Affiche Rouge (Red Poster) is a 1944 anti-French Resistance propaganda poster that also refers to the prosecution of the group targeted by the poster.
Affiche Rouge may also refer to:
Montmartre is a large hill in Paris's 18th arrondissement. It is 130 m (430 ft) high and gives its name to the surrounding district, part of the Right Bank in the northern section of the city. The historic district established by the City of Paris in 1995 is bordered by rue Caulaincourt and rue Custine on the north, rue de Clignancourt on the east, and boulevard de Clichy and boulevard de Rochechouart to the south, containing 60 ha. Montmartre is primarily known for its artistic history, the white-domed Basilica of the Sacré-Cœur on its summit, and as a nightclub district. The other church on the hill, Saint Pierre de Montmartre, built in 1147, was the church of the prestigious Montmartre Abbey. On August 15, 1534, Saint Ignatius of Loyola, Saint Francis Xavier and five other companions bound themselves by vows in the Martyrium of Saint Denis, 11 rue Yvonne Le Tac, the first step in the creation of the Jesuits.
Adolphe Léon Willette was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections.
A commune is an alternative term for intentional community. Commune or comună or comune or other derivations may also refer to:
Jules Chéret was a French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster.
Albert Guillaume was a French painter and caricaturist.
Maîtres de l'Affiche refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format, was put together by Jules Chéret, the father of poster art.
The Affiche Rouge is a notorious propaganda poster, distributed by Vichy France and German authorities in the spring of 1944 in occupied Paris, to discredit 23 immigrant French Resistance fighters, members of the Manouchian Group. The term Affiche Rouge also refers more broadly to the circumstances surrounding the poster's creation and distribution, the capture, trial and execution of these members of the Manouchian Group.
"L'Affiche rouge" is a song from the album Les Chansons d'Aragon (1961) by Léo Ferré. Its lyrics are based on the poem Strophes pour se souvenir which Louis Aragon wrote in 1955 for the inauguration of a street in the 20th arrondissement in Paris, named "rue du Groupe Manouchian" in honor of 23 members of the FTP-MOI executed by the Nazis in the Mont-Valérien. The affair became known by the name of the Affiche rouge because the Germans plastered Paris in the spring of 1944 with thousands of red posters denouncing those executed as immigrants and Resistants.
The Francs-tireurs et partisans – main-d'œuvre immigrée (FTP-MOI) were a sub-group of the Francs-tireurs et partisans (FTP) organization, a component of the French Resistance. A wing composed mostly of foreigners, the MOI maintained an armed force to oppose the German occupation of France during World War II. The Main-d'œuvre immigrée was the "Immigrant Movement" of the FTP.
Fort Mont-Valérien is a fortress in Suresnes, a western Paris suburb, built in 1841 as part of the city's ring of modern fortifications. It overlooks the Bois de Boulogne.
Anicée Alvina, also known as Anicée Schahmaneche (b. Anicée Shahmanesh or Anicee Schahmane was a French singer and actress.
Marie Édouard Vaillant was a French politician.
Thomas Elek, also known as Tamás Elek and KERPAL was one of 22 members of the French resistance convicted and executed at the fort of Mont Valérien as one of the Manouchian Group, part of the French liberation army FTP-MOI. After the executions, the Vichy government sought to discredit the resistance members, and widely distributed and posted thousands of copies of the Affiche Rouge. Named for its red background, the poster featured ten of the Manouchian group, including Elek. It identified him as "Elek Juif Hongrois 8 déraillements".
Célestino Alfonso was a Spanish republican, a volunteer in the French liberation army FTP-MOI, and a part of the resistance operation led by Missak Manouchian. He was, by profession, a carpenter.
Maurice Fingercwajg also Mojsze, Fingercweig, was one of the resistance fighters shot at the Fort Mont Valérien, a volunteer soldier in the French liberation army FTP-MOI and a member of the group of Missak Manouchian.
The Army of Crime is a 2009 French drama-war film directed by Robert Guédiguian and based on a story by Serge Le Péron, who is also one of three credited for the screenplay. It received a wide release in France on 16 September 2009 and opened in the United States in 2010.
Alfred Choubrac was a French painter, illustrator, draughtsman, poster artist and costume designer. Together with Jules Chéret he is considered to be one of the pioneers of the modern coloured and illustrated poster of the Belle Époque in France, in particular in Paris.
Salon des Cent was a commercial art exhibition in Paris, based at 31 Rue Bonaparte. The Salon sold color posters, prints and reproductions of artwork to the general public at reasonable prices. It was established in February 1894 by Léon Deschamps, founder of La Plume an avant garde literary and artistic magazine. It became known for its exhibitions showcasing the works of contemporary graphical artists. The salon held exhibitions until 1900. Many of the posters advertising Salon des Cent exhibitions have themselves become collectors' items.
Rino Della Negra was a French footballer who was active in the Resistance during World War II.
The 1871 Affiche Rouge was a poster hung in January 1871 to popularize the idea of a revolutionary government, or Commune, in Paris, as would later arrive in March with the Paris Commune. Written by Gustave Tridon and Jules Vallès but credited to a group that called itself the Delegation of the Twenty Arrondissements, the poster lambasted governmental indecisiveness and military ineffectiveness, such as lack of fight despite Frenchmen outnumbering the attacking Prussians. The poster was signed by 140 leftist activists. There were no demonstrations alongside the poster, but the government charged its authors with insurrection.