Ain't No Mo'

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Ain't No Mo'
Aint No Mo Playbill cover.jpg
Playbill cover featuring Ain't No Mo'
Written by Jordan E. Cooper
Date premieredMarch 27, 2019
Place premiered The Public Theater, New York City
Original languageEnglish

Ain't No Mo' is a play consisting of a series of sketch comedy-style vignettes written by Jordan E. Cooper. The premise of the play is set in an alternate present where the United States government has put forward a program to buy every Black person in America, who wishes, a one-way ticket to Africa. The vignettes portray how this program affects various characters and the people around them. [1] [2]

Contents

The show is notable for Cooper being the youngest Black American to make his Broadway playwriting debut at age 27. [3]

Plot

On November 4th, 2008, Pastor Freeman performs a funeral service for "Righttocomplain", claiming that with the election of Barack Obama, the African-American community will no longer face hardships. However, the congregation's joyous celebration is undercut by the years that follow as they witness events such as the Flint water crisis and the deaths of unarmed Black Americans at the hands of police.

A Black drag queen flight agent, Peaches, prepares a boarding gate at the airport while giving instructions over the phone to her friend Ladarius. As the play continues, it is revealed the flight is the last one in a program of government subsidized one-way tickets to Africa for all Black people who want it. The play frequently cuts back to Peaches at the gate, checking in various passengers and offering counsel to those who are hesitant. She also prepares Miss Bag, a suitcase she claims holds "our entire story as a people in this country" and encourages passengers to drop their stories in the bag so they may bring it to Africa. She also warns that all black people who elect not to board the flight will be subjected to "extreme racial transmogrification" by "The Powers That Be": they will be turned into white people.

The first vignette focuses on a black couple, Damien and Trisha, at the Sister Girl We Slay All Day Cause Beyoncè Say We Unique Community Center, where Trisha anxiously waits for her number to be called for a free abortion clinic for black women. Damien tries to discourage Trisha from going through with the abortion, urging her to instead join one of the free flights to Africa and raise their child there. Trisha expresses skepticism of the flights' existence, and eventually reveals that Damien is actually a ghost, having been shot by police some time earlier. Trisha, who had to go through the trauma of Damien's death becoming national news, claims aborting their unborn child is the only way to keep it safe from both death and spectacle. They watch a news broadcast where a Black conservative newswoman interviews Zamata, one of the women at the clinic, though the interview devolves into an argument between the two over how much freedom black women have in America. Just as Trisha's number is called, she hears one of the planes taking off and changes her mind, leaving the clinic.

The second vignette depicts the filming of The Real Baby Mamas of the South-Side, a reality show focused on stereotypical black women. Brief moments where the camera stops rolling reveal the artificial nature of the show, as well as tensions among the cast due to the presence of "Rachonda" (Rachel), a self-proclaimed "transracial" black woman who is the only one who keeps up the stereotype when the camera are not rolling. A confrontation between the other women and Rachonda over her presence in the show leads to Rachonda giving an impassioned monologue claiming she has suffered as much as them—undercut by her blatantly appropriating quotes from The Color Purple and Martin Luther King Jr. The speech leads to chaos as the cast rebels against the show, halted when everyone (except, of course, Rachonda) gets a notification about the flight to Africa. The whole black cast elects to leave, leaving Rachonda the only member of the cast and basking in fame.

A rich black family, the Greens, receive the notice about the last flight but refuse to go and instead complain about the absence of their maid Latoya and claim of there being no difference between black and white people. They are interrupted by the arrival of Black, the human personification of their family's "blackness", locked away in the basement by the family's deceased patriarch forty years prior when he became rich. As the family tries to quiet or otherwise get rid of Black, she possesses them into using brief spurts of African-American Vernacular English. The family tries to prevent Black from being seen, eventually resorting to violence. Black proves resilient against both strangulation and a knife, but is eventually killed by a noose, just as the police arrive.

In the last vignette, three inmates at a womens' prison, along with one of the officers, prepare for release so that they may board the last plane. The three express complex emotions about their release as they leave the prison: Judah is uncertain she will survive in the outside world; Lakeisha, the sister of Peaches' friend Ladarius, mainly looks forward to reuniting with her now eight-year old child; Blue, a middle-aged inmate who has been in the prison for decades, mourns the loss of her life before prison and that she will be unable to return to it. Officer Brown tells her she has a chance to make a new life, and joins her in exiting the prison. Taking in the outside air, Blue decides to relish her freedom.

In the final scene, Peaches finishes getting all the passengers on the plane, but just as she is ready to board herself, she discovers she is unable to move Miss Bag. She tries to get it to move, protesting that leaving it behind means leaving behind all of African-American culture and history. Due to her efforts, the last plane leaves without her. Realizing that Miss Bag has disappeared, Peaches angrily protests to The Powers That Be to "give it back" as her drag is violently removed until she is left as a man. Before he is subjected to extreme racial transmogrification, he makes one last attempt to rally black solidarity to get back Miss Bag and thus reclaim African-American identity, but is met with silence—for there are no more Black people left.

Productions

Off-Broadway (2019)

The show debuted Off-Broadway on March 27, 2019 at the Public Theatre.

Broadway (2022)

Broadway performances began previews November 9, 2022 ahead of a December 1 opening, [4] at the Belasco Theatre starring Cooper, Marchánt Davis, Fedna Jacquet, Crystal Lucas-Perry, Ebony Marshall-Oliver and Shannon Matesky. [5] The production was directed by Stevie Walker-Webb and featured sets by Scott Pask, lighting by Adam Honoré, costumes by Emilio Sosa, sound by Jonathan Deans and Taylor J. Williams, and hair/makeup/wigs by Mia M. Neal and Kirk Cambridge Del-Pesche. [6] The production closed on December 23, running a total of 28 performances. [7] [8]

Other productions

There were also productions in Washington D.C. at Woolly Mammoth Theatre Company and at Baltimore Center Stage in October 2022. [9]

Cast and characters

CharacterOff-Broadway

2019

Broadway

2022

Peaches Jordan E. Cooper
Passenger No. 2 Marchánt Davis
Passenger No. 1Fedna Jacquet
Passenger No. 5 Crystal Lucas-Perry
Passenger No. 4Ebony Marshall-Oliver
Passenger No. 3Simone RecasnerShannon Matesky

Awards and nominations

2022 Broadway production

YearAwardCategoryNomineeResult
2023 Drama League Awards Distinguished Performance Jordan E. Cooper Nominated
Tony Awards Best Play Nominated
Best Featured Actor in a Play Nominated
Best Featured Actress in a Play Crystal Lucas-Perry Nominated
Best Costume Design of a Play Emilio Sosa Nominated
Best Sound Design of a Play Jonathan Deans and Taylor WilliamsNominated
Best Direction of a Play Stevie Walker-WebbNominated

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References

  1. Evans, Greg (July 11, 2022). "Lee Daniels To Present Jordan E. Cooper's 'Ain't No Mo' On Broadway This Fall" . Retrieved October 23, 2022.
  2. Marloff, Sarah (September 27, 2022). "Ain't No Mo' Asks and Answers: Post-Racial? Not Really. – WCP" . Retrieved October 23, 2022.
  3. Tran, Diep (October 17, 2022). "See the work of these Black theatre artists in New York this fall" . Retrieved October 23, 2022.
  4. Hornik, Caitlin (October 24, 2022). "Broadway's 'Ain't No Mo' ' announces new preview dates" . Retrieved October 25, 2022.
  5. Evans, Greg (October 6, 2022). "Complete Broadway Cast Announced For Lee Daniels-Produced 'Ain't No Mo''" . Retrieved October 23, 2022.
  6. "Ain't No Mo' – Broadway Play – Original | IBDB". www.ibdb.com. Retrieved December 29, 2022.
  7. Paulson, Michael (December 10, 2022). "Ain't No Mo' to Close on Broadway". The New York Times. ISSN   0362-4331 . Retrieved December 10, 2022.
  8. Evans, Greg (December 16, 2022). "'Ain't No Mo' Extends Broadway Run By A Week" . Retrieved December 16, 2022.
  9. Putnam, Leah (September 28, 2022). "Regional Premiere of Ain't No Mo' Set For Baltimore Center Stage This Fall". Playbill.