Al Que Quiere! is a collection of 52 poems by William Carlos Williams, published in 1917 by the Four Seas Company of Boston, Massachusetts. Williams paid $50 to the publisher. [1] The original edition announces, "Many of the poems in this book have appeared in magazines, especially in Poetry , Others , The Egoist , and The Poetry Journal."
Williams's translation of the title is "To Him Who Wants It." He wrote of this, "I have always associated it with a figure on a soccer field: to him who wants the ball to be passed to him. [...] I was convinced nobody in the world of poetry wanted me but I was there willing to pass the ball if anyone did want it." [2]
In this early work, Williams is still finding his voice, still experimenting with a variety of styles and approaches, but has eliminated "[r]hyme, conventional meter, figurative language, [and] literary associations." [3]
The final poem in the original edition was the multi-part “The Wanderer: A Rococo Study,” which had been written before the other pieces. For The Collected Earlier Poems (New Directions, 1966), it was extracted from the section containing Al Que Quiere! and instead moved to the front to stand on its own.
William Carlos Williams was an American poet, writer, and physician closely associated with modernism and imagism.
The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle - herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A pastoral is a work of this genre. A piece of music in the genre is usually referred to as a pastorale.
Delmore Schwartz was an American poet and short story writer.
The Objectivist poets were a loose-knit group of second-generation Modernists who emerged in the 1930s. They were mainly American and were influenced by, among others, Ezra Pound and William Carlos Williams. The basic tenets of objectivist poetics as defined by Louis Zukofsky were to treat the poem as an object, and to emphasize sincerity, intelligence, and the poet's ability to look clearly at the world. While the name of the group is similar to Ayn Rand's school of philosophy, the two movements are not affiliated.
Harold Hart Crane was an American poet. Provoked and inspired by T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike, as being one of the most influential poets of his generation.
Priscilla Denise Levertov was a British-born naturalised American poet. She was a recipient of the Lannan Literary Award for Poetry.
Francis Russell "Frank" O'Hara was an American writer, poet, and art critic. A curator at the Museum of Modern Art, O'Hara became prominent in New York City's art world. O'Hara is regarded as a leading figure in the New York School, an informal group of artists, writers, and musicians who drew inspiration from jazz, surrealism, abstract expressionism, action painting, and contemporary avant-garde art movements.
Paterson is an epic poem by American poet William Carlos Williams published, in five volumes, from 1946 to 1958. The origin of the poem was an eighty-five line long poem written in 1926, after Williams had read and been influenced by James Joyce's novel Ulysses. As he continued writing lyric poetry, Williams spent increasing amounts of time on Paterson, honing his approach to it both in terms of style and structure. While The Cantos of Ezra Pound and The Bridge by Hart Crane could be considered partial models, Williams was intent on a documentary method that differed from both these works, one that would mirror "the resemblance between the mind of modern man and the city."
John Francis Alexander Heath-Stubbs was an English poet and translator. He is known for verse influenced by classical myths, and for a long Arthurian poem, Artorius (1972).
Spring and All is a volume of poems by William Carlos Williams, first published in 1923 by Robert McAlmon's Contact Publishing Co.
Russell Simmons presents Def Poetry, better known as simply Def Poetry Jam or Def Poetry, is a spoken word poetry television series hosted by Mos Def and airing on HBO between 2002 and 2007. The series features performances by established and up-and-coming spoken word poets. Performances also include special appearances by well-known actors and musicians, as well as occasional performances by Mos Def himself. Co-created by Bruce George, Danny Simmons, Deborah Pointer, Stan Lathan, and Russell Simmons, the show is a spin-off of the popular Def Comedy Jam which began airing on HBO in the 1990s. As with Def Comedy, Simmons appears at the end of every episode to thank the audience.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Journey to Love was a 1955 Random House book by the American modernist poet/writer William Carlos Williams. He dedicated it to his wife. All of the poems are in triadic stanza form, sometimes "with a short fourth line to fill out the measure."
The Eclogues is a book of four Latin poems, attributed to Marcus Aurelius Olympius Nemesianus.
David Christopher Miedzianik is an English autistic poet and writer. His writings portray the more difficult aspects of autism. Additionally, most of his poems focus on social difficulties that he experiences. He is unemployed, but writes about how he wants to work and find love. Miedzianik writes about specific examples pertaining to those desires. Miedzianik's works have been extensively analyzed by noted autism researchers, who describe his writing as thoughtful, sophisticated, and displaying an unusually strong awareness of his social difficulties.
David Happell Hsin-fu Wand (1931–1977) was a poet, translator, collaborator with William Carlos Williams and Ezra Pound, and editor responsible for the popularization of Asian-American literature through his 1974 anthology Asian American Heritage: An Anthology of Prose and Poetry. After espousing virulently neo-fascistic and segregationist views in the 1950s under the tutelage of Pound, Wand moved to California in the 60s and became a supporter of the Black Power movement, seeing parallels between the Asian-American and African-American experience.