The Hijri calendar, or Arabic calendar also known in English as the Muslim calendar and Islamic calendar, is a lunar calendar consisting of 12 lunar months in a year of 354 or 355 days. It is used to determine the proper days of Islamic holidays and rituals, such as the annual fasting and the annual season for the great pilgrimage. In almost all countries where the predominant religion is Islam, the civil calendar is the Gregorian calendar, with Syriac month-names used in the Levant and Mesopotamia but the religious calendar is the Hijri one.
There are many Malay ghost myths, remnants of old animist beliefs that have been shaped by Hindu-Buddhist cosmology and later Muslim influences, in the modern states of Brunei, Indonesia, Malaysia, and Singapore and among the Malay diaspora in neighbouring Southeast Asian countries. The general word for ghost is hantu, of which there exist a wide variety. Some ghost concepts such as the female vampires pontianak and penanggal are shared throughout the region. While traditional belief does not consider all ghosts as necessarily evil, Malaysian popular culture tends to categorise them all as types of evil djinn.
Ibu Mertuaku is a 1962 Singaporean Malay-language black-and-white melodrama film directed by and starring silver-screen legend P. Ramlee. The film's story revolves around the tragic love affair between Kassim Selamat, a poor musician, and Sabariah, the only daughter of a wealthy woman.
Tiga Abdul is a 1964 Malaysian Malay-language black-and-white comedy film directed by and starring Malaysian silver-screen icon P. Ramlee. It tells the story of three brothers who are caught in a web of trickery set by the cunning Sadiq Segaraga, who uses his three daughters to try and fleece the three brothers of all their wealth. The movie is a tribute to traditional folktales with a moral set into the story and is set in a fictional Middle Eastern country named Isketambola, loosely based on Istanbul, Turkey. It was the last film to be directed by P. Ramlee in Singapore before he moved to his new workplace in Merdeka Studios, Kuala Lumpur in 1965.
Ali Baba Bujang Lapok is a 1961 Singaporean Malay-language black-and-white comedy film directed by, written by and starring Malaysian silver-screen legend P. Ramlee and produced in Singapore by Malay Film Productions Ltd. Based loosely on the story of Ali Baba from 1001 Arabian Nights, the film is occasionally self-referential and contains elements of anarchic comedy, burlesque comedy, satire and farce. The title includes the suffix Bujang Lapok because it is the third instalment in the Bujang Lapok series of comedy films that star the trio of P. Ramlee, S. Shamsuddin and Aziz Sattar. This film marked the feature film debut of Sarimah, who would go on to a long movie career, and is also notable as one of the few P. Ramlee films where he plays the villain.
Musang Berjanggut is 1959 Singaporean Malay-language black-and-white period romantic comedy film directed by and starring P. Ramlee. The story is in the style of a traditional Malay folktale, featuring supernatural elements and a story with an underlying moral. The plot follows the adventures of a prince named Tun Nila who sets out to find a woman who will marry him, and what happens when he finds her at last.
Seniman Bujang Lapok is a 1961 Singaporean Malay-language black-and-white comedy film directed by P. Ramlee. It is the fourth instalment in the Bujang Lapok series of films, but the last to feature P. Ramlee, S. Shamsuddin and Aziz Sattar as the main trio of actors. However, it is not a direct sequel to the previous "Bujang Lapok" films, as there are no references to the events of the previous films.
Masam Masam Manis is a 1965 Malaysian Malay-language black-and-white comedy film directed by and starring P. Ramlee, Sharifah Hanim, Mariani Ismail and Mahmud Jun.
Antara Dua Darjat (English: Between Two Classes) is a 1960 Singaporean Malay-language black-and-white romantic melodrama film directed by and starring Malaysian silver-screen legend P. Ramlee and Saadiah. This film revolves around the obstacle of romance for a couple of lovers due to family holdings that adhere to the ladder of rank and descent which cannot unite those of high rank and low rank thus triggering bloody conflict, mental stress, family feuds up to hypocracy and soul murder.
Nujum Pak Belalang is a 1959 Singaporean Malay-language black-and-white comedy film directed by and starring P. Ramlee. The film is styled as a fairytale and is loosely based on a Malay folk tale.
Laksamana Do Re Mi is a 1972 Malaysian Malay-language black-and-white comedy film directed by P. Ramlee. Shot in black and white, it is the third instalment in the Do Re Mi series of comedy films, and features the trio of actors P. Ramlee, A. R. Tompel and Ibrahim Din reprising their roles as Do, Re and Mi respectively. The story is loosely based on one of stories in One Thousand and One Nights, "The Three Princes and the Princess Nouronnihar", and features the trio becoming admirals and using magic to save a faraway kingdom from ruin. This film is notable as being the last film P. Ramlee made before his death in 1973.
The Most Esteemed Order of Loyalty to the Crown of Malaysia is a Malaysian federal award presented for meritorious service to the country and awarded by the sovereign.
Salmah binti Ismail, better known by her stage name Saloma, was a Singaporean-Malaysian singer, film actress, trendsetter and a fashion icon of Banjar and Bawean descent who became well known in the late 1950s.
Hallaur or Hallor village is located in Domariyaganj Tehsil of Siddharthnagar district in Uttar Pradesh, India. Domariyaganj is the nearest town to Hallaur village.
Sarjan Hassan is 1958 Singaporean Malay-language black-and-white war drama film starring P. Ramlee. The film is set during the Japanese invasion of Malaya during the Second World War. Initially, the film was supposed to be directed by Lamberto Avellana; however, he was unable to fully complete the film. The directing task was later taken over by P. Ramlee.
Malaysian popular music, sometimes called shortly Malaysian pop or abbreviated as M-pop, refers to popular music forms in Malaysia. Although popular music in various languages such as Mandopop are popular and have been produced in Malaysia, Malaysian pop refers to music recorded primarily in the Malay language in Malaysia.
Anak-ku Sazali is a 1956 Singaporean Malay-language black-and-white melodrama film directed and written by Phani Majumdar. The movie is about love between a man and a woman, dreams that can come true and a father's extreme love for his son. The talented P. Ramlee plays the adult father character, Hassan as well as the spoilt son, Sazali Hassan.
Sultan Ahmad Al-Muʽazzam Shah Ibni Al-Marhum Bendahara Sri Maharaja Tun Ali was the sixth Raja Bendahara of Pahang and the founder and first modern Sultan of Pahang. Commonly known as Tun Wan Ahmad before his accession, he seized the throne in 1863 after defeating his elder brother Tun Mutahir in the Pahang Civil War, assuming the title Sri Paduka Dato' Bendahara Siwa Raja Tun Ahmad. In the early years of his reign, Pahang descended into turmoil, with various attempts made by the surviving sons of Tun Mutahir, based in Selangor, to overthrow him. This led to Pahang's decisive involvement in the Selangor Civil War that successfully brought it to a conclusive end.
The Royal Brunei Mausoleum is a Royal Mausoleum of Brunei located at Jalan Tutong, Bandar Seri Begawan, Brunei. The Mausoleum is the main resting place and burial ground for several Sultans of Brunei and members of the Royal Family. The Royal Mausoleum was opened during the reign of Sultan Omar 'Ali Saifuddin I who later became the first monarch to be buried in the Mausoleum when he died in 1795.
Aliff Dalam 7 Dimensi is a 2016 Malaysian Malay-language action horror film. Co-produced and distributed by Astro Shaw, the film directed by Faizal Ishak written by Anwari Ashraf and Ashraf Zain and produced by Anwari Ashraf Hashim and Syahrul I. Shariffuddin. It stars Izzue Islam, Juliana Evans, Alif Satar, Man Kadir, Hasnul Rahmat, Kaka Azraff and Aleza Shadan.
