Agostino Facheris (16th-century) was an Italian painter, active in Bergamo, Italy. He was also known as il Caversegno after the contrada of Presezzo where he was born.
Agostino Facheris (16th-century) was an Italian painter, active in Bergamo, Italy. He was also known as il Caversegno after the contrada of Presezzo where he was born.
He was a pupil of Lorenzo Lotto and Andrea Previtali. He collaborated with the latter in completing the polyptych for the church of Santo Spirito in Bergamo. Other works include a Madonna and child with Saints (1536) for the parish church of Locatello and a polyptych (1537) for the parish church of Piazzatorre. He painted a Madonna and Saints for the church of San Bartolomeo of Bergamo; a St Sebastian and St Fabiano for the parish church of Sant'Alessandro della Croce. The panels of the Life of St Giuliano is held by the Galleria Nazionale d'Arte Antica in Rome. [1]
Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Albino is a comune in the province of Bergamo, in Lombardy, northern Italy. It is located northeast of Bergamo and is situated in the valley of the river Serio. The comune is included in the perimeter of the Alpine Convention international treaty.
Bernardo Daddi was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality. He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity.
Santa Maria Formosa, formally The Church of the Purification of Mary, is a church in Venice, northern Italy. It was erected in 1492 under the design by Renaissance architect Mauro Codussi. It lies on the site of a previous church dating from the 7th century, which, according to tradition, was one of the eight founded by San Magno, bishop of Oderzo. The name "formosa" relates to an alleged appearance of the Holy Virgin disguised as a voluptuous woman1.
Giovanni Giacomo Barbelli was an Italian painter of the Baroque period, active in Lombardy. He was a canvas and fresco painter known for his religious and mythological scenes that decorate many churches and residences in Lombardy. He was a highly skilled draughtsman and a brilliant colorist. His work shows an inventive imagination and a thorough knowledge of perspective.
Giovanni Boccati or Giovanni di Pier Matteo Boccati was an Italian painter.
Andrea Vanni was an Italian painter of the early Renaissance, active mainly in his native Siena.
Palma Vecchio, born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian to distinguish him from Palma il Giovane, his great-nephew, who was also a painter.
Giovanni Agostino da Lodi was an Italian painter who was active from c. 1495 to c. 1525.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
The Recanati Polyptych is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1506–1508 and housed in the Civic Museum of Villa Colloredo Mels, Recanati, Italy. The work is dated and signed Laurent[ius] Lotus MDVIII.
The Saint Catherine of Alexandria Polyptych is a painting by the Italian medieval artist Simone Martini, dating to 1320. Originally placed at the high altar of the church of Santa Caterina in Pisa, it is now housed in the Museo Nazionale di San Matteo of the same city.
The church of Santi Nazaro e Celso is located on Corso Giacomo Matteotti, at the intersection with via Fratelli Bronzetti, in Brescia, Lombardy, Italy. The church contains the Averoldi Polyptych (1522), a masterwork of Titian.
San Pietro alle Scale, also known as San Pietro in Castelvecchio is a Roman Catholic parish church located on via San Pietro, Terzo of Città, in Siena, region of Tuscany, Italy. Initially built in the 12th-century, this parish church was completely rebuilt in a Baroque style in the 17th century; the brick facade has a portal with a depiction of Glory of St Peter. The belltower dates to 1699, and the facade to 1706.
Giovanni Ambrogio Bevilacqua, also known as il Liberale Bevilacqua was an Italian painter active in Lombardy in a late-medieval or early Renaissance style. He was a pupil of Vincenzo Foppa of Milan.
Santo Spirito is a Roman Catholic church located on Piazzetta Santo Spirito in Bergamo, in the region of Lombardy, Italy.
Santi Pietro e Paolo is a Baroque-style, Roman Catholic parish church located in the center of the town of Buonconvento, region of Tuscany, Italy.
The Ponteranica Altarpiece is a six-panel oil painting series produced by Lorenzo Lotto in 1522, commissioned by the Scuola del Corpo di Cristo for the parish church of San Vincenzo e Sant'Alessandro in Ponteranica, where it still remains. Its upper register shows the risen Christ flanked by an Annunciation scene, whilst below is John the Baptist flanked by saints Peter and Paul.
The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
The San Giacomo Altarpiece is a 1515 oil on panel painting by Palma Vecchio which hangs in the church of San Giacomo Maggiore in the Peghera district of Taleggio, Lombardy. It is also known as Pietà with Saint James, Saint Sebastian and Saint Roch.
| International | |
|---|---|
| Artists | |
| People | |
 | This article about an Italian painter born in the 16th century is a stub. You can help Wikipedia by expanding it. |
