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Ajrara gharana, or Ajrada gharana, is one of the six main traditional schools in tabla drum. Gharana use complex Bols and Meend. Pakhawaj bols are rare. The stress is on Ad and Barabar laya. It specializes in the three-time pattern. The position of the left drum is not changed, but its face is touched with the thumb.
This school was founded in the 19th century by Miru Khan and Kallu Khan, disciples of Shitab Khan of the Delhi gharana, in Ajrara, Uttar Pradesh. A notable representative of gharana has been Ustad Habibuddin Khan. Manju Khan Sahib, son and student of Ustad Habibuddin Khan Sahib.
The Ajrara gharana style includes more complicated bol patterns than the Delhi gharana. This is because it also uses the third finger. Bols like Dhina GiNa, Ghe Ghe Tit Kit, Dha Ge Na, etc. are most frequently used. These bols create a certain resonance. Pakhawaj bols are rarely used in this gharana.
Gheginak, gheghe, Dhadagena, Nadagena, Tadagena, etc. are used in the kayadas.
Ajrada is known for its bayan (bass drum) work. The kayadas of Ajrada often have an additional third line out of four.
Ustad Amir Khan was one of the greatest and most influential Indian vocalists in the Hindustani classical tradition. He was the founder of the Indore gharana.
In Hindustani music, a gharānā is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style.
Allauddin Khan, also known as Baba Allauddin Khan was an Indian sarod player and multi-instrumentalist, composer and one of the most notable music teachers of the 20th century in Indian classical music. For a generation many of his students, across different instruments like sitar and violin, dominated Hindustani classical and became one of the most famous exponents of the form ever, including Ravi Shankar and Ali Akbar Khan.
Ustad Shahid Parvez Khan is an Indian classical sitar maestro from the Imdadkhani gharana. He represents the seventh generation of the Etawah Gharana as its primary exponent. He is praised especially for the vocalistic phrasing and quality of his raga improvisations, known as "Gayaki Ang." This translates to "Singing branch/limb". The sitar legend, Ustad Vilayat Khan resurrected and re-introduced Gayaki Ang as a widely accepted sitar genre in India and abroad, and his nephew, Ustad Shahid Parvez Khan has carried this torch into the present day.
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, the oldest version of double sided drums and its descendants are mridangam of Southern India and kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay.
Paṅjāb Gharānā, is a style and technique of tabla playing that originated in the Punjab region of the Indian subcontinent, now split between present-day Pakistan and India. The Punjab Gharana is considered one of the six main styles of tabla, the others being Delhi, Ajrada, Banares, Lucknow, and Farrukhabad. The repertoire of the Punjab Gharana is heavily influenced by the Pakhawaj.
The Delhi or Dilli Gharana, is a tabla discipleship tradition known for being the oldest. This tradition was founded by Sidhar Khan Dhadi in the early-18th Century. The tradition is regarded for establishing a distinction from pakhawaj repertoire, "do ungliyon ka baaj", and contributing improvisation conventions like peshkar and kayada. Heirs of this gharana went on to establish other traditions like Lucknow gharana, Ajrada gharana, and Farukhabad gharana.
Ustad Faiyaz Khan was a tabla player of international repute.
Philip V. Francis was a musician from Thrissur, Kerala, India. He was a versatile artist who excelled in playing various instruments such as tabla, guitar, keyboard and was also famous as a composer and Ghazal singer. He died at the age of 43 in a bike accident, leaving his wife Vidhu and son Johann.
Ustad Sabri Khan was an Indian sarangi player, who was descended on both sides of his family from a line of distinguished musicians.
A tabla is a pair of hand drums from the Indian subcontinent, that is somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka. The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during bhajan and kirtan singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument.
Farrukhabad Gharana is one of six prominent playing styles or gharanas of North Indian tabla, in Hindustani classical music, and derives its name from Farrukhabad in Uttar Pradesh state.
Ustad Shafaat Ahmed Khan New Delhi, India, was one of the leading tabla maestros in the field of Hindustani classical music.
Phuljhuri Khan was a tabla and esraj player from Bangladesh. He was also an accomplished sanai, sitar, and pakhawaj player.
Abdul Sattar Khan, popularly known as Ustad Tari Khan, is a Pakistani tabla player and vocalist. Tari Khan hails from the Punjab gharana and is the student of Ustad Miyan Shaukat Hussain. He has been awarded with many accolades such as Taj Poshi, the Hazrat Amir Khusrow Award, as well as Pakistan's Pride of Performance Award in 2008. Tari Khan belongs to the tabla playing gharana called the Punjab gharana. Today, he is acknowledged as one of the foremost Tabla players of all time by musicians all over the world.
Ajrara is a village situated in the Kharkhoda Mandal of Meerut District in Uttar Pradesh, India. It is located 7.5 kilometres from its Mandal headquarters at Kharkhoda, and 20 kilometres from the district headquarters in Meerut. The population of Ajrara, according to the 2001 Census of India, was 11,513, and it is mainly a Muslim village, with Muslim Tyagis forming an important element.
Ashutosh Bhattacharya was a noted Indian classical musician of Hindustani classical music from Varanasi, who was Tabla player and music educator, besides a practicing Ayurvedic doctor.
Jori, Jodi, Dhamma, or Jorhi is a South Asian percussion instrument made up of two individual drums. The Jori originates from the Punjab region of South Asia. Historically, the Jori has accompanied Gurbani Kirtan. Prominent exponents of the Jori include Ustad Sukhvinder Singh 'Pinky", ,Bhai Baldeep Singh, Bhai Jasdeep Singh, Bhai Surdarshan Singh and Bhai Gian Singh Naamdhari.
Jaiwant Singhji Vaghela of Sanand, also known as Sanand Bapu, was an Indian king, spiritual leader, classical vocalist, beenkar, and musicologist belonging to the Mewati gharana. He is known for being the Thakur of Sanand and guru of Pandit Jasraj. His legacy includes contributions of compositions, new raags, and an integrationist approach to music philosophy.
Bhai Baldeep Singh is a classical and Sikh music singer and musician. He is a researcher and revivalist for conventional string instruments like Dhrupadi Rabab, Saranda, Tambura (Tanpura), Dilruba used for Sikh music since Guru's Times. He is an accomplished Pakhawaj Mridang Jori player. He is the founder and chairman of Anad Foundation organisation dedicated to Sikh music. He was an unsuccessful candidate of Aam Aadami Party in 2014 general elections for Punjab state of India.
