Hang Tuah, according to the semi-historical Malay Annals, was a warrior and Laksamana who lived in Malacca during the reign of Sultan Mansur Shah in the 15th century. However, there is limited historical evidence for his existence. He was supposedly a great laksamana, or admiral, a diplomat and a silat master. Hang Tuah is the most illustrious warrior figure in Malay literature. He is however, a somewhat controversial figure and there is much in dispute about the factual basis of Hang Tuah's story.
Zaidpur is a town and a nagar panchayat in Barabanki district, Uttar Pradesh, India.
There are many Malay ghost myths, remnants of old animist beliefs that have been shaped by Hindu-Buddhist cosmology and later Muslim influences, in the modern states of Brunei, Indonesia, Malaysia, and Singapore and among the Malay diaspora in neighbouring Southeast Asian countries. The general word for ghost is hantu, of which there exist a wide variety. Some ghost concepts such as the female vampires pontianak and penanggal are shared throughout the region. While traditional belief does not consider all ghosts as necessarily evil, Malaysian popular culture tends to categorise them all as types of evil djinn.
Ibu Mertuaku is a 1962 Singaporean Malay-language black-and-white melodrama film directed by and starring silver-screen legend P. Ramlee. The film's story revolves around the tragic love affair between Kassim Selamat, a poor musician, and Sabariah, the only daughter of a wealthy woman.
Tiga Abdul is a 1964 Malaysian Malay-language black-and-white comedy film directed by and starring Malaysian silver-screen icon P. Ramlee. It tells the story of three brothers who are caught in a web of trickery set by the cunning Sadiq Segaraga, who uses his three daughters to try and fleece the three brothers of all their wealth. The movie is a tribute to traditional folktales with a moral set into the story and is set in a fictional Middle Eastern country named Isketambola, loosely based on Istanbul, Turkey. It was the last film to be directed by P. Ramlee in Singapore before he moved to his new workplace in Merdeka Studios, Kuala Lumpur in 1965.
Ali Baba Bujang Lapok is a 1961 Singaporean Malay-language black-and-white comedy film directed by, written by and starring Malaysian silver-screen legend P. Ramlee and produced in Singapore by Malay Film Productions Ltd. Based loosely on the story of Ali Baba from 1001 Arabian Nights, the film is occasionally self-referential and contains elements of anarchic comedy, burlesque comedy, satire and farce. The title includes the suffix Bujang Lapok because it is the third instalment in the Bujang Lapok series of comedy films that star the trio of P. Ramlee, S. Shamsuddin and Aziz Sattar. This film marked the feature film debut of Sarimah, who would go on to a long movie career, and is also notable as one of the few P. Ramlee films where he plays the villain.
Madu Tiga is a 1964 Singaporean black-and-white Malay-language romantic comedy film directed by and starring P. Ramlee, Sarimah, Ahmad Nisfu and M. Rafiee.
Musang Berjanggut is 1959 Singaporean Malay-language black-and-white period romantic comedy film directed by and starring P. Ramlee. The story is in the style of a traditional Malay folktale, featuring supernatural elements and a story with an underlying moral. The plot follows the adventures of a prince named Tun Nila who sets out to find a woman who will marry him, and what happens when he finds her at last.
Seniman Bujang Lapok is a 1961 Singaporean Malay-language black-and-white comedy film directed by P. Ramlee. It is the fourth instalment in the Bujang Lapok series of films, but the last to feature P. Ramlee, S. Shamsuddin and Aziz Sattar as the main trio of actors. However, it is not a direct sequel to the previous "Bujang Lapok" films, as there are no references to the events of the previous films.
Pendekar Bujang Lapok is a 1959 Singaporean Malay-language black-and-white comedy film directed by P. Ramlee. It is the second in the Bujang Lapok series of films, and stars the trio of P. Ramlee, S. Shamsuddin and Aziz Sattar, all of which was filmed on site at Jalan Ampas, Singapore.
Masam Masam Manis is a 1965 Malaysian Malay-language black-and-white comedy film directed by and starring P. Ramlee, Sharifah Hanim, Mariani Ismail and Mahmud Jun.
Nujum Pak Belalang is a 1959 Singaporean Malay-language black-and-white comedy film directed by and starring P. Ramlee. The film is styled as a fairytale and is loosely based on a Malay folk tale.
Laksamana Do Re Mi is a 1972 Malay-language black-and-white adventure fantasy comedy film directed by P. Ramlee. Shot in black and white, it is the third and final installment in the Do Re Mi series of comedy films, and features the trio of actors P. Ramlee, A. R. Tompel and Ibrahim Din reprising their roles as Do, Re and Mi respectively. The story is loosely based on one of stories in One Thousand and One Nights, "The Three Princes and the Princess Nouronnihar", and features the trio becoming admirals and using magic to save a faraway kingdom from ruin. This film is notable as being the last film P. Ramlee and Ar Tompel before their death in 1973.
Salmah binti Ismail, better known by her stage name Saloma, was a Singaporean-Malaysian singer, film actress, trendsetter and a fashion icon of Banjar and Bawean descent who became well known in the late 1950s.
Hang Tuah is a 1956 Singaporean Malay-language historical drama film directed by Phani Majumdar. It is the first Malay film to be fully shot in Eastman colour film. It was released in Singapore by Shaw Organisation on 28 January 1956. The film was based on the legendary Admiral Hang Tuah of Malacca and his 4 sworn brothers; Hang Jebat, Hang Kasturi, Hang Lekir and Hang Lekiu. This film received the award for 'Best Musical Score' at the 3rd Asian Film Festival in Hong Kong in 1956 and an official screening at 7th Berlin International Film Festival in 1957, where it was nominated for the Golden Bear.
Malaysian popular music, sometimes called shortly Malaysian pop or abbreviated as M-pop, refers to popular music forms in Malaysia. Although popular music in various languages such as Mandopop are popular and have been produced in Malaysia, Malaysian pop refers to music recorded primarily in the Malay language in Malaysia.
Anak-ku Sazali is a 1956 Singaporean Malay-language black-and-white melodrama film directed and written by Phani Majumdar. The movie is about love between a man and a woman, dreams that can come true and a father's extreme love for his son. The talented P. Ramlee plays the adult father character, Hassan as well as the spoilt son, Sazali Hassan.
Pengiran Anak Mohamed Alam, sometimes spelled Muhammad Alam, was a nobleman, magistrate and politician who became the fourth Speaker of the Brunei Legislative Council from 1971 until 1974 and Chief of Jabatan Adat Istiadat Negara from 1954 to 1981. He is the father of Pengiran Anak Saleha, the queen consort of Hassanal Bolkiah, the current Sultan of Brunei. He was also a maternal grandfather of Al-Muhtadee Billah, the Crown Prince.
The Indonesian Malaysians are Malaysian citizens of Indonesian ancestry. Today, there are many Malaysian Malays who have lineage from the Indonesian archipelago and have played an important role in the history and contributed to the development of Malaysia, they have been assimilated with other Malay communities and are grouped as part of the foreign Malays or anak dagang in terms of race. The Malaysian census does not categorize ethnic groups from the Indonesian archipelago as a separate ethnic group, but rather as Malay or Bumiputera.
Aliff Dalam 7 Dimensi is a 2016 Malaysian Malay-language action horror film. Co-produced and distributed by Astro Shaw, the film directed by Faizal Ishak written by Anwari Ashraf and Ashraf Zain and produced by Anwari Ashraf Hashim and Syahrul I. Shariffuddin. It stars Izzue Islam, Juliana Evans, Alif Satar, Man Kadir, Hasnul Rahmat, Kaka Azraff and Aleza Shadan.
