Al Gromer Khan is a German sitar player and composer whose music spans the multiple genres of ambient, new age, world and electronica. He is author of 4 novels and author of National-Radio documentaries and features about music for more than 25 years and works as a visual artist. Al Gromer Khan was awarded the Rabindranath Tagore Cultural Prize 2015 for his lifetime achievement as musician/performer on sitar and surbahar of the highest order, composer, writer and visual artist by the Indo-German Society. [1] [2]
Al Gromer Khan was born Alois Gromer [3] on April 8, 1946, at Frauenzell in the alpine foothills of Bavaria between Lake Constance and Munich. [3]
During his college time he founded a skiffle group, became a jazz guitarist and left his home to become a jazz musician and beat poet, spending time in London, Tangier and India.
Gromer Khan claims that he was drawn to the "mysteries of sound", from early childhood, be it the sound of the bells worn by the Bavarian cows grazing in the alpine meadows near his birthplace, or the "singing" telephone wires on the wind in the freezing Bavarian winters, and later American blues and country music, Indian stringed instruments, the drums of North Africa. Gromer Khan claims to have rejected the academic or diplomatic careers his parents expected him to take up.
The 1960s found a twenty-something Al Gromer in London where he took part in a number of creative experiments which were to have a lasting influence on him. According to Gromer Khan, the Prince Tiane na Champassak of Laos introduced him to tantric art and pop star Marc Bolan invited him to join in the all-night jam sessions he hosted. He explored psycho-acoustic phenomena with film director Mike Figgis, and saxophonist Ronnie Scott of Ronnie Scott's Jazzclub, who introduced Al to Ben Webster, Max Roach and Miles Davis, while Cat Stevens (now known as Yusuf Islam), gave him a taste for English poetry. At times he attended a London art school.
Gromer Khan's creative encounters during the 1960s deeply formed his musical taste and style; however, Gromer’s ultimate musical awakening came at a recital by sitarist Ustad Vilayat Khan in Westminster Abbey 1968. Gromer Khan professes to have been so moved by the performance that he instantly decided to devote his life to the study of the sitar. He went to India, where he was to find a powerful teacher in Vilayat Khan's brother, Ustad Imrat Khan. Gromer Khan remained in India for the next three years, speed-learning his instrument at the feet of his guru. He returned to Bavaria in 1973, already an accomplished sitarist.
Gromer Khan spent the next 7 years studying with Imrat Khan in Europe and India. In 1975, his teacher performed the Ghanda Ceremony, thus initiating Al Gromer into the Khan-I-Gharana lineage of sitarists. He was the first outsider to be accepted into this particular Gharana, which like most Hindustani musical traditions, passes knowledge down the generations from father to son. After his initiation, Al Gromer added "Khan" to his name.
Concurrently, Khan is engaged in a number of experimental projects, pioneering the proto-electronic music amongst others together with Popol Vuh. He was involved in contemplative and world music for radio, television, film and sound recordings projects. With his extensive compositional work he was the initiator and key figure of musical genres that are now known as Ambient and World Music, New Age.
Travel and concerts of classical Indian music in India and Europe followed. In addition, texts and documentaries on music for various ARD radio stations. Since 1974, Khan has released more than 50 albums.
He currently resides in Munich, Germany.
In 2006 the novel Der Lehrer sein Schüler und der weiße Mogul audiobook was released. 2007 the short novel Jazzweihnacht audiobook followed. 2011 the English version e-book Jazzchristmas. 2009 the novels Jimi of Silence and Der weiße Mogul were released. 2013 the English version The White Mogul and e-book 2015. Kurt und Bongo und die Hippies novel released in German 2017 as well as the English version Kurt and Bongo and the Hippies book and e-book.
Tantra is an esoteric yogic tradition that developed on the Indian subcontinent from the middle of the 1st millennium CE onwards in both Hinduism and Buddhism.
The sitar is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th-century figure of the Mughal Empire has been identified by modern scholarship as the inventor of the sitar. According to most historians, he developed the sitar from the setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from Veena.
Kundalini yoga derives from kundalini, defined in tantra as energy that lies within the body, frequently at the navel or the base of the spine. In normative tantric systems, kundalini is considered to be dormant until it is activated and channeled upward through the central channel in a process of spiritual perfection. Other schools, such as Kashmir Shaivism, teach that there are multiple kundalini energies in different parts of the body which are active and do not require awakening. Kundalini is believed by adherents to be power associated with the divine feminine, Shakti. Kundalini yoga as a school of yoga is influenced by Shaktism and Tantra schools of Hinduism. It derives its name through a focus on awakening kundalini energy through regular practice of mantra, tantra, yantra, yoga, laya, haṭha, meditation, or even spontaneously (sahaja).
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Ravi Shankar, was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known expert of North Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999.
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Ustad Vilayat Khan was an Indian classical sitar player, considered by many to be the greatest sitarist of his age. Along with Imdad Khan, Enayat Khan, and Imrat Khan, he is credited with the creation and development of gayaki ang on the sitar.
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Mohamed Assani is a Vancouver based sitar player and composer. He has composed for orchestra alongside John Oliver and performed for heads of state and royalty including the Al Maktoum, His Highness Aga Khan IV the Governor General of Canada and Amyn Aga Khan. The Georgia Straight wrote, "Assani is both a musician who’s deeply rooted in the artistic traditions of South Asia and a one-of-a-kind innovator."
Mark S. G. Dyczkowski is an English Indologist, musician and a scholar on Tantra and Kashmir Shaivism. He has published multiple translations and commentaries, most notably the 12 volume Manthanabhairava Tantra and an 11 volume Tantrāloka including the commentary by Jayaratha. Dyczkowski also plays the sitar and has collected over 1,500 compositions for sitar.