on the floor.

<span class="mw-page-title-main">Daf</span> Frame drum originating in Central Asia and the Middle East

Daf, also known as dâyere and riq, is a Middle Eastern frame drum musical instrument, used in popular and classical music in South and Central Asia. It is also used in Afghanistan, Azerbaijan, Tajikistan, Iran, Uzbekistan, many regions of Georgia, Pakistan as well as in parts of India and Russian polar regions. It is also popular among Balkans, Bukharan Jews, Caucasians, Kurds, and Macedonians.

Northwest Iberian folk music is a traditional highly distinctive folk style, located along Spain's north-west Atlantic coast, mostly Galicia and Asturias, that has some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.

Traditional Inuit music, the music of the Inuit, Yupik, and Iñupiat, has been based on drums used in dance music as far back as can be known, and a vocal style called katajjaq has become of interest in Canada and abroad.

<span class="mw-page-title-main">Cajón</span> Box-shaped percussion instrument

A cajón is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music, but have made their way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo.

<span class="mw-page-title-main">Pandeiro</span> Musical instrument

The pandeiro is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music.

<span class="mw-page-title-main">Davul</span> Musical instrument

The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum.

<span class="mw-page-title-main">Music of Jammu and Kashmir</span> Music of Jammu and Kashmir

Music of Jammu and Kashmir reflects a rich musical heritage and cultural legacy of the Indian-administered union territory of Jammu and Kashmir. Two different regions of Jammu and Kashmir consists the Jammu region and Kashmir Valley. Music of Kashmir Valley has influences of Central Asian music while music from Jammu region is similar to that of other regions of North India.

<span class="mw-page-title-main">Tiple</span> Fretted string instrument

A tiple, is a plucked typically 12-string chordophone of the guitar family. A tiple player is called a tiplista. The first mention of the tiple comes from musicologist Pablo Minguet e Irol in 1752. Although many variations of the instrument exist, the tiple is mostly associated with Colombia, and is considered the national instrument. The Puerto Rican version characteristically has fewer strings, as do variants from Cuba, Mallorca, and elsewhere among countries of Hispanic origin.

<span class="mw-page-title-main">Kanjira</span> South Indian frame drum

The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used in India for many centuries.

<span class="mw-page-title-main">Forró</span> Music genre from the northeast region of Brazil

The term forró refers to a musical genre, a rhythm, a dance and the event itself where forró music is played and danced. Forró is an important part of the culture of the Northeastern Region of Brazil. It encompasses various dance types as well as a number of different musical genres. Their music genres and dances have gained widespread popularity in all regions of Brazil, especially during the Brazilian June Festivals. Forró has also become increasingly popular all over the world, with a well-established forró scene in Europe.

<span class="mw-page-title-main">Frame drum</span> Musical instrument

A frame drum is a drum that has a drumhead width greater than its depth. It is one of the most ancient musical instruments, and perhaps the first drum to be invented. It has a single drumhead that is usually made of rawhide, but man-made materials may also be used. Some frame drums have mechanical tuning, while on many others the drumhead is tacked in place. The drumhead is stretched over a round, wooden frame called a shell. The shell is traditionally constructed of rosewood, oak, ash etc. that has been bent and then scarf jointed together; though some are also made of plywood or man-made materials. Metal rings or jingles may also be attached to the frame. In many cultures larger frame drums are played mainly by men in spiritual ceremonies, while medium-size drums are played mainly by women.

<span class="mw-page-title-main">Paraguayan harp</span>

The Paraguayan harp is the national instrument of Paraguay, the result of the confluence of European and Guarani musical cultures. Derived from the classical angular harp, introduced during the Spanish colonization in the Jesuit Guarani Missions.

<span class="mw-page-title-main">Bodhrán</span> Celtic frame drum

The bodhrán is a frame drum used in Irish music ranging from 25 to 65 cm (10–26 in) in diameter, with most drums measuring 35–45 cm (14–18 in). The sides of the drum are 9–20 cm deep. A goatskin head is tacked to one side. The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre.

References

  1. "Roots of Rhythm - Chapter 1:The Adufe from Portugal" (PDF). Roots of Rhythm. Retrieved 2008-02-13.
  2. ""Diccionario histórico lengua española"" (in Spanish). Retrieved 2023-11-19.
  3. Christo, Nuno. "Adufe". Archived from the original on 2008-05-29. Retrieved 2008-02-13.